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The Face: A Novel, by Dean Koontz
Fee Download The Face: A Novel, by Dean Koontz
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He’s Hollywood’s most dazzling star, inspiring the worship of millions and the hatred of one twisted soul. His perfectly ordered existence is under siege as a series of terrifying “messages” penetrates the security of his legendary estate. All that stands between him and an insidious killer is a weary ex-cop who has already seen his own death.
Enter a world of marvelous invention, enchantment, and implacable intent, populated by murderous actors and the walking dead, hit men and heroes, long-buried dreams and never-dying hope. Dean Koontz takes readers on an unforgettable journey to the heart of darkness and to the pinnacle of grace, with a brilliantly observed chronicle of good and evil in our time, of illusion and everlasting truth.
- Sales Rank: #372995 in Books
- Brand: Bantam
- Published on: 2009-09-29
- Released on: 2009-09-29
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x 1.60" w x 4.20" l, .82 pounds
- Binding: Mass Market Paperback
- 672 pages
- Great product!
Amazon.com Review
Ten-year-old Aelfric Manheim is home alone when he receives a call from a stranger with a simple and terrifying message, "There is trouble coming, young Fric...You're going to need a place to hide." Meanwhile, security chief for the Manheim estate, former detective Ethan Truman, is tailing a "deader than dead" body that got up and left the morgue when he vividly experiences his own death--twice. In The Face, Dean Koontz delivers yet another spellbinding and chilling novel, where real and imagined monsters walk the streets, ghosts travel through mirrors, and the devil makes house calls. Stalked by both real and supernatural evil, the bright and sensitive Fric, virtually orphaned by his A-list Hollywood parents, and the brave but disillusioned former detective Ethan Truman, himself suffering from the loss of his wife, must rely on their wits and each other to escape a dark and disturbing fate.
The supernatural lurks just beneath the surface of the "real" in Koontz's novels, and The Face is no exception. Ghosts, angels, demons, child predators and serial anarchists run rampant in Koontz's tale--the unsuspecting reader never knows what is real or imagined until the characters themselves know--creating a disorienting and frightening experience, and one that is vintage Koontz. Whether it be the real-life "agents of chaos" who roam the world creating mayhem and death or the phone lines that carry words of the dead to the living, this is Koontz at his most powerful and terrifying.
In The Face, Koontz has created a modern fable for adults, taking the bones from tales of old and breathing new life into the characters. Clearly written for adults, The Face nevertheless channels the wit and wisdom of Aesop as well as the violence and villainy of the Brothers Grimm. While Koontz's penchant for elaborately singsong descriptions can be grating, ultimately it lends this tale its folkloric quality, i.e. "The June-bug jitter, scarab click, tumblebug tap of the beetle-voiced rain spoke at the window, click-click-click." In this fable, the world is a menacing and threatening place for adults and children alike, and the naïve and uninformed go trip-trapping through life with no notion of the trolls that lurk in the dark. The moral of this story is that, good or evil, you will get what is coming to you; it's up to you to succeed or fail for you alone decide your path punishment or redemption. --Daphne Durham
From Publishers Weekly
The final pages of Koontz's newest are uplifting enough to make Cain repent and Pilate weep. And there's much else in this novel to savor-and savor it readers must, because some of the book is slow going (it's also much too long). There's scarcely an author alive who, judging by his books, loves the English language more than Koontz; there's certainly no bestselling author of popular fiction who makes more use of figures of speech and whose sentences offer more musicality. That can be Koontz's weakness as well as strength, however. Koontz is also one of the great suspense authors, and when he's fashioned a particularly robust plot to carry his creative prose, as in last year's By the Light of the Moon, he's an Olympian. But when he stretches a thin story line beyond resilience, the language can overcome the narrative like kudzu vines. That happens here, despite the tale's grandeur and strong lines. The eponymous Face is the world's biggest movie star; he doesn't appear in the novel, but his smart, geeky 10-year-old son, Fric, takes center stage, as does Ethan Truman, cop-turned-security chief of the Face's elaborate estate and Fric's main human protector when one Corky Laputa, who's dedicated his life to anarchy, decides to sow further disorder by kidnapping this progeny of the world's idol. Fric's secondary protector was also human, a mobster, until he recently died and became Fric's (somewhat inept) guardian angel. Most of the narrative concerns Corky's abominations and Ethan and Fric's dawning awareness, via numerous uncanny events, of the unfolding horror. Koontz's characters are memorable and his unique mix of suspense and humor absorbing; but his overwriting-e.g., a chapter of about 2,000 words to describe Corky's coverup of a murder, when a sentence or two would have sufficed-make this worthy novel less than a dream. Still, great kudos to Koontz for creating, within the strictures of popular fiction, another notable novel of ideas and of moral imperatives.
Copyright 2003 Reed Business Information, Inc.
From Booklist
Not a damsel, but a poor little rich kid is in distress in Koontz's latest thriller. Aelfric--Fric for short--is the skinny, 10-year-old son of the biggest movie star in the world, Channing Manheim, called The Face after his most obvious asset. A homicidal anarchist literature professor plans to kidnap and torture the boy to death, recording the proceedings for controlled leakage to the media, all for the sake of making everyone paranoid and increasing disorder in the world. The psycho has figured out how to get Fric despite the fact that the Manheim mansion is as well guarded as the White House. Chief of security Ethan Truman is certainly capable of dealing with the sicko, but he thinks the threat implied by six mysterious packages sent to the mansion is against The Face. Fortunately, a series of very convincing hallucinations is prodding Ethan toward enlightenment at the same time that untraceable phone calls and a man who emerges from and disappears back into reflective surfaces are warning Fric of oncoming danger. Koontz keeps the suspense setting on high and rides his hobbyhorses against Hollywood, the media, and present-day academe, while proving that his sense of brand-name product placement is superb. Good summertime scare fluff. Ray Olson
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
47 of 50 people found the following review helpful.
Original and Entertaining
By C. Middleton
From the start, the stage is set for this unusual and original tale with the rain, pouring down incessantly over the city of angels. In fact, the grey, gloomy skies and rain are major characters in the book. (Koontz refers to them constantly, and to great effect) We have all the ingredients for the standard thriller genre: troubled and sensitive cops, a dazzling Hollywood star, an exceedingly intelligent and evil antagonist and the constant threat of doom, hanging over the reader like the sword of Pericles, ready to drop at any moment. But ~The Face~ gives us something more than the prototype: stereotypes are brilliantly combined with the paranormal. Throughout the reading, my rational mind continued to search for logical explanations for the many strange events that happen to the main characters. To my frustration, however, no rational answers came forth because, in most cases, there weren't any. This novel makes excellent reading because what you see in not always what you expect or get...
The strongest aspect about the writing itself is the author's skill for characterization. Even the apparent insignificant characters in the novel have certain depth, which invokes the feeling one gets when meeting someone casually for the first time. He devotes each chapter of the tale from the perspective of each major player, and we easily enter their minds, feel their thoughts and emotions. Particularly the ten year old boy, Fric, with his pubescent humor and loneliness...and, of course, the terrifying literature professor and his Deconstructive, post modern stance on the written word. As a ruthless anarchist, he could have no better or appropriate philosophy concerning literature. This guy is truly bad without being outlandishly comic-bookish, similar to many other serial killer types in the thriller market place. Corky Laputa is just plain wicked.
If you're expecting the stock-standard thriller with all the tired stereotypes, you'll be disappointed with this novel. Then again, it has all the successful ingrediants one might expect, but Koontz throws in an interesting wrench into the work, which makes the book refreshing and highly enjoyable.
39 of 44 people found the following review helpful.
You Can See Terror Coming, but You Can't Stop It
By Lonnie E. Holder
This book is one of Koontz' best. The beginning was a little slow to take off, but I was hooked around page 50 or so, and could barely keep from flipping to the end to see how it all ended. What impressed me most about this book was the outstanding ending, with more than one of those twists that many authors try to put into a book, but here they are all successful.
Channing Mannheim is the highest paid actor in the world. Handsome to the point where he is called "The Face," he lives a life style that none of us can imagine. Surrounded constantly by bodyguards, servants, and various hangers-on, he is the epitome of the rich and famous. While Channing is mentioned frequently throughout the book, we meet this world-famous man personally but once. However, we lack not for principal characters. The most important are Aelfric (who likes to be called Fric) Mannheim, Channing's 10-year-old and somewhat normal son, Ethan Truman, a former police officer, now head of Channing's security and married to the late Hannah Truman, Corky Laputa, anarchist extraordinaire, and Dunny Whistler, once (and perhaps always) Ethan's best friend, though turned to a life of crime before he died.
While these four characters are the focus of the multiple chapters, Koontz does his very best to complicate the story by introducing a host of secondary characters. The characters are described in sufficient depth to enhance your understanding of the personalities of the principal characters, and while the complexity of the story challenges the ability to keep track of who's who, in general I was able to stay on top of what was happening in the story.
With all these characters running about, there must be an interesting story here, and there is. To describe the happenings in detail would give away too much, so I offer a flavor. The reader quickly finds out that Corky has a good acquaintance by the name of Rolf Reynard. Rolf is supposed to be leaving mysterious packages at the estate of Channing Mannheim, but he makes a big mistake and Mannheim's security spots him on camera. Let the weirdness begin.
We are quickly lured into a world inhabited by some of the strangest, and often some of the most chilling, people and events of any Koontz book. A man walks from a mirror. Anarchists plot to sow disorder on the world by killing and trying to cause racial unrest and unrest in general. Any opportunity to increase anger by one neighbor toward another is taken. We also discover that these anarchists have an evil in them that may be more responsible for their enjoyment of chaos than a dislike for order. Dead men may walk. A central character is killed, or is he? We come face to face with unspeakable evil. We meet ultimate good. Koontz has managed to cram a lot into 600 pages of reading pleasure.
Koontz has a history of unsatisfying endings. This book is proof that when Koontz comes up with a good ending, it can be a great ending. While I had predicted portions of the ending, much of it, including most of the key aspects, was a total surprise. Portions of the last part of the book were worthy of James Bond. I suspect that this book would make an excellent movie. I plan to go see it, as it inevitably will become a movie.
Koontz has written all types of books, including science fiction, fantasy, horror, mystery, thrillers, and just plain weird books. This book is a supernatural horror story, and a very good one. While the action is steady and paced versus a roller coaster ride, it is like the long, long climb to the top of a single steep hill. While the wait can seem endless, the drop at the end is worth it. Fans of Koontz will find this to be one of Koontz' best. Fans of horror novels will enjoy the novel ending. Excellent reading here!
16 of 17 people found the following review helpful.
An Excellent Tale
By A Customer
In order for a book to be good, one thing it absolutely must have is interesting characters. This one does. From the ex-cop turned security chief, to the little boy in peril, these are characters I'd like to see more of, and that's always a good sign. If you read a book and at the end you wish you could know more about the people in the book, then you've found a pretty good read. But this one doesn't stop there. It also has a beautifully crafted story that builds slowly, gaining steam gradually, so you can savor the taste of it as you read along. It's eerie, not ghastly, and the ending made me weep. Give it a look, you probably won't be disappointed.
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