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Prodigal Son (Dean Koontz's Frankenstein, Book 1), by Dean Koontz, Kevin J. Anderson
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From the celebrated imagination of Dean Koontz comes a powerful reworking of one of the classic stories of all time. If you think you know the story, you know only half the truth. Get ready for the mystery, the myth, the terror, and the magic of…
Dean Koontz's Prodigal Son
Every city has secrets. But none as terrible as this. His name is Deucalion, a tattooed man of mysterious origin, a sleight-of-reality artist who’s traveled the centuries with a secret worse than death. He arrives as a serial killer stalks the streets, a killer who carefully selects his victims for the humanity that is missing in himself. Detective Carson O’Connor is cool, cynical, and every bit as tough as she looks. Her partner Michael Maddison would back her up all the way to Hell itself–and that just may be where this case ends up. For the no-nonsense O’Connor is suddenly talking about an ages-old conspiracy, a near immortal race of beings, and killers that are more—and less—than human. Soon it will be clear that as crazy as she sounds, the truth is even more ominous. For their quarry isn’t merely a homicidal maniac—but his deranged maker.
- Sales Rank: #661391 in Books
- Brand: Bantam
- Published on: 2005-01-25
- Released on: 2005-01-25
- Original language: English
- Number of items: 1
- Dimensions: 6.90" h x 1.00" w x 4.10" l, .55 pounds
- Binding: Mass Market Paperback
- 512 pages
- Great product!
From Publishers Weekly
In this grisly thriller, the first in a new series by bestsellers Koontz and Anderson, Dr. Frankenstein has survived into the 21st century, masquerading as biotech tycoon Victor Helios. Helios wants to replace flawed humanity with his New Race, people born and fermented in pods, their personalities programmed by him, their imperfections removed in the lab. But at least one of his creations has become a serial killer, trying to assemble the perfect woman from parts of many. Like expert plate-spinners, the authors set up a dizzying array of narrative viewpoints and cycle through them effortlessly. These include one of Victor's creations who suffers from autism and is trying to understand it; a cloned priest who serves as a clandestine member of Helios's army; Helios's custom-made wife, unique among his creations in that she's allowed to feel shame; and, tying it all together, a classic buddy-cop set of homicide detectives who slowly come to understand that the butcher they're chasing isn't quite human. The odd juxtaposition of a police procedural with a neo-gothic, mad scientist plot gives the novel a wickedly unusual and intriguing feel. The familiarity of the Frankenstein myth makes much of the story arc predictable, but it's still a compelling read, with an elegant cliffhanger ending. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Grade 10 Up—Detective O'Connor manages to look seductive and tragic while snacking in parking lots and blindly following the trail of New Orleans's most gruesome murderer. She and her partner, the slightly lackluster Michael Maddison, have discovered corpse after corpse throughout the city, each missing limbs or organs. Meanwhile, life seems easy for Victor Helios, scientist and technology mogul who lives in the lap of Southern luxury with an army of servants and a spouse to rival the most astonishing of Stepford wives. Strangely though, his company, Helios Biovision, housed in the crumbling Hands of Mercy Hospital, features bricked windows, security cameras, steel doors, and a staff that never sees the light of day. Based on the novel by Kevin J. Anderson and Dean Koontz, this graphic novel is one of the more compelling in the recent trend of "classic" adaptations. The story, though familiar, is packed with a satisfying blend of sinister twists and modern supporting characters. Booth's art has enough intensity and detailed creepiness to make any reader squirm. The eyes of the characters convey a sense of doom and inhumanness that adeptly mirror the philosophical darkness of the plotline. Blending questions of the human condition, justice, and revenge with a healthy smattering of gore, this first volume is sure to be snatched up by teens.—Shannon Peterson, Kitsap Regional Library, WA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* Some 200 years after creating his monster, Victor Frankenstein, alias Helios, is settled in New Orleans. Continuing research and experimentation have allowed him to obviate robbing graveyards to fashion his creatures, and to enhance himself so that he indefinitely remains a vigorous fortysomething. He is seeding the city with his perfect (i.e., perfectly obedient to him) New Race, intending to eventually replace and exterminate "imperfect" humanity. Helios has been identified, however, and photos have been sent to Deucalion, in retreat at a Tibetan monastery, who hastens to see whether he can unmake his maker this time. Deucalion is Frankenstein's original monster, granted virtually indestructible longevity, he thinks, by the lightning that brought him to life. If Frankenstein has become monstrous, the monster has become human in the best sense, also cannier and more powerful. Unfortunately, with New Racers in mufti all over New Orleans, many more need to be gotten. Fortunately (as it happens), one New Racer is rebelling, murderously, and his killings overlap with those of a serial killer, bringing the attentions of homicide cops Carson O'Connor and Michael Maddison. And, known only to the reader, one of Frankenstein's new experiments is going awry, not to mention AWOL. With Anderson's help in this book (and Ed Gorman's in its continuation, coming this spring), Koontz realizes his original concept for a cable TV effort from which he withdrew. It was TV's loss, for, filmed utterly faithfully, Prodigal Son could be the best horror thriller and, hands down, would be the best Frankenstein movie, ever. Ray Olson
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
0 of 0 people found the following review helpful.
Dr. Frankenstein is still alive, and so is the Monster
By Schtinky
Set in exotic New Orleans, Dr. Victor Helios (aka Dr. Frankenstein) is still alive, and still practicing his wicked ways behind the façade of running a legitimate business called Helios Biovision. At the abandoned Hands Of Mercy Hospital, instead of simply reanimating corpses, Victor is using new technology not only to extend his own life but to create life from scratch. His new technology includes direct-to-brain downloads so his creations emerge fully ready to take on their roles in life. Creations like Erika Four, his lovely custom made wife, the fourth he's gone through so far; and Randal Six, who's been created with autism so that Victor can experiment with using autism to develop more focused workers.
The monster, born of the grave, also immortal and now calling himself Deucalion, is living in Tibet with a group of monks. When he receives a letter informing him that Victor is still alive, Deucalion decides he must travel into the real world again to find a way to destroy Victor. He travels to New Orleans and moves into the Luxe Theater with his old carnival friend Jelly Biggs.
Detectives Carson O'Conner and Michael Maddison are assigned to the case of a new serial killer who's killing young ladies and removing specific body parts from them (hands, eyes, ears, etc). The bodies of three men missing internal organs complicate the case. The killer has been nicknamed The Surgeon, and partners O'Conner and Maddison must find him before he strikes again. Aside from her tight work schedule, Carson is also caring for her autistic younger brother Arnie.
Strange bodies turn up at the morgue, Carson runs into a mysterious man claiming there are more like him "out there", and Victor continues his evil experiments. Reviving Frankenstein sounds like it would be a weak or clichéd idea, but Koontz and Anderson pull it off. Despite pilfered ideas from the old Black & White movies The Frozen Dead and The Brain That Wouldn't Die, not to mention a character similar to one already created in Koontz's 'Hideaway', there's enough new and unique material in the story to make it dynamic and highly entertaining. Watch out, the book ends in a real cliffhanger, so you'll want to have book two, 'City Of Night', already beside your elbow. Although I became disappointed in Koontz after 'Mr. Murder', it seems he's regained his old formula with this Frankenstein series and written a seat-of-your-pants novel. I recommend this book to horror and thriller fans. Enjoy!
0 of 0 people found the following review helpful.
Frankenstein with a modern twist
By Amazon Customer
Excellent story, kept me wondering what would be next and how it would happen. Has many characters who struggle with themselves and their fate.
I'd recommend it to anyone who enjoyed the Frankenstein book or movies. It's an homage to the past and a brand new story at the same time.
0 of 0 people found the following review helpful.
Agree: Lame
By WG West
Like other reviewers, I've waited eagerly for this third installment. I bought all three books in the trilogy, since it had been quite a while since I'd the first two.
I remember *loving* the first two books, but something seemed...amiss; didn't like them as well the 2nd time around. A lot was clarified for me when I read Koontz's admission about rewriting them. I wish I had the original ones I had bought so I could compare the different versions, seeing what I liked/didn't like about the rewrites, and how extensive they might have been.
The third book...just horribly lame. Did Koontz so dislike the first two books that he felt he had to jag in a 90-degree direction on this one? The writing is terribly un-Koontz: not scary, not compelling, not funny, not uplifting. In the least.
I have the same opinion as one of the other reviewers: I think Koontz ought to let his co-writers on the 1st two books rewrite the third; there might be something worth reading after that, at least.
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