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Lizardskin, by Carsten Stroud
PDF Download Lizardskin, by Carsten Stroud
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Checking out a reported robbery at Joe Bell's truck stop, Montana State Highway Patrolman Beau McAllister stumbles upon a shootout between Joe Bell and a band of Dakota Indians.
- Sales Rank: #3462423 in Books
- Brand: Brand: Bantam
- Published on: 1993-08-01
- Released on: 1993-08-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 1.00" w x 5.50" l, 1.25 pounds
- Binding: Paperback
- 448 pages
- ISBN13: 9780553762617
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
Widowed and divorced, with 19 years on the Montana Highway Patrol, Sgt. Beau McAllister employs deadly wit and disarming humor to defend himself emotionally. Stroud offers a pleasure of the page similar to that afforded by Raymond Chandler as his prairie gumshoe investigates a truck-stop shootout that escalates into extortion and recreates Old West horrors whose victims are Native Americans. In a solid workingman's plot, with neither the astro-artillery of drug novels nor the corporate confusions of syndicate crime, McAllister, who buried his first wife, a Crow Indian, and is battling his second for visitation rights with their young daughter, tracks the far-reaching causes and effects of the case. Stroud, whose nonfiction bestseller Close Pursuit probed the milieu of the NYPD, authoritatively depicts police-radio cross talk, clinical crime-scene details and courtroom tricks. Comfortable on pastureland and reservation, in bars off the interstate, in the mountains and even East L.A., McAllister is a credible, quotably funny and deeply realized figure.
Copyright 1992 Reed Business Information, Inc.
From Kirkus Reviews
Stroud moves his ongoing and powerful police-paean (Sniper's Moon, 1990; Close Pursuit, 1987) from Manhattan to Montana--and rustles up a bronco of a thriller that throws him near the end of the ride. The myth of the West inspires Stroud to some bravura writing here--his pages practically exhale prairie dust--and some terrific characters, starting with Montana Highway Patrol Sgt. Beau McAllister, 45, responding to a robbery report at Joe Bell's truck stop. There, McAllister finds an Indian boy shot dead by Bell, who's now blasting away at four other Indians shooting back with bow and arrow from the shadows of Bell's huge oil tank--reason enough (to prevent a deadly explosion) for McAllister to plug Bell in the buttocks. The Indians escape and Bell threatens to sue, but that's the least of McAllister's troubles, with sleek A.D.A. Vanessa Ballard thinking of bringing him up on charges, and McAllister's shrewish ex-wife and her lawyer-lover trying to drive a dirty wedge between the cop and his young daughter. Even those problems, though, don't match the one posed by Hollywood stuntman Gabriel Picketwire, Lakota Sioux and ex-Army assassin, returning to Montana to avenge the death of the boy shot by Bell. By the time Picketwire catches up to Bell, McAllister has fought the escapees in terrifying nighttime hand-to-hand combat and killed one--prelude to Picketwire's confrontation with Bell, which sees the Indian shot and buried alive, dug up by a dog, and then stalking Bell to skin him alive. All this tremendously virile action derails, however, when McAllister ferrets out the reason for the Indians' attack on Bell--a medical conspiracy so far-fetched it might give even Robin Cook pause, and headed by a most unconvincing villain. Lop off the mixed-up final 50 pages or so, though, and you have a cops-vs.-Indians novel to rival John Sandford's Shadow Prey. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
5 of 5 people found the following review helpful.
Just terrific!
By Charlotte Vale-Allen
This was Stroud's first novel, after two works of non-fiction. And unlike most journalists who have great difficulty making the transition from fact-based writing to fiction, Stroud has no problem at all. This is an outstanding book: characters so real you can practically touch them, humor so outrageous that sections provoke out-loud laughter, a complex completely viable plot-line, and sections of writing lyrically simple and beautifully constructed. Stroud is one wonderful writer.
Aside from all the above assets, the author's feel for place is so powerful that Montana comes alive in its vistas, its climate and its denizens. There's also a lot of native American history, integral to the plot, that isn't sentimentalized but made to come alive--via hero Beau McAllister's sensibilities.
A good author always, always leaves the reader wanting more. Lizardskin is a signal accomplishment in that it practically begs for a sequel. Stroud has gone on to write other, equally fine books, resisting the temptation to overwork a winning hand. Smart fellow, first-class writer.
My highest recommendation.
1 of 1 people found the following review helpful.
Excellent. All the best components of a crime thriller.
By Priscilla141
An excellent thriller with many unpredictable twists and turns. Stroud also really captures the spirit of the land. His characters are written in such a way that you truly care what happens to them. Highly recommended.
3 of 3 people found the following review helpful.
Great book, except for the end.
By DWD's Reviews
This novel features veteran Montana state trooper Beau MacAllister, a wise-cracking good ol' boy who has great instincts and is not too concerned with protocal. Beau is called to a truck stop to stop a robbery in progress - but the whole thing seems fishy to him and he ends up shooting the supposed victim in the butt during a 3 way fight between Beau, the "victim" and several Indians using compound bows. Beau suspects something is amiss and tugs on this loose thread until he finds the conspiracy.
The characters in this story are well-written - Beau is particulrly well developed, especially for a cop novel. The DA character (Vanessa Ballard) is quite memorable and "feels" like a real person, rather than a caricature. Even McAllister's nemesis, Dwight Hogelan, shows signs of growth during the book.
All of this makes the end of the book very disappointing. The first 90% of the book is a great cop thriller - but the end is very hoaky and formulaic. It is like he finished the book under pressure and ran out of time. For example, he was maneuvering an Indian character into becoming a second Crazy Horse destined to lead a spiritual revival of the Plains Indians. However, 50 pages of character development was quickly dismissed in one page at the end. Why bother?
Due to the disappointing end of this novel I have to lower the rating for this book from 5 stars to 3 stars.
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