Rabu, 23 April 2014

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David Letterman's Book of Top Ten Lists: and Zesty Lo-Cal Chicken Recipes, by David Letterman, David Letterman Writers

David Letterman's Book of Top Ten Lists and Zesty Lo-Cal Chicken Recipes

by David Letterman and the Late Show with David Letterman Writers

It's like watching TV -- with the added danger of paper cuts!

Top Ten Apologies to People Buying This Book:

10.      Cheap glue will only hold the thing together for about six days.

9.      Some kids sneaked into the printing plant and added the word "ass" to a lot  of the lists.

8.      It costs about a dime to print one of these babies -- now take a look at the retail price, sucker!

7.      We're using the money we make to buy "little Dutch girl" outfits for Dave's poodles.

6.      The book was hastily assembled overseas by jabbering foreigners who don't give a damn about you or your family.

5.      A drunk maintenance guy fell into the press and parts of him appear on pages 68-87.

4.      Felt safe making jokes about the Amish on TV; forgot some of them might actually see the book.

3.      Dave insisted on writing some of these and we had to play along.
.
2.      There is no remote control. Don't look for one.

1.      The book ain't much better than the TV show.


From the Hardcover edition.

  • Sales Rank: #244284 in Books
  • Published on: 1995-10-01
  • Released on: 1995-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .50" w x 6.00" l, .62 pounds
  • Binding: Paperback
  • 176 pages
Features
  • ISBN13: 9780553763577
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Letterman is a Team Rahal Co-Owner and America's most beloved TV Personality.

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Senin, 21 April 2014

## PDF Download Queen of Swords, by Sara Donati

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Queen of Swords, by Sara Donati

It is the late summer of 1814, and Hannah Bonner and her half brother Luke have spent more than a year searching the islands of the Caribbean for Luke’s wife and the man who abducted her. But Jennet’s rescue, so long in coming, is not the resolution they’d hoped for. In the spring she had given birth to Luke’s son, and in the summer Jennet had found herself compelled to surrender the infant to a stranger in the hope of keeping him safe.

To claim the child, Hannah, Luke, and Jennet must journey first to Pensacola. There they learn a great deal about the family that has the baby. The Poiterins are a very rich, very powerful Creole family, totally without scruple. The matriarch of the family has left Pensacola for New Orleans and taken the child she now claims as her great-grandson with her.

New Orleans is a city on the brink of war, a city where prejudice thrives and where Hannah, half Mohawk, must tread softly. Careful plans are made as the Bonners set out to find and reclaim young Nathaniel Bonner. Plans that go terribly awry, isolating them from each other in a dangerous city at the worst of times.

Sure that all is lost, and sick unto death, Hannah finds herself in the care of a family and a friend from her past, Dr. Paul de Guise Savard dit Saint-d’Uzet. It is Dr. Savard and his wife who save Hannah’s life, but Dr. Savard’s half brother who offers her real hope. Jean-Benoit Savard, the great-grandson of French settlers, slaves, and Choctaw and Seminole Indians, is the one man who knows the city well enough to engineer the miracle that will reunite the Bonners and send them home to Lake in the Clouds. With Ben Savard’s guidance, allies are drawn from every segment of New Orleans’s population and from Andrew Jackson’s army, now pouring into the city in preparation for what will be the last major battle of the War of 1812.


From the Hardcover edition.

  • Sales Rank: #76652 in Books
  • Brand: Donati, Sara
  • Published on: 2007-09-25
  • Released on: 2007-09-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.88" h x 1.17" w x 4.16" l, .74 pounds
  • Binding: Mass Market Paperback
  • 720 pages

From Publishers Weekly
The fourth in Donati's popular Wilderness series (Into The Wilderness, etc.) takes the Scott family on a perilous journey to New Orleans on the eve of one of the War of 1812's climactic battles. The action begins with the dramatic rescue of Jennet Scott from captivity in the French Antilles. Her saviors include her husband, Luke, a prominent Montreal merchant, and Luke's Mohawk half-sister, Hannah, a physician. Jennet had given birth to a son, Nathaniel, during her captivity and enlisted Honoré Poiterin, a shady Creole merchant, to smuggle him to safety. The Scotts trek to New Orleans after discovering Poiterin and his grandmother have taken the child there and are claiming him as their own. In a city surrounded by two opposing armies, the Scotts find an ally in Ben Savard, the well-connected half-brother of a plantation owner. Out of a surfeit of characters (there are over 30 "primary characters" listed at the book's beginning), Hannah is the star—surviving two brushes with death, saving countless lives and still finding time to fall in love. The conclusion is predictable and the pacing uneven, but fans of epic historical adventures will be captivated by the exotic setting and intriguing story line. (Oct. 31)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In the fifth volume of her popular Wilderness series, after Fire along the Sky (2004), Donati sweeps readers into two strong women's personal journeys of rescue and redemption. It is 1814 in the French Antilles, where Scots noblewoman Jennet Scott Huntar is being held captive. But when her future husband, Luke, and his half-sister, Hannah, finally locate and free her, their troubles have just begun. To ensure the safety of her son, born during her imprisonment, Jennet had made a devil's bargain with a dissolute, untrustworthy man. As the trio travels from Pensacola to New Orleans in their attempts to learn the child's whereabouts, Jennet struggles to heal herself and her marriage, while Hannah, half-Mohawk, uses her medical training to help the city's Indian populace and faces deadly illness herself. It's both a smoothly written, engrossing adventure about an early American family and a vivid depiction of the little-explored War of 1812, yet it's more than that. Donati also delves into much deeper realities, such as race and prejudice in one of America's famously multicultural cities, the complex patterns of revenge, the price of loyalty during wartime, and the transformative power of love. Avid historical fiction and romance readers will devour it. Sarah Johnson
Copyright © American Library Association. All rights reserved

About the Author
Sara Donati is the pen name of Rosina Lippi. She lives with her husband, daughter, and various pets in an area between the Cascade Mountains and the Puget Sound.


From the Hardcover edition.

Most helpful customer reviews

31 of 32 people found the following review helpful.
Queen of Swords
By Rosely
Queen of Swords is the fifth book of the Into the Wilderness series, where Sara Donati continues her historical fiction account of the Bonner family. Fans of the series will not be disappointed. However, you do not have to read the first four novels to get the most from this sequel. It is fresh with new setting and new characters and the author brings up what is important to know for you to understand and enjoy the novel.

Luke and Hannah's search for their beloved Jennet, who has been abducted, takes them to New Orleans during the war of 1812. Through their adventure you will have your emotions stirred up by the situations created by war, racism, prejudice, dominating power and slavery.

The setting is so well described, that you can just close your eyes to picture it. The characters are good, convincing, strong and likable. The author is very skillful in keeping the story intriguing, suspenseful and interesting. Very well written and leaves space for readers to imagine the details.

It is a great book. I highly recommended it.

0 of 0 people found the following review helpful.
I love the new characters
By frances finley
I loooooooooooooooooooooooooved this book. It was a page turner from the first page. I love the new characters. I love the true telling of what the slaves really went through. However, the Jamaica train scene was a little too much for me and I had to put the book down for a couple of days. I love how Jennet and Luke and Hannah grow and mature and how they depend on each other more and more. Even though we do not get as much from Elizabeth and Nathaniel we still know what is going on in Lake in the Clouds from the letters home which I look forward to reading as if the letters were written to me. This book did not disappoint.

0 of 0 people found the following review helpful.
An Adventure From Start To Finish
By Teresa Ramseur
Overall, I think I must admit, that I enjoyed this one a lot more than the last book, in the series. This one does have a different feel than previous books, as it focuses mainly on the characters of Luke, Hannah, and Jennet. I won't say anything more, except that the setting, both the tense political and military situation as well as the tense social climate of the times in New Orleans, leant itself well to the story, giving it an ever-present, often underlying, sense of urgency. For me this one was truly an adventure from start to finish, and an excellent addition in the series.

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Sabtu, 19 April 2014

!! PDF Ebook Eleven Days, by Donald Harstad

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Eleven Days, by Donald Harstad

In a mesmerizing debut, cop-turned-author Donald Harstad uses real-life events to paint a jarring picture of crime in America's heartland--where two-stoplight towns no longer offer refuge from modern-day brutality.

Life in Maitland, Iowa, is usually predictable, even for a cop. But all that changes the day Deputy Sheriff Carl Houseman's dispatcher receives the terrifying 911 call. The day cops find the mutilated bodies at a remote farmhouse. The first of eleven days Carl will never forget.

As hotshot investigators fly in from New York, Carl and his fellow cops use old-fashioned detective work to piece together clues. But to turn suspicions into suspects, Carl must search among his closest friends to find a killer who has shocked and bewildered cops who'd thought they'd seen it all. And before it's over, Carl will be forced into an unrelenting spiral of chaos, coming face-to-face with evil he never dreamed could exist in Maitland...or anywhere else.

  • Sales Rank: #579785 in Books
  • Color: Black
  • Published on: 1999-05-04
  • Released on: 1999-05-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x .75" w x 4.19" l, .45 pounds
  • Binding: Mass Market Paperback
  • 368 pages

Amazon.com Review
Reflecting 26 years as a deputy sheriff in northeastern Iowa, Donald Harstad's first book, a topnotch thriller about an Iowa deputy sheriff named Carl Houseman, is full of convincing details of everyday police work and is told in such a droll, natural voice that you'll swear you've met both author and hero. "When I got home, Sue was a little angry," Houseman says about his wife. "I'd neglected to leave her a note about the meeting. Consequently, supper had turned out to be a problem. She'd taken care of it by making a taco-type soup, so it was still warm when I got there. She'd eaten." In other hands, the story (a series of ritual murders, a Satanic cult, the possible involvement of a local clergyman) might seem over the top. But Harstad's dead-on, no-nonsense manner makes it all very convincing--and extremely readable. --Dick Adler

From Publishers Weekly
The first half of Harstad's good-natured debut may read like Fargo meets Dragnet, but this police procedural turns downright explosive once deputy sheriff Carl Houseman gets to the heart of the strange murders that are tearing apart his small Iowa farming town. The action begins when a 911 call leads Houseman to the site of a ritual murder with multiple victims and no witnesses left in sight; further evidence reveals that an infant may have been sacrificed and that other victims will follow. The first round of police work leads Houseman and his colleagues to the members of a devilish cult, but the serial killer remains at large until Houseman comes to suspect the town pastor and his wife. What follows is an intriguing, suspenseful showdown at a local church. Harstad's deceptively sparse style is full of hard-boiled drollery, even when mundane details threaten to crowd the plot. If the labyrinthine network of Satanic cult members gets a bit too involved, the descriptions of the police work rival Wambaugh's best, and the action scenes maintain a precision that keeps the tension high. After 26 years' police work in northeastern Iowa, Harstad seems poised for a successful second career.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
The very best procedural novels are those that follow police personnel through the solving of a crime from its discovery to evidence-gathering to the apprehension of the guilty. The reader knows as much as the police do, and the writer accurately describes investigative techniques and legal process. As a former deputy sheriff from Iowa, Harstad has the procedure down; his storytelling ability also sets him far ahead of other first-time novelists in this genre. Finding four people who appear to have been killed in satanic rituals whips a normally peaceful rural Iowa town into a frenzy. The reader follows the Nation County sheriff's department as it works with state detectives and city police to unearth information about the clandestine affairs of a satanic cult. Deputy Carl Houseman is the epitome of a police officer, and his humanity, intelligence, and ability place him at personal risk as the case races to a heartstopping climax. Fictionalizing a real case that he worked on, Harstad uses unadorned prose to write about the evil that can exist anywhere. Since the violence is described as the police discover it and not while it happens, this can be placed in all fiction collections.?Jo Ann Vicarel, Cleveland Heights-University Heights P.L., OH
Copyright 1998 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Cop Talk
By Jerry Travis
I enjoyed the story and getting to know the main character, but there may have been too much 10-4ing for my taste. It was a police procedural but, because of its small-town Iowa setting, it was better than most procedurals, with the obvious exception of McBain's 87th Precincts.

2 of 5 people found the following review helpful.
Alot of potential but a weak ending
By Brian Glass
I'm not that familiar with police procedurals. I had never even heard of the genre until browsing on Amazon. I saw this book and decided to give it a try. I'm not sure where this book stands in comparison of other police procedurals but as far as a suspense story I was really pleased with the book all the way through until the very end. It's nearly impossible to explain without ruining the ending. The author seems to have run out of steam and just decided to end the whole thing in a few pages. There is one key event that he just completely takes back which makes for a happier ending but short changes the integrity of the story and cheats the reader. If you liked the movie "The Game" with Michael Douglas but hated the ending you'll feel the same way about this book.
The thing I did like was the author's style. The characters were likable and the dialog was fairly believable. The main character, Carl Houseman is funny at times and it's nice to read about a hero that's middle aged and balding. The supporting cast are all well thought out and there isn't a lot of the sterotypical characters you usually find in crime novels.
All in all I liked the book enough to buy his next. If you've read this and liked it I would recommend Dirty White Boys by Stephen Hunter, it's similar and has a more believable, satisfying ending.

4 of 4 people found the following review helpful.
A riveting page-turner with an authentic voice.
By A Customer
Having worked in a small rural sheriff's department, I can say that Harstad's narrative is right on target. I could easily imagine some of the very same personalities and political conflicts he describes. This book had me hooked from page one. Whenever I had to put it down to deal with real life, I couldn't stop thinking about it and being very impatient for some more reading time. A very fast-paced read.
I took this book with me to read while on vacation and had it finished in a day. I'm very much looking forward to reading Harstad's new novel.

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Senin, 14 April 2014

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Truce at Bakura, by Kathy Tyers

The sequel to Return of the Jedi. No sooner has the Rebel Alliance destroyed the Empire than they face a new challenge - Ssi-ruuk, a race of cold-blooded reptilian invaders who plan to enslave human minds to pilot their invincible machines of war and destruction.

  • Published on: 1993-12-01
  • Released on: 1993-12-01
  • Format: Audiobook
  • Original language: English
  • Binding: Audio Cassette

From Publishers Weekly
Chronicles the further adventures of the characters from the Star Wars movies; a five-week PW bestseller.
Copyright 1994 Reed Business Information, Inc.

From Library Journal
Hard on the heels of the emperor's death, the Alliance receives word of an outpost planet beseiged by a new alien invader, a lizardlike race of creatures bent on conquest of the galaxy. Flushed with their recent victory and stunned by the revelation of their parentage, Luke and Leia travel to the edge of the Empire to join forces with their erstwhile enemies to combat an even deadlier foe. Set prior to the events of Timothy Zahn's "Star Wars" cycle, Tyers's first foray into the Star Wars universe captures the feel of space opera while attempting a three-dimensional portrayal of the forces of a decaying empire. A worthwhile addition to a popular sf subgenre.
Copyright 1993 Reed Business Information, Inc.

From Booklist
This involved tale follows the Rebel victory over the Empire in George Lucas' 1983 Return of the Jedi. Bakura is an almost terrestrial planet at a far reach of the galaxy; as the novel begins, it's being invaded by the unpronounceable Ssi-ruuk, a race of--well, of lizards. The Ssi-ruuk enjoy "enteching" people. That's a process where the enslaved human's energies are electronically transferred into androids. It's an awful thing to happen to anybody, so Luke Skywalker--after Ben Kenobi counsels him from the shadow-world--heads up his battle-weary force for a showdown. Meanwhile, on the surface of Bakura, there's a political wrangle going on, and in all of that Luke sort of falls for the aura of Senator Gaeriel Captison, but not, quite, for the senator herself. When's that boy going to settle down? Han Solo, Princess Leia, and various lovable robots are here, too, in small doses; mostly, this is Luke's book. The Force is with him, of course. Sort of a mix of Edgar Rice Burroughs (without Burroughs' humor), Robert Heinlein (as in Starship Troopers, say, but Tyers, a point in her favor, isn't as gung ho), and a lot of New Age notions, hiding inside the Force. Tyers' novel doesn't rival anything in the Star Trek series, but prequels and sequels to Lucas' films are in the works, so fans will make off with this like bandits. John Mort

Most helpful customer reviews

24 of 26 people found the following review helpful.
One of the first and best Star Wars books
By Amazon Customer
Truce at Bakura is a riveting action packed tale of the days directly after Return of the Jedi. Luke injured by the Emperor during the final battle aboard the Death Star II, is receiving treatment for those life threatening electrical convulsions you see him go through, when he receives a visitation from the spirit of Obi-Wan Kenobi bidding him to go to Bakura which is in great danger. So Luke in command of a task force with diplomats Han and Leia in tow heads out to Bakura. It was interesting to see Luke Skywalker in command of a military force, something not seen in any of the other Star Wars books. At Bakura our heroes find Imperial forces about to be destroyed by soul sucking aliens. In the interests of the innocents enemies join force and the fun begins. The battles both on land and in space are well written and the story is great. Love, death, betrayel, everything a Star Wars reader could possibly want is here. Han's gloating over the defeat of the Empire at Endor in front of Bakura's Imperial governor is classic, Leia's confrontation with the spirit of Anakin Skywalker is an imporatant aspect to the story, while Luke's romantic feelings for a lovely Bakuran senator are a humanizing influence on a character to often viewed as above human emotions. Overall Truce at Bakura is a great read, well written and I highly recommend it.

6 of 6 people found the following review helpful.
Flat and slow, but still compelling
By Patrick L. Randall
"The Truce at Bakura", while not the first book to be published in the Star Wars Expanded Universe (Timothy Zahn's "Heir to the Empire" has that honor), it is the first chronological story to take place after "Return of the Jedi". Literally hours after the final battle above the Endor moon, which rebellion forces are cleaning up the aftermath of the vicious and legendary space battle, and signal beacon sent from the fringe world of Bakura arrives in system seeking out the local imperial presence to request help in repelling and alien invasion. Luke, who is still physically and emotionally recovering from his battle with the Emperor and the death of his father, Darth Vader, and Han and Leia, who are also recovering from the battle while exploring their burgeoning new romance, are assigned the duty of taking a task force to Bakura to inform them that the Empire is now longer in power and to also provide whatever assistance they can in helping the Bakurans repel the alien invaders known as the Ssi-Ruuk.

After having read the original Timothy Zahn 'Thrawn' trilogy ("Heir to the Empire", "Dark Force Rising", and "Last Command"), reading "The Truce at Bakura" was a bit of a let down. There are some good moments and good characters to this book, but too often it gets bogged down in the internal politics of the planet (which is still run by an Imperial governor) and the too much time aboard the Ssi-Ruuk ships with the unpronounceable names of the aliens. One of the better characters introduced is Gariel Captison, a young, pretty, strong-willed politician who advocating Bakuran independence and is a potential love interest for Luke. The Ssi-Ruuk are also formidable characters, as fierce an alien race the New Republic will face until the deadly arrival of the Yuuzhan Vong 20 years later. In addition to territorial cravings, the Ssi-Ruuk also seek to enslave huge numbers of the Bakuran people to be used in a gruesome scientific process called 'entechment', which actually transfers the life energies of an individual from their flesh body into a droid controlled ship. These ships are thought to be much more efficient fighters, although the people trapped within them are suffering tremendously.

As with most of the Star Wars novels, "...Bakura" has its fair share of government intrigue and conspiracy, much of which is designed to thwart the efforts by the Republic to help save Bakura. As mentioned before, too much time is spent on the dealings of the government and that does slow the book down considerably. Yet, on the whole "The Truce at Bakura" is a good novel and provides some insight into characters, places, and events that will have a major impact on the Star Wars Universe in years to come.

5 of 5 people found the following review helpful.
Luke. You must go to Bakura. Need we read this book tho?
By JediMack
This is a review for both the Hard cover book and the audio Casette.
I read this 10 years ago, as the second book following the Zahn Trilogy. By comparison it was natural to feel disappointed. But over the years, listening to it several times on audio cassette it has grown on me. The question you are asking, with so many SW books to select from should you read this one? Yes.
Luke falls in love. The characters here appear in the Corellian Trilogy. Bakura and Biotechnology used by the Ssi Ruuk is revisited in the ill intentioned NJO series. Though it didn't seem to fit when I first read the book, the story here does fit nicely with the entire Expanded Universe.
On the timeline I have this one at year 4.5 ANH. The story takes place right after the battle at Endor in ROTJ. Ben appears and tells Luke to go to Bakura. Luke, at age 20 is in command and can only assemble a small force after the devastation of the battle they have just fought. Naturally the Falcon, Han, Leia and Chewy are available to assist.
The point of the plot is for the Rebels to help the Imperial garrison on Bakura defend against an invasion that is coming from the unknown regions. The invaders are Large Reptilian creatures that, when they speak sound like flutes playing. They use entechment to take the essence of sentient beings and place that essence inside their machines to run those machines.
This is a book I recommend reading if you are now deciding to read the stories written for the classic era which starts with the Han Solo trilogy and ends with the Zahn Duology and the Dark Horse comic Union. Fortunately, at this writing, Amazon.com had both new and used audio cassettes and paperbacks for sale.

Audio Casette. This is an abridged version that can be listened to in about 2 ½ hours. Anthony Heald is the reader and he is the best. I recommend all the Bantam Audio books for star wars. They do a great job presenting the books with music and sound effects.

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^^ Ebook Free The Daybreakers/Sackett (The Sacketts), by Louis L'Amour

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The Daybreakers/Sackett (The Sacketts), by Louis L'Amour

One of the most popular fictional creations of our time, the chronicle of the Sackett family is also one of Louis L’Amour’s crowning achievements—and these two magnificent novels are proof .

Sackett

A drifter by circumstance, William Tell Sackett hungered for a place he couldn’t name but knew he had to find. South of the Tetons, through a keyhole pass, he found it: a lonely yet beautiful valley—with a fortune in gold. Then he found an even greater treasure: Ange Kerry, a courageous and resourceful woman. But the harsh ways it takes to protect his claim—and their lives—may be the one thing that drives Ange away.

The Daybreakers

Orrin Sackett had to be pushed into a fight. But Tyrel Sackett was born to trouble. The night Tye stepped between his brother and a bullet changed them both forever. Now their trail pointed west, to a lawless frontier town called Sante Fe. Orrin took the job of marshal, while Tye commanded respect without a badge. When a loose end from their past turns up, one brother will be forced to revert to his old ways—if the other’s dreams are to be realized.…

  • Sales Rank: #113823 in Books
  • Brand: L'Amour, Louis
  • Published on: 2008-02-26
  • Released on: 2008-02-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.89" h x 1.10" w x 4.18" l,
  • Binding: Mass Market Paperback
  • 416 pages

About the Author
Louis L’Amour is undoubtedly the bestselling frontier novelist of all time. He is the only American-born author in history to receive both the Presidential Medal of Freedom, and the Congressional Gold Medal in honor of his life's work. He has published ninety novels; twenty-seven short-story collections; two works of nonfiction; a memoir, Education of a Wandering Man; and a volume of poetry, Smoke from This Altar. There are more than 300 million copies of his books in print worldwide.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One


MY BROTHER, ORRIN Sackett, was big enough to fight bears with a switch. Me, I was the skinny one, tall as Orrin, but no meat to my bones except around the shoulders and arms. Orrin could sing like an angel, or like a true Welshman which was better than any angel. Far away back and on three sides of the family, we were Welsh. Orrin was a strapping big man, but for such a big man he was surprising quick.

Folks said I was the quiet one, and in the high-up hills where we grew up as boys, folks fought shy of me come fighting time. Orrin was bigger than me, fit to wrassle a bull, but he lacked a streak of something I had.

Maybe you recall the Sackett-Higgins feud? Time I tell about, we Sacketts were just fresh out of Higginses.

Long Higgins, the mean one, was also the last one. He came hunting Sackett hide with an old squirrel rifle. It was Orrin he was hunting, being mighty brave because he knew Orrin wouldn't be packing anything in the way of sidearms at a wedding.

Orrin was doing no thinking about Higginses this day with Mary Tripp there to greet him and his mind set on marrying, so I figured it was my place to meet Long Higgins down there in the road. Just as I was fixing to call him to a stand, Preacher Myrick drove his rig between us, and by the time I got around it Long Higgins was standing spraddlelegged in the road with a bead on Orrin.

Folks started to scream and Long Higgins shot and Mary who saw him first pushed Orrin to save him. Only she fell off balance and fell right into the bullet intended for Orrin.

"Long!"

He turned sharp around, knowing my voice, and he had that rifle waist-high and aimed for me, his lips drawed down hard.

Long Higgins was a good hip shot with a rifle and he shot quick . . . maybe too quick.

That old hog-leg of mine went back into the holster and Long Higgins lay there in the dust and when I turned around, that walk up into the trees was the longest I ever did take except one I took a long time later.

Ollie Shaddock might have been down there and I knew if Ollie called I'd have to turn around, for Ollie was the Law in those mountains and away back somewheres we were kin.

When Ma saw me cutting up through the woods she knew something was cross-ways. Took me only a minute to tell her. She sat in that old rocker and looked me right in the eye while I told it. "Tye," she was almighty stern, "was Long Higgins looking at you when you fetched him?"

"Right in the eye."

"Take the dapple," Ma said, "he's the runningest horse on the mountain. You go west, and when you find a place with deep, rich soil and a mite of game in the hills, you get somebody to write a letter and we'll come down there, the boys an' me."

She looked around at the place, which was mighty rundown. Work as we would, and us Sacketts were workers, we still hadn't anything extra, and scarcely a poor living, so Ma had been talking up the west ever since Pa died.

Most of it she got from Pa, for he was a wandering and a knowing man, never to home long, but Ma loved him for all of that, and so did we younguns. He had a Welshman's tongue, Pa did, a tongue that could twist a fine sound from a word and he could bring a singing to your blood so you could just see that far land yonder, waiting for folks to come and crop it.

Those old blue eyes of Ma's were harder to face than was Long Higgins, and him with a gun to hand. "Tye, do you reckon you could kill Ollie?"

To nobody else would I have said it, but to Ma I told the truth. "I'd never want to, Ma, because we're kin but I could fetch him. I think maybe I can draw a gun faster and shoot straighter than anybody, anywhere."

She took the pipe from her lips. "Eighteen years now I've seen you growing up, Tyrel Sackett, and for twelve of them you've been drawing and shooting. Pa told me when you was fifteen that he'd never seen the like. Ride with the law, Tye, never against it." She drew the shawl tighter about her knees. "If the Lord wills we will meet again in the western lands."

The way I took led across the state line and south, then west. Ollie Shaddock would not follow beyond the line of the state, so I put Tennessee behind me before the hills had a shadow.

It was wild land through which the trail led, west out of Tennessee, into Arkansas, the Ozarks, and by lonely trails into Kansas. When I rode at last into the street at Baxter Springs folks figured me for one more mountain renegade coming to help keep tick-infected Texas cattle out of the country, but I was of no such mind.

It was eight miles to where the Texas men held their cattle, so there I rode, expecting no warm welcome for a stranger. Riding clear of the circling riders I rode up to the fire, the smell of grub turning my insides over. Two days I'd been without eating, with no money left, and too proud to ask for that for which I could not pay.

A short, square man with a square face and a mustache called out to me. "You there! On the gray! What do you want?"

"A job if one's to be had, and a meal if you've grub to spare. My name is Tyrel Sackett and I'm bound westward from Tennessee toward the Rockies, but if there's a job I'll ride straight up to it."

He looked me over, mighty sharp, and then he said, "Get down, man, and come to the fire. No man was ever turned from my fire without a meal inside him. I'm Belden."

When I'd tied Dapple I walked up to the fire, and there was a big, handsome man lying on the ground by the fire, a man with a golden beard like one of those Vikings Pa used to tell of. "Hell," he said agreeably, "it's a farmer!"

"What's wrong with farming?" I asked him. "You wouldn't have your belly full of beans right now if they'd not been farmed by somebody."

"We've had our troubles with farmers, Mr. Sackett," Belden said, "there's been shooting, the farmers killed a man for me."

"So," said a voice alongside, "so maybe we should kill a farmer."

He had an itch for trouble and his kind I'd met before. He was a medium-tall man with a low hanging shoulder on his gun side. His black brows met over his nose and his face was thin and narrow. If it was trouble he was hunting he was following the right trail to get it.

"Mister," I told him, "any time you think you can kill this farmer, you just have at it."

He looked across the fire at me, surprised I think, because he had expected fear. My clothes showed I was from the hills, a patched, old homespun shirt, jeans stuffed into clumsy boots. It was sure that I looked like nothing at all, only if a man looked at the pistol I wore he could see there'd been a sight of lead shot out of that barrel.

"That's enough, Carney!" Mr. Belden said sharply. "This man is a guest at our fire!"

The cook brought me a plate of grub and it smelled so good I didn't even look up until I'd emptied that plate and another, and swallowed three cups of hot black coffee. Up in the hills we like our coffee strong but this here would make bobwire grow on a man's chest in the place of hair.

The man with the golden beard watched me and he said to Mr. Belden, "Boss, you better hire this man. If he can work like he can eat, you've got yourself a hand."

"Question is," Carney broke in, "can he fight?"

It was mighty quiet around that fire when I put my plate aside and got up. "Mister, I didn't kill you before because when I left home I promised Ma I'd go careful with a gun, but you're a mighty tryin' man."

Carney had the itch, all right, and as he looked across the fire at me I knew that sooner or later I was going to have to kill this man.

"You promised Ma, did you?" he scoffed. "We'll see about that!" He brought his right foot forward about an inch and I durned near laughed at him, but then from behind me came a warm, rich voice and it spoke clear and plain. "Mister, you just back up an' set down. I ain't aimin' to let Tyrel hang up your hide right now, so you just set down an' cool off."

It was Orrin, and knowing Orrin I knew his rifle covered Carney.

"Thanks, Orrin. Ma made me promise to go careful."

"She told me . . . an' lucky for this gent."

He stepped down from the saddle, a fine, big, handsome man with shoulders wide enough for two strong men. He wore a belt gun, too, and I knew he could use it.

"Are you two brothers?" Belden asked.

"Brothers from the hills," Orrin said, "bound west for the new lands."

"You're hired," Mr. Belden said, "I like men who work together."

So that was how it began, but more had begun that day than any of us could guess, least of all the fine-looking man with the beard who was Tom Sunday, our foreman on the drive. From the moment he had spoken up all our lives were pointed down a trail together, but no man could read the sign.

From the first Orrin was a well-loved man. With that big, easy way of his, a wide smile, as well as courage and humor enough for three men, he was a man to ride the trail with. He did his share of the work and more, and at night around the fire he would sing or tell yarns. When he sang to the cows in that fine Welsh baritone of his, everybody listened.

Nobody paid me much mind. Right off they saw I could do my work and they let me do it. When Orrin told them I was the tough one of the two they just laughed. Only there was one or two of them who didn't laugh and of these one was Tom Sunday, the other Cap Rountree, a thin, wiry old man with a walrus mustache who looked to have ridden a lot of trails.

The third day out, Tom Sunday fetched up alongside me and asked, "Tye, what would you have done if Reed Carney had grabbed his gun?"

"Why, Mr. Sunday," I said, "I'd have killed him."

He glanced at me. "Yes, I expect you would have."

He swung off then, only turned in his saddle. "Call me Tom. I'm not much on long-handled names."
Have you seen those Kansas plains? Have you seen the grass stretch away from you to the horizon? Grass and nothing but grass except for flowers here and there and maybe the white of buffalo bones, but grass moving gentle under the long wind, moving like a restless sea with the hand of God upon it.

On the fifth day when I was riding point by myself, and well out from the herd a dozen men came riding out of a ravine, all bunched up. Right off I had a smell of trouble, so instead of waiting for them to come up, I rode right to meet them.

It was a mighty pleasant day and the air was balmy with summer. Overhead the sky was blue and only a mite of cloud drifting like a lost white buffalo over the plain of the sky.

When they were close I drew up and waited, my Spencer .56 cradled on my saddle, my right hand over the trigger guard.

They drew up, a dirty, rough-looking bunch—their leader mean enough to sour cream.

"We're cuttin' your herd," he was a mighty abrupt man, "we're cuttin' it now. You come through the settlements an' swept up a lot of our cattle, an' they've et our grass."

Well, I looked at him and I said, "I reckon not."

Sort of aimlesslike I'd switched that Spencer to cover his belt buckle, my right finger on the trigger.

"Look here, boy," he started in to bluster.

"Mister," I said, "this here Spencer ain't no boy, an' I'm just after makin' a bet with a fellow. He says one of those big belt buckles like you got would stop a bullet. Me, I figure a chunk of lead, .56 caliber, would drive that buckle right back into your belly. Mister, if you want to be a sport we can settle that bet."

He was white around the eyes, and if one of the others made a wrong move I was going to drop the bull of the herd and as many others as time would allow.

"Back," it was one of the men behind the leader, "I know this boy. This here is one of them Sacketts I been tellin' you about."

It was one of those no-account Aikens from Turkey Flat, who'd been run out of the mountains for hog stealing.

"Oh?" Back smiled, kind of sickly. "Had no idea you was friends. Boy," he said, "you folks just ride on through."

"Thanks. That there's just what we figured to do."

They turned tail around and rode off and a couple of minutes later hoofs drummed on the sod and here came Mr. Belden, Tom Sunday, Cap Rountree, and Reed Carney, all a-sweat an' expecting trouble. When they saw those herd cutters ride off they were mighty surprised.

"Tye," Mr. Belden asked, "what did those men want?"

"They figured to cut your herd."

"What happened?"

"They decided not to."

He looked at me, mighty sharp. Kneeing Dapple around I started back to the herd.

"Now what do you make of that?" I could hear Belden saying. "I'd have sworn that was Back Rand."

"It was," Rountree commented dryly, "but that there's quite a boy."

When Orrin asked me about it at the fire that night, I just said, "Aiken was there. From Turkey Flat."

Carney was listening. "Aiken who? Who's Aiken?"

"He's from the mountains," Orrin said, "he knows the kid."

Reed Carney said nothing more but a couple of times I noticed him sizing me up like he hadn't seen me before.

There would be trouble enough, but man is born to trouble, and it is best to meet it when it comes and not lose sleep until it does. Only there was more than trouble, for beyond the long grass plains were the mountains, the high and lonely mountains where someday I would ride, and where someday, the Good Lord willing, I would find a home.

How many trails? How much dust and loneliness? How long a time until then?

Most helpful customer reviews

0 of 0 people found the following review helpful.
A couple of good reading nights!
By Amazon Customer
First and second Louis L'Amour books I read 40 odd years ago. It was good to read them again! Maybe I won't wait as long to read the third time through.

0 of 0 people found the following review helpful.
History
By james nabours
My father got me into Louis L'Amour as a young man. I think I've read them all and never found a bad one.

0 of 0 people found the following review helpful.
It's Louie It's Sackett not much else to say
By curtis sanger jr
It's Louie It's Sackett not much else to say

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Frankenstein: Lost Souls: A Novel, by Dean Koontz



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Frankenstein: Lost Souls: A Novel, by Dean Koontz

#1 New York Times bestselling author Dean Koontz raises the stakes—and the suspense—taking his Frankenstein saga to a dynamic new level with the riveting story of a small town under siege, where good and evil, destruction and creation, converge as the fate of the world hangs in the balance.
 
FRANKENSTEIN: LOST SOULS
 
The war against humanity has begun. In the dead hours of the night, a stranger enters the home of the mayor of Rainbow Falls, Montana. The stranger is in the vanguard of a wave of intruders who will invade other homes . . . offices . . . every local institution, assuming the identities and the lives of those they have been engineered to replace. Before the sun rises, the town will be under full assault, the opening objective in the new Victor Frankenstein’s trajectory of ultimate destruction. Deucalion—Victor’s first, haunted creation—saw his maker die in New Orleans two years earlier. Yet an unshakable intuition tells him that Victor lives—and is at work again. Within hours Deucalion will come together with his old allies, detectives Carson O’Connor and Michael Maddison, Victor’s engineered wife, Erika Five, and her companion Jocko to confront new peril. Others will gather around them. But this time Victor has a mysterious, powerful new backer, and he and his army are more formidable, their means and intentions infinitely more deadly, than ever before.

  • Sales Rank: #81934 in Books
  • Brand: Bantam
  • Published on: 2011-01-25
  • Released on: 2011-01-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x .96" w x 4.16" l, .52 pounds
  • Binding: Paperback
  • 416 pages
Features
  • Great product!

Amazon.com Review
Dean Koontz on Frankenstein: Lost Souls

When it comes to predicting the future, I am Nostradamus's idiot great nephew. In the 1980s, I believed that by 2010, we would all be traveling regularly to no-sales-tax shopping malls on the moon and zipping over to Mars for a Frappuccino. I thought we would be enjoying genetically engineered house pets like cadogs (half cat, half dog, all affection), miniature eaglebbits (flying rabbits), dry chihuahuas (little dogs that never need to pee), crocodobers (highly effective home guard dogs), and spongerbils (sponge gerbils that not only can be cuddled but will mop your floors and wring one another out in a bucket of water).

I also predicted that by now we would be flying everywhere with personal jet packs, and carrying clever autofloss machines to strip the bugs out of our teeth in thirty seconds flat after landing. Back in 1980, I predicted that by now John Belushi would be president, but I don't count this one a complete miss, because Al Franken is a United States Senator, which I admit surprises me considering that Mr. Franken isn't nearly funny enough to hold high office.

When I finished the third Frankenstein novel, Dead and Alive, I foresaw that it was the end of the series. As it turns out, I was as right about this as I was about my prediction that the annual Academy Awards TV special would be hosted five years running by Muammar Gaddafi.

My original trilogy brought to an end a story cycle, but the themes of Shelley's novel are more timely by the month. I realized that I could do much more with the concept than I had done thus far. Furthermore, an entirely new kind of technology of creature-creation occurred to me, and it was a lot more terrifying than the messy-gooey, strictly biological New Race that Victor developed in the first trilogy. By moving the setting from New Orleans to Rainbow Falls, Montana, I was able, as well, to change the atmosphere and to have fun with Armageddon occurring in snow-and-cowboy country.

As always, if readers hadn't been so enthusiastic about these books, I wouldn't have been able to proceed with the series. I appreciate your support more than I can say. I've received a lot of mail from readers who said they didn't read these novels for the longest time because the whole Frankenstein thing turned them off, but when they finally tried them, they discovered these weren't at all like what they expected, and they loved them. I always try not to give you the same old same old. Lost Souls has the flavor of my first three Frankenstein titles, but otherwise it does not clump over familiar territory. This time, Victor is much scarier and smarter than his predecessor, and his war against humanity is a blitzkrieg that comes on like a storm.

Lost Souls, like the books after it, is self-contained even though it is a part of a larger narrative. You can plunge into it and, if you like it, then go back to Prodigal Son, City of Night, and Dead and Alive if you wish. I am currently working on The Dead Town, recounting the next phase of the war against humanity, and I suppose it might sound a little strange to say I'm having a good time chronicling our doom.

From Publishers Weekly
Set in Rainbow Falls, Mont., Koontz's goofy, grisly fourth riff on the Frankenstein theme (after Dead and Alive) finds Victor--previously presumed dead but apparently as easily resurrected as cinematic incarnations of his monster--perfecting his "New Race" of humanoid replicants. As affectless pod-person lookalikes gradually replace the town's citizens, the task of saving humanity from Victor and his megalomaniacal plans to "destroy the soul of the world" fall once again to husband-and-wife detectives Michael and Carson Maddison; Victor's soulsearching original monster, Deucalion; and a host of local yokels who provide both sympathy and comic relief. That the "good guys" are instantly recognizable by their abundant compassion, generosity, and sense of humor and the "bad guys" by their fussbudget fastidiousness and dedication to efficient extermination of inferior humans helps lay the foundation for the humanitarian homilies that punctuate the narrative.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Lost Souls continues the saga of the seemingly unkillable Victor Frankenstein, now a megalomaniac bent on—what else?—world domination, via wiping humanity off the globe, from a few years after where the trilogy Dean Koontz’s Frankenstein left it. Since the blowup (literally: Katrina was raging) in New Orleans in which Victor and his replicant New Race went down for good, Erika Five, the last and most independent version of Frankenstein’s “wife,” has settled outside a Montana town, happily laying low. Then, shopping in town, she sees what could only be Victor. It is, and it isn’t, as she later figures out. Meanwhile, a new bunch of replicants starts replacing their human prototypes and launches a mass termination of the rest of the populace. Fortunately, Deucalion, as Frankenstein’s original creation is now known, is on to the plot. He brings the detective couple from New Orleans, who are now married, new parents, and PIs in San Francisco, into the action, which races to a climax that doesn’t quite conclude in this book. Obviously enjoying himself, Koontz does his dance of grisly suspense, wry dialogue, sharp characterization, outlandish but charming (and well-integrated) comic relief, and cultural criticism more adroitly than almost ever before. --Ray Olson

Most helpful customer reviews

50 of 59 people found the following review helpful.
Big Disappointment
By Richard Madigan
Instead of book four "Frankenstein: Lost Souls: A Novel" a better title would have been - book three and a half "Frankenstein: Dead and Alive: The Lost Chapters"

I really wanted to like this book but found it a complete disappointment. I enjoyed the series up until this point, with the fisrt book really being my favorite. It seems that this series has gone from a fun to read, stand alone novel (book one), to a pretty good, enjoyable on its own sequel (book two) to a somewhat disappointing less original follow up (book 3), to the latest installment which is really nothing more than the ending that should have been added to book 3. Rather than rehash all the shortcomings concerning dialog, character development, and plotting that have already been described by previous reviewers (which I totally agree with) I would simply add that prospective purchasers not bother with this unless they have read the previous books, and readers of the previous books not buy it if they simply want to find out what happens after book three. I can answer that in 2 words. "Not Much."

If this is any indication, book five (Coming in spring 2011!) will be about three thousand words describing how Victor Frankenstein's clone and the nano-monsters are defeated, but not before the super duper secret clone of the clone (Victor Frankenstein ver. 3.0) escapes to his island hideaway, or lair in the Alps to begin plotting mankinds destruction all over again. Perhaps the title of that book should read - "Frankenstein: Here We Go Again, Again..."

28 of 32 people found the following review helpful.
Half of a book - don't bother
By Jason R
I have been a Koontz fan for many, many years. This is the first time I was actually angry with an author.

Why? This is only half of a book. Literally. The whole story in this new book is just a rehash of the previous books. Sure, there are some new ideas added. But, it isn't until the end that he finally gets around to starting the new story arc and suddenly... Buy book 2 in 2011!

This was a terrible disappointment. If this is the new Koontz, he needs to just start writing dog stories 100% of the time.

As for me, I will absolutely not be buying book 2 or 3 when they come out. In fact, Koontz, you owe me a refund.

98 of 121 people found the following review helpful.
**Here there be spoilers**
By tomfromboston
As I'm writing this, I'm grinding my teeth for having wasted money on the hardcover addition. The book borrows heavily from previous Koontz novels (remember Phantoms?), including the other three Frankenstein novels, a couple of movies, and of course the Bible.

The novel's problem isn't that it lacks action. The problem is that it gives you no reason to care that there is any action. The characters are so paper-thin and the dialogue so frustratingly sub-par, I wanted to skip whole pages until the dialogue ended. And the aforementioned action occurred in the last 25 pages. The book's chapters are 2 or 3 pages long, most paragraphs only 2-3 sentences, and there is a dearth of descriptive narrative.

What's new? A unoriginal 'creature' is introduced, a creation of the Victor-clone (which if you haven't figured out that Victor is a clone in the first 20 pages, then shame on you). This new creature is called a Builder. The Builder is composed of nanoanimals (a.k.a. nanobots, tiny autonomous machines). The Builders are super-strong, can change their shapes and attack flesh and blood and anything inorganic, repair themselves, create more nanoanimals, or transform themselves to look like playmates and/or playgirls. In other words, very hot men and women.

If this sounds just like the nanoanimals in the remake of The Day the Earth Stood Still (Two-Disc Widescreen Edition), whereby Gort transforms from a solid object to a whirlwind of nanoanimals, it's because they literally are. Whether or not Koontz saw the movie, the Builders are mini-Gorts. Composed entirely of nanoanimals, they can consume anything in their path. Including the plot.

The Victor-clone is an utter conundrum, and he is written as being utterly insane, so you end up not caring what happens to him because you can't relate to how he thinks or behaves. He wants to destroy the human race, then destroy the creatures that destroyed the human race, then commit suicide once everyone is dead. That's his master plan. Wow. That's the best Koontz can come up with? It's so amazingly silly you're not sure if you should laugh or cry or ask for your money back.

And why does he want to turn Earth into a human-free world just like Gort was doing before Klaatu (played by Keanu Reeves) stopped him/them/it? Lots of mumbo-jumbo about a tree falling in the woods and if it makes a sound if no one is around to hear it. We, apparently, are the trees in the forest. Once again, no suspension of disbelief.

The book is short, like all his recent books. Remember when he wrote four- or five-hundred page tomes dripping with character development, great descriptions, nail-biting action? Not anymore. Imagine him writing a book like his novel Strangers or Lightning and publishing it today? I think it would get five stars because you felt like you got your money's worth. Oh, and they were actually great books.

As the years go by his writing is getting so by-the-numbers that I literally can tell you what will happen to this or that character. He doesn't even try anymore. And why should he when we would plop down $20 to read his grocery list. His grammar is also devolving, which I think is a reflection of his editor not giving a hoot and rubber-stamping whatever comes out of Koontz's Macbook.

If he were writing this pseudo-religious drivel when he first started as a novelist he'd be dead in the water. No publisher would touch him. Some will say he earned the right to preach. My response is for him to get a pulpit, build a chapel, and call it the Church of Counted Sorrows. So yeah, we get it. You believe in something other than a great dark void after death, a soul-shattering emptiness that your readers feel after reading the highly unrewarding Lost Souls.

The other thing I've noticed in his books from the last decade, including this one, is that his stories have become frustratingly localized. Characters in his current crop of books simply don't get around much (remember Strangers?). Two main characters in Lost Souls live in San Fran when they are summoned to Montana, and that's about it. It's almost sad to see Koontz's imagination unable to visualize other locales. Not everyone lives in Laguna beach, where most of his stories take place. Sure, Stephen King does the same thing with most of his books as well, and to me it's pure and simple laziness. How many disasters can befall Castle Rock or California?

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The Taking: A Novel, by Dean Koontz

The Taking: A Novel, by Dean Koontz



The Taking: A Novel, by Dean Koontz

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The Taking: A Novel, by Dean Koontz

 
#1 NEW YORK TIMES BESTSELLER

On the morning that marks the end of the world they have known, Molly and Neil Sloan awaken to the drumbeat of rain on their roof. A luminous silvery downpour is drenching their small California mountain town. It has haunted their sleep, invaded their dreams, and now, in the moody purple dawn, the young couple cannot shake the sense of something terribly wrong.

    As the hours pass, Molly and Neil listen to disturbing news of extreme weather phenomena across the globe. By nightfall, their little town loses all contact with the outside world. A thick fog transforms the once-friendly village into a ghostly labyrinth. And soon the Sloans and their neighbors will be forced to draw on reserves of courage and humanity they never knew they had. For within the misty gloom they will encounter something that reveals in a shattering instant what is happening to their world—something that is hunting them with ruthless efficiency.

  • Sales Rank: #179685 in Books
  • Brand: Bantam
  • Published on: 2010-08-31
  • Released on: 2010-08-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.51" h x 1.03" w x 4.15" l, 1.00 pounds
  • Binding: Mass Market Paperback
  • 432 pages
Features
  • Great product!

From Publishers Weekly
In 1975, the now defunct Laser Books issued Invasion by Aaron Wolfe, aka Koontz (who later expanded that novel into Winter Moon, 1994), a breakneck tale of alien invasion centered on an isolated farm. Koontz's new novel also concerns alien invasion, and a comparison of the two books offers insight into the evolution of this megaselling author's work. Invasion was mostly speed and suspense—a brilliant if superficial exercise in terror. The new novel also features abundant suspense, as a couple in an isolated California home endure a phosphorescent rain and learn that, around the world, something is attacking humans and laying waste to communications. It's only when they drive to a nearby town that they learn of a global alien invasion; the tension ratchets as a weird fog descends and the aliens not only manifest physically but animate the dead. For years, however, Koontz has aimed at more than just thrills; today he is a novelist of metaphysics and moral reflection. His aliens are inherently evil as well as scary; standing against them are the human capacity for hope and the forces of goodness and innocence (here, as elsewhere, embodied in dogs), and near novel's end Koontz puts an overtly religious spin on his tale. Koontz's language has changed over the years, too, and not always for the better. While his care with words engenders admiration, his love of metaphor and alliteration can slow down the reading ("the luminous nature of the torrents that tinseled the forest and silvered the ground"). Also missing here is the wonderful humor that elevated his last novel, Odd Thomas, and some other recent work. Koontz remains one of the most fascinating of contemporary popular novelists, and this stands as an important effort, but not his best, though its sincerity and passion can't be denied.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* A glowing rain begins falling at one a.m. in the San Bernardino Mountains of California, where productive but hardly best-selling novelist Molly Sloan and her ex-priest husband, Neil, live outside a small town. Besides being luminous, the downpour smells like rancid semen, Molly thinks, and it brings with it a feeling of oppression. Animals cower from it, as Molly grasps when she sees a pack of coyotes huddling on the porch. The little wolves seem to be appealing to her for help, and when she walks out to them, they seem to expect her to lead them. She goes to wake Neil, rescuing him from a nightmare, and to wash--no, scour--her hands where the rain hit them. The torrent continues, taking out the power, but then appliances come on spontaneously, and the hands of clocks run wildly in opposite directions. The Sloans conclude they must leave after an interior mirror reflects the house as invaded by ghastly vegetation--but doesn't reflect them at all. Opening sequences come no creepier than this one, and the rest of Koontz's version of the extraterrestrial attack scenario so well lives up to it that the revelation, painstakingly apprehended by Molly, of who the aliens really are comes as no surprise. Nor do Koontz's authorial insertions about modernity and social degeneracy seem anything but explanatory in the context of this gripping, blood-curdling, thought-provoking parable. Ray Olson
Copyright © American Library Association. All rights reserved

Review
"Koontz remains one of the most fascinating of contemporary popular novelists ... he is a novelist of metaphysics and moral reflection."—Publishers Weekly

"A thrill ride."—Daily News (NY)


From the Hardcover edition.

Most helpful customer reviews

51 of 54 people found the following review helpful.
Prepare to lose sleep
By Brian Reaves
I have been anxiously awaiting this book since first reading about it months ago. When I got it yesterday, I devoured it. The first 100 pages give you no let up at all. You can literally feel the end of the world approaching as an evil, foul-smelling rain descends on Molly and Neil's house. What awaits her on the porch and in the garage gives you more of a sense of dread than if actual razor-toothed gremlins were staring up at her. The peace and calm exhibited from everything in this scene of destruction makes it that much more powerful. For the first half of the book, you have several possible answers thrown at you. An emergency broadcast from the space station will give you literal chills.
The only thing I didn't enjoy was the ending. As the culprits of this destruction are unveiled, it loses some momentum. While the answer makes sense, you start to lose that sense of "something's out there waiting for me". Instead, you sort of keep watching from a sense of macabre interest--sort of like driving by a car wreck slowly. Don't get me wrong, there are still plenty of surprises and suspense thrown in, but I think the book would have been much more powerful if we'd been left in the dark just a little longer. The feeling of defeat and utter hopelessness doesn't let up, but the overall fear and dread die away as the revelations come in.
All in all, I'm very satisfied with this story though. Highly recommended.

46 of 49 people found the following review helpful.
Excellent Work by Koontz!
By Gregshock
I think the almost perfect dichotomy in the ratings for this book is telling. As of January of 2009 there are 220-4&5 star ratings and 201-1&2 star ratings. An almost equal level of love and hate for this book. This seems very unusual.

As for myself, I loved this book. I'm a Koontz fan, so you might expect me to like another of his excellent novels, but there really is a great deal to like about this story. The story itself is an alein invasion story, but not your average, overdone nasty outerspace invaders type of tale. This one is done with a twist that I haven't seen done this way before, although I'll admit to not having read a great deal of Sci-Fi. Koontz admits in a podcast that I've listened to that his inspiration for the story came from Arthur C. Clarke, who suggested that alein technology from an advanced civilization might seem somehow supernatural to us. Koontz wondered about turning ACC's idea on it's head and suggesting that a supernatural invasion might seem like advanced technology to people in a society who don't believe in magic anymore. To people who only believe in science and the material world. I found this concept fascinating and Koontz's execution of it very well done.

I appreciate his use of metaphor and simile. His prose is vivid and often poetic and evokes such strong visual and auditory images in your mind as you read that you feel as if you are experiencing his created world first hand. His description of sights, sounds and smells become so real that one can feel the dark portent in the oppressive, driving rain, the bizarre behavior of the animals and the emotional response of his human characters. There is a scene early in the book where the main character, Molly, encounters a group of Coyotes in an uncharacteristic pack, frightened by the ominous falling rain onto her front porch. The description of this encounter is told so vividly and compellingly that it truly sets the tone for the otherworldiness of what is happening to the world around her. You can feel and appreciate her apprehension, her awe at being able to stand among these animals that, under ordinary circumstances, would turn on her in a heartbeat. It's a perfect scene to help set the mood of the story. And there are plenty more of them in the opening sequences of the book.

Another of the aspects of this novel that I enjoyed was DK's ability to express philosophy to the reader through the story and inner dialogue of characters. "During Molly's lifetime, architects had largely championed sterility, which is order bled of purpose, and celebrated power, which is meaning stripped of grace. By rejecting the fundamentals of the very civilization that made possible it's rise, modernism and it's philosophical stepchildren offered flash in place of genuine beauty, sensation in place of hope.... All of humanity's follies seemed worth embracing if that were the price to preserve everything beautiful in civilization. Although the human heart is selfish and arrogant, so many struggle against their selfishness and learn humility; because of them, as long as there is life, there is hope that beauty lost can be rediscovered, that what has been reviled can be redeemed."

There is one point to this novel that I didn't like much. In the early part and a bit more than halfway through the book, Koontz introduces some elements that are common to the average horror novel; grotesque beasts and walking-dead cadavers. I personally hate this kind of stuff, but I do understand what the author was trying to convey with these elements in his story. Satan always tries to mimic the perfection of God and wishes to create life where none exists, like God did, or raise the dead to walk again, as God will do in the future. But, all his efforts can only be abominations and grotesqueries, like the beasts and zombies in the book. So, even though I didn't personally like these elements, they certainly had a place in the story.

There is a very strong theme of Christian theology that runs through this novel and I think that is where the extreme dichotomy in ratings comes from. I personally believe that the many individuals who rated this book so poorly might consciously or unconsciously have a problem with the metaphysics of this story, not with the literary mechanics of the story itself. Not everyone, mind you, but it might explain the extreme spread in ratings. Those who agreed with the philosophical viewpoint, or those who just plain like Dean Koontz and his style would tend to rate it better. Even so, there is too much good writing that has to be ignored for the many one and two star ratings this book has received. And it just does not deserve so many low ratings.

In my opinion, this is an excellent novel. It is very well written, rich in metaphor and philosophical meaning, and at times very poetic. I found much of it a joy to read. At the very least, the plot and storyline always kept me interested and wanting to keep reading along. I found myself, as always in DK's novels, caring about the characters and their futures. And I love dogs as much as the author does, I'm sure, so any book with at least one dog in it merits high praise from me. This book had slews of them, so I was in literary heaven. Five Stars!!!

19 of 20 people found the following review helpful.
One H*ll of a Good Story!!
By David Houk
I loved it! Fast,unusual,disturbing,suspenseful-an excellent story!

I read it through over 2 days(something I never do) I did have the added advantage of reading

it during bad weather which reinforced the books atmosphere.

This is a story more than a book or plot orientation. It moves and keeps moving. In some ways the opposite of the Odd Thomas series which feature

characters & dialogue more than action.

DK evoked a wider range of thought & feeling from me than with his other books. The story does raise many interesting religious/philisophical questions about survival choices,aliens,death and heaven & hell.

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