Jumat, 30 Oktober 2015

>> Fee Download Universe in a Nutshell/Illustrated Brief History of Time (Boxed Set), by Stephen William Hawking

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Universe in a Nutshell/Illustrated Brief History of Time (Boxed Set), by Stephen William Hawking

The Universe in a Nutshell
Stephen Hawking's phenomenal, multimillion-copy bestseller, A Brief History of Time, introduced the ideas of this brilliant theoretical physicist to readers all over the world.

Now, in a major publishing event, Hawking returns with a lavishly illustrated sequel that unravels the mysteries of the major breakthroughs that have occurred in the years since the release of his acclaimed first book.

The Universe in a Nutshell
* Quantum mechanics * M-theory * General relativity * 11-dimensional supergravity * 10-dimensional membranes * Superstrings * P-branes * Black holes

One of the most influential thinkers of our time, Stephen Hawking is an intellectual icon, known not only for the adventurousness of his ideas but for the clarity and wit with which he expresses them. In this new book Hawking takes us to the cutting edge of theoretical physics, where truth is often stranger than fiction, to explain in laymen's terms the principles that control our universe.

Like many in the community of theoretical physicists, Professor Hawking is seeking to uncover the grail of science -- the elusive Theory of Everything that lies at the heart of the cosmos. In his accessible and often playful style, he guides us on his search to uncover the secrets of the universe -- from supergravity to supersymmetry, from quantum theory to M-theory, from holography to duality.

He takes us to the wild frontiers of science, where superstring theory and p-branes may hold the final clue to the puzzle. And he lets us behind the scenes of one of his most exciting intellectual adventures as he seeks "to combine Einstein's General Theory of Relativity and Richard Feynman's idea of multiple histories into one complete unified theory that will describe everything that happens in the universe."

With characteristic exuberance, Professor Hawking invites us to be fellow travelers on this extraordinary voyage through space-time. Copious four-color illustrations help clarify this journey into a surreal wonderland where particles, sheets, and strings move in eleven dimensions; where black holes evaporate and disappear, taking their secret with them; and where the original cosmic seed from which our own universe sprang was a tiny nut.

The Universe in a Nutshell is essential reading for all of us who want to understand the universe in which we live. Like its companion volume, A Brief History of Time, it conveys the excitement felt within the scientific community as the secrets of the cosmos reveal themselves.

The Illustrated Brief History of Time
In the years since its publication in 1988, Stephen Hawking's A Brief History of Time has established itself as a landmark volume in scientific writing. It has also become an international publishing phenomenon, translated into forty languages and selling over nine million copies. The book was on the cutting edge of what was then known about the nature of the universe, but since then there have been extraordinary advances in the technology of observing both the micro- and the macrocosmic world. These observations have confirmed many of Professor Hawking's theoretical predictions in the first edition of his book, including the recent discoveries of the Cosmic Background Explorer satellite (COBE), which probed back in time to within 300,000 years of the universe's beginning and revealed the wrinkles in the fabric of space-time that he had projected.

Eager to bring to his original text the new knowledge revealed by these many observations, as well as his most recent research, for this revised and expanded edition Hawking has prepared a new introduction to the book, revised and updated the original chapters throughout, and written an entirely new chapter on the fascinating subject of wormholes and time travel.

In addition, to heighten understanding of complex concepts that readers may have found difficult to grasp despite the clarity and wit of Hawking's writing, this edition is magnificently enhanced throughout with more than 240 full-color illustrations, including satellite images, photographs made possible by spectacular new technological advances such as the Hubble telescope, and computer- generated images of three- and four-dimensional realities. Detailed captions clarify these illustrations, enabling readers to experience the vastness of intergalactic space, the nature of black holes, and the microcosmic world of particle physics in which matter and antimatter collide.

A classic work that now brings to the reader the latest understanding of cosmology, The Illustrated A Brief History of Time is the story of the ongoing search for the tantalizing secrets at the heart of time and space.

  • Sales Rank: #813018 in Books
  • Brand: Brand: Bantam Dell Pub Group (Trd)
  • Published on: 2002-10-29
  • Format: Box set
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.50" h x 8.50" w x 1.75" l, .0 pounds
  • Binding: Hardcover
Features
  • Used Book in Good Condition

Most helpful customer reviews

36 of 38 people found the following review helpful.
Good but redundant
By CH
I bought this set because it was not much more than just purchasing an Ilustrated Brief History of Time. After reading both, it was apparent to me I could have chosen just one and gotten 90% of the information contained in both.
I first read Illustrated Brief History of Time. Hawking does a great job of explaining complex subjects in simple plain speak which does not feel over your head. His descriptions of Relativity, Quantum Theory, String Theory, and other topics are great and easily understood by someone with a limited science background. Those with a science background, such as myself, my wish for more in depth analysis at times, but that is not the focus of book, it is more an overview. There is a list of further reading books if one is interested.
I then read Universe in a Nutshell. The book started very similar to Brief History and although it was layed out a bit different the content was very similar, in fact some of the illustrations were exactly the same. There was a little more on String Theory in this book, but not enough to justify buying both unless you are a die hard Hawking fan.
Overall, I would recommend buying just one and saving a few bucks to buy one of the other books on the recommended reading list if you want to delve deeper.

24 of 28 people found the following review helpful.
great books
By Robert J. Hickey
I've read both, and assuming you have basic physics/mathematics in your background (say, an intro college class or a good high school class), they are excellent! Otherwise, probably a bit deep.... The guy is amazing.

9 of 12 people found the following review helpful.
Explaining the Unexplainable
By Chris Richardson-Child
When I bought Stephen Hawkings first book, the multimillion best seller, A Brief History of Time, I didn't know why I bought it and along with 90% of others, I didn't read it.
There is much speculation about why we all did this. Inquisitivenes of a Physically Impaired Physicist? Egotistical dinner party host who not only chooses great wine, but understands physics as well!
Did the 'upwardly mobile' set all cruelly steal this from Stephen's first book, just as nature was cruelling stealing his mobility.
No. The answer is that we are all secretly fascinated about what is 'out there', where did we come from. What's it all about Stevie?
This second volume, The Universe in a Nutshell attempts to explain the unexplainable with beautiful Salvador Dali-like illustrations, and a style of words which are easy to digest.
Buy the set if you want to be inched closer to the ultimate truth of how we got here, and what are the forces that hold us together. But like an ant in a balloon, dont expect to know who blew up the ballon, or who's watching you through it, as you try to figure it all out. Steven provides some educated guesses, and they provide a wonderful voyage through space and time. Fear not if you don't follow it all - to paraphase the great scientist Heisenberg when talking of quantum mechanics, if you think you've understood it - then you don't really understand it

See all 12 customer reviews...

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Selasa, 27 Oktober 2015

>> Free Ebook Blood Sins (Bishop/Special Crimes Unit: Blood Trilogy), by Kay Hooper

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Blood Sins (Bishop/Special Crimes Unit: Blood Trilogy), by Kay Hooper


New York Times bestselling author Kay Hooper delivers once again with this chilling novel in which the Special Crimes Unit sends a Haven operative undercover to catch a charismatic killer who promises his victims heaven in exchange for more than their lives. . .

Young, vulnerable, attractive, Tessa Gray looked like the perfect victim. Which was why Noah Bishop of the FBI’s Special Crimes Unit recruited the novice operative to use as bait for a killer hidden inside the Church of the Everlasting Sin–a fortified mountain compound where at least two women have already been murdered in ways that defy explanation. By entering the cult’s compound, Tessa will expose herself to the dark magnetism of its leader and his fanatically loyal followers. Once she’s inside, no one, not even Bishop or the town’s chief of police, can guarantee she’ll come out alive. And not even Tessa knows if she’s strong enough to resist the lure of a killer who is less than human.

  • Sales Rank: #348361 in Books
  • Brand: Bantam Books
  • Published on: 2009-12-29
  • Released on: 2009-12-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.87" h x 1.02" w x 4.17" l, .39 pounds
  • Binding: Mass Market Paperback
  • 368 pages
Features
  • Great product!

From Publishers Weekly
In this disturbing paranormal thriller, the second in a trilogy (after Blood Dreams) from bestseller Hooper, Noah Bishop, of the FBI's Special Crimes Unit, and Haven, a civilian investigative organization, take on the fanatical Rev. Adam Deacon Samuel. At age 10, Samuel murdered his abusive prostitute mother by using psychic powers, which a few years later increased after lightning struck him during a tent revival. Noah and his colleagues suspect Samuel, the leader of the Church of the Everlasting Sin, of killing at least eight people via supernatural means and of abusing young girls to enhance his powers. Tessa Gray, a Haven operative posing as a recent widow, reluctantly infiltrates Samuel's compound in the small town of Grace, N.C., near where the body of a fellow Haven operative surfaced in a river. Hooper pulls out all the stops in depicting the unholy preacher's apocalyptic breakdown as Noah's elite team tackles one of their nastiest assignments yet. (Dec.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Reverend Samuel, a charismatic, evil cult leader, has set up a community in a fortified mountain compound. He lures victims to the fold and then provides a taste of heaven by killing them. Noah Bishop and his FBI Special Crimes Unit need to get inside the Church of the Everlasting Sin to find out what is going on. Agent Tessa Gray infiltrates the group and, working with operatives from Haven, a private agency, conspires to bring Reverend Samuel down. Another solid entry in the Special Crimes Unit series (Blood Dreams, 2008). --Barbara Bibel

Review
“Disturbing…. Hooper pulls out all the stops.”—Publishers Weekly

"Another solid entry."—Booklist


From the Hardcover edition.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great
By Dmc
Love vet is series as am intrigued by the psychic abilities. Not sure how f am a believer, but still intriguing

16 of 17 people found the following review helpful.
Not up to standard
By Rene Nuss
I always love Kay Hooper novels. However, this wasn't up to her normal standard. There was no connection to Tessa nor the Chief. There was no connection for me the reader to the main characters. I read the book prior to this one and thought it was a much better read. It was very hard for me to get thru and I kept expecting for something to turn. Something to make me not want to put it down and it never happened.

8 of 8 people found the following review helpful.
Book Two.
By Detra Fitch
The Church of Everlasting Sin is led by Reverend Adam Deacon Samuel (a.k.a. Father). The church has been in the Grace, North Carolina, area for about ten years. Most members live on the compound, a community in themselves. Few are seen outside the compound. The children do not attend public schools and more than a few of the kids inside the church know that something is not right. The girls have the most to fear.

The Haven organization knows that the church is somehow involved in the area's deaths. Bodies have been found in the river and X-rays showed that virtually every bone in the bodies had been pulverized, yet there were never any marks to indicate how this happened. Undercover agents have already given their lives to ferret out information and even helped a few of the children to escape. All that is really known is that at least one of Father's closest advisors is a strong psychic and no one can get a read on Father because he is like a null field.

Special Agent Noah Bishop of the FBI's Special Crimes Unit recruits Tessa Gray to play the role of a grieving widow and the new owner of property wanted by the church. Tessa, like most of the agents, has a unique gift or two. But if the SCU has to rely on her, an untried psychic agent, then they must be desperate indeed.

**** This is the second novel in the series. If you did not read the first book titled "Blood Dreams", you may want to consider doing so before beginning this story. However, the author has done a good job of updating new readers within the first few chapters. Some characters from the previous book return to play secondary roles in this one. Tessa and the police chief are the main focus this time around though. Be warned that there are some graphic scenes in this story. Readers learn about Father's early childhood. (Not a pretty picture, trust me on that.) Still, the author retains her own outstanding gift of being able to write about paranormal talents and make them seem as if they are business as normal for the characters. I was shocked to realize that as I read the story I was taking everything as common every day stuff instead of fiction. Well done! ****

Reviewed by Detra Fitch of Huntress Reviews.

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Minggu, 25 Oktober 2015

~ Get Free Ebook Lord of Snow and Shadows: Book One of The Tears of Artamon, by Sarah Ash

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Lord of Snow and Shadows: Book One of The Tears of Artamon, by Sarah Ash

Combining the best of fantasy traditions with her own unique vision, Sarah Ash brings to dazzling life a new saga filled with epic adventure and unforgettable characters. Far-reaching in scope and imagination, Lord of Snow and Shadows embarks on a journey like no other—into a shape-shifting world teeming with political intrigue, astonishing magic, and passions both dark and light.

Raised by his protective mother in the sunny clime of the south, Gavril Andar knows nothing of his father—or the ominous legacy that awaits him. But his innocence is about to be shattered. The man who ruled the wintry kingdom of Azhkendir, a man infused with the burning blood of the dragon-warrior known as Drakhaoul, has been murdered by his enemies. It is his fiery, chameleonlike blood that pulses through Gavril’s veins. The news is Gavril’s first taste of death—but it will not be his last. For blood is the liquid that seals his fate.

Expected by clan warriors from the north to avenge his father’s murder—and still his unquiet ghost—Gavril is kidnapped. He soon learns that becoming Drakhaon means not only ascending to the throne of Azhkendir but changing, in subtle ways at first, into a being of extraordinary power and might. A being that must be replenished with the blood of innocentsin order to survive. Ensconced in Kastel Drakhaon with no means of escape from the icebound kingdom, and carefully watched by neighboring rulers waiting to move against him, the untested Gavril must fight to retain his human heart and soul in the face of impending war—and the dark instincts that threaten to overpower him.

Man and beast, spymaster and insurgent, nature and the netherworld--all collide in phenomenal twists and turns. A masterwork of adventure fantasy, Lord of Snow and Shadows will leave you stunned—and longing for more.

  • Sales Rank: #1325840 in Books
  • Brand: Spectra
  • Published on: 2004-06-29
  • Released on: 2004-06-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.87" h x 1.02" w x 4.17" l, .64 pounds
  • Binding: Mass Market Paperback
  • 574 pages
Features
  • Great product!

Amazon.com Review
Sara Ash's Lord of Snow and Shadows is the promising opener to the Tears of Artamon series. The novel sets the stage in grand fashion as Ash deftly introduces the principal players in her well-realized fantasy realm. She begins with Gavril, a carefree portrait painter basking in the sunny climes of an irrelevant island republic. He soon discovers he is heir to a great and terrible legacy in the snowy wasteland of Azhkendir. Kidnapped by his murdered father’s personal guard, he is both captive and the Drakhoan--ruler of Azhkendir. His inheritance turns out to be more than just a crown, however. A dark force of immeasurable power is growing inside him while he finds his realm under siege from within and without.

Ash masterfully avoids most of the usual fantasy memes--except, of course, the reluctant hero, Gavril--and imports a vast menagerie of technologies and culturally resonant magics into her world. Her conflicting armies wield magic, muskets, and heavy cannon alongside darker forces that are too delicious to mention here. Apart from a few niggling inconsistencies (Gavril's transformation from foppish artist to deft statesman, for one), Ash's novel is a frosty infusion of new air into a genre overrun with the usual maidens-with-broadswords clichés. –-Jeremy Pugh

From Publishers Weekly
In this excellent start to a new fantasy series from British author Ash (Moths to a Flame), Gavril Andar, an idealistic young artist, falls for the nobly born Astasia Orlova, whose portrait he's been hired to paint. Luckily, he's attractive enough for Astasia to return the favor. He doesn't know he's also Gavril Nagarian, son of the recently assassinated ruler of the wintry kingdom of Azhkendir, and that fate is about to deal him a dreadful blow. Like his father before him, Gavril becomes soul-bound to the Drakhaoul, a creature that grants awesome power at a terrible price. Kidnapped, Gavril finds himself trapped in Kastel Drakhaon, reluctant to draw on his new magical abilities, as their use only makes him more beast-like and less human. But with Prince Eugene of Tielin threatening to reconquer all of the Rossiyan Empire, he may have no choice. Fascinating and unpredictable, Gavril's tale gains richness from the grand scope of Ash's narrative, with its echoes of Russian history under the czars. Enhanced by supporting characters who are living, breathing individuals, this book will leave readers drooling to get their hands on the sequel from the moment they turn its final page.
Copyright 2003 Reed Business Information, Inc.

From Booklist
When his father is murdered, young Gavril is forced to come of age and to step unprepared into his role as the new Lord Drakhaon of Azhkendir. Complicating matters is that, raised in the sunny south, Gavril knows nothing of his father or his dark lineage. When he was a child, his mother, Elysia, fled with him from the Drakhaons' castle in fear for her life. Now, as Gavril endures a period of initiation by the people of his kingdom, he slowly comes to realize the depth and horror of the darkness associated with his kingship--a darkness that, by the power of fire and blood, possesses and rules every Drakhaon, a darkness that requires the blood of innocents in order to survive. Ash's interesting, quickly paced dark fantasy emphasizes the power of love to conquer evil and the making of responsible choices. Paula Luedtke
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

7 of 8 people found the following review helpful.
Enjoyable Fantasy with Gothic and Russian Flavor
By Amazon Customer
The Lord of Snow and Shadows is the first in a new fantasy series. Although there are many familiar fantasy elements in this novel (sword fights, magic casting, dragons), Sarah Ash manages to put a little twist into her world by injecting some gothic romance into the mix. Thus, on the one hand we have a young innocent painter as our protagonist, who quickly finds himself under the power of the family curse (he is becoming a creature he does not want to become) while on the other hand we have the young serving girl who eventually begins to walk the path of her own magical destiny.

Ash keeps the story moving quickly as she cuts quickly to each scene, describing where necessary to create her version of frozen Russia, but never letting the prose bog the story down. At the same time, she unveils the plots and politics of her world in a clear manner. Characters are developed over the course of the novel; Ash reveals new layers of personality as the story progresses (although sometimes these revelations tend to the melodramatic). There is also a nice balance of story and action. In one chapter characters may be exploring secret hallways and uncovering secret tomes within the mysterious castle and in the next, they are battling werewolf type beasts out in the frozen wasteland.

Overall, Lord of Snow and Shadows is a nice start to a potentially fine fantasy series. It seems to me a particularly well paced and engaging novel, one that has the potential to engage both younger and older readers.

0 of 0 people found the following review helpful.
Four Stars
By Sam Sessom
Great book, never received though...

7 of 13 people found the following review helpful.
bland
By Tonya R.
This one did nothing for me at all. Bland "good" characters being forced into actions (or should I say reactions) by the marginally more interesting evil characters. The writing itself wasn't good enough to make up for obvious plotting. Made it three quarters of the way through and realized I just didn't care enough to finish the book.

See all 63 customer reviews...

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Sabtu, 24 Oktober 2015

? Free PDF The End of War, by David L. Robbins

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The End of War, by David L. Robbins

Berlin, January 1945.

The war draws to a close, but the fight for a vanquished city -- and for history -- is just beginning.

In the final months of the war in Europe, the last act of a five-year conflagration is about to be played out. As Allied generals surround the mortally wounded Nazi military machine, strategies are being formed on a greater scale than even generals can imagine.

While Churchill fumes helplessly, Roosevelt makes crucial decisions that will cede Berlin to Stalin and the Russians. The stakes are no less critical for ordinary men and women, fighting to live another day....

From the chaos of the eastern front, to the desperation of a single Jewish man hidden in a Berlin basement, to the burning ambition of an American photojournalist, Robbins animates the giants who shaped history and breathes life into the heartbreaking struggles of those who merely lived it.

  • Sales Rank: #539203 in Books
  • Published on: 2001-05-29
  • Released on: 2001-05-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.86" h x 1.14" w x 4.19" l, .80 pounds
  • Binding: Mass Market Paperback
  • 528 pages

Amazon.com Review
Henry James called the novel a "loose, baggy monster," and the challenges of the genre are evident in David L. Robbins's The End of War. Robbins won acclaim in 1999 for War of the Rats, a knockdown-dragout retelling of the bloody Russian defense of Stalingrad against Nazi assault. Here, in The End of War, he weaves together six points of view as the final months of World War II march inexorably toward a familiar conclusion. The great strength of Robbins's novel is also its chief fault: the plot simply can't sustain the splintering effect of so many points of view. Ultimately, the star of this novel is war itself, not the novel's three representative civilians or its "Olympian gods," Roosevelt, Stalin, and Churchill. Particularly in the last chapters, World War II images flicker before our eyes like fragments of vintage newsreels. Robbins draws explicitly from those eerie images when Life magazine photojournalist Charley Bandy visits a death camp heaped with barely alive bodies.

Robbins demonstrates a mastery of his subject that should enthrall World War II buffs, and splendid moments are scattered liberally throughout the book, as when German cellist Lottie escapes a burning death by crawling through a narrow tunnel into the next bomb shelter, only to discover she's left behind her cherished, circa-1750 cello. Another is certainly when Roosevelt dreams of sledding in the moment before he is wheeled before Congress in his first public appearance in his wheelchair. Though the Churchill chapters routinely downplay that statesman's wit and shrewdness, gratifying moments of intense character study abound in Robbins's book.

By the time the Allied forces finally converge in Berlin, Robbins has given us enough information to appreciate both the extraordinary diplomatic maneuvers and their effects on ordinary citizens' lives. Robbins deliberately constructed The End of War along the lines of a Greek tragedy: "the gods discuss the affairs of man, then their Olympian intents are played out at human level." As a rule, the ordinary folks are more compelling and believable than the real historical figures. Perhaps this is because those figures are over-determined in the public imagination, whereas Lottie, the Russian soldier Ilya, and the American photographer Charley are rooted and credible--the sources of suspense in the novel.

Although the plot of The End of War converges neatly in Berlin, that unity of time and place does not tighten the loose macramé that knits Robbins's story together. Lottie and Ilya change in surprising ways during the ravages of war, however, and that character development gives the novel an epic feel. Fans of World War II will enjoy Robbins's fully realized world; fans of less specialized thrillers might enjoy the warmth and acuity of the assorted players. --Kathi Inman Berens

From Publishers Weekly
Sweeping in scope, this gripping, admirably researched historical novel resumes the account of WWII Robbins left off in War of the Rats. Picking up the narrative just before the stroke of midnight of New Year's Eve 1944, the saga moves skillfully back and forth between Stalin, Roosevelt and Churchill's cat-and-mouse games for postwar world control and the day-to-day hardships and terrors of ordinary figures caught up in the mortal conflict. Charley Bandy, a Tennessee tobacco farmer turned Life photographer, voluntarily returns to combat to be present for the German surrender. A pair of battle-hardened Russian soldiers, Misha Bakov and Ilya Shokhin, slog through the mud of Poland, pushing to take Berlin. And 26-year-old cellist Lottie (Charlota)Ano last name givenAthe only female member of the Berlin Philharmonic Orchestra, lives in daily terror. Her mother is hiding a Jewish man in the cellar, and the Allied bombers are relentlessly pounding Berlin to rubble in an all-out effort to bring Hitler's Nazis to unconditional surrender. Eisenhower makes a cameo appearance, as do advisers to the Olympian triumvirate, architects of the history of the last half of the 20th century. Overwritten in places, the narrative frequently bogs down in trivia, and Robbins possesses a distracting proclivity for the random obscure (often ill-chosen) word. However, despite use of the third-person present tense, which essentially imposes the author as narrator/reporter and distances the reader from the full intensity of human experience, war buffs should find this an entertaining perspective on the end days of WWII. (Aug.)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Having covered the Battle of Stalingrad in The War of the Rats, Robbins's second World War II thriller details the final months of the battle for the occupation of Berlin (January-April 1945), with Churchill pleading with Roosevelt to push on to Berlin before the Russians take it and Roosevelt trying to woo Stalin at all costs into joining the fledgling United Nations. ("The war is won. The sole question is who will claim the kill.") Scenes of battle alternate with meetings among the great personalities who shape the campaign's eventual outcomeARoosevelt, Churchill, Stalin, Eisenhower, Montgomery. At the end, after Berlin has fallen to the Russians, a Russian officer stands amidst the rubble and exclaims, "War doesn't end. It just becomes this." A first-rate tale of war, thoughtful, gritty, and compulsively readable, this work is enthusiastically recommended.
-ADavid Keymer, California State Univ., Stanislaus
Copyright 2000 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
A brilliant historical novel
By Lapu-Lapu
The plot is spellbinding, the characters are rich, full, and believable--all in service of big questions: did the Allies make a mistake in letting Russia "liberate" Germany at the end of WWII? Was Roosevelt's ideas about a peaceful and cooperative aftermath to WWII naive? How do leaders' personalities and relationships among leaders influence history? Is the common man better off saving his own skin and getting the hell out of a country whose leaders are marching toward war?

5 of 5 people found the following review helpful.
A novel of powerful images
By Mr. Joe
The previous book by David Robbins, WAR OF THE RATS, based on the German siege of Stalingrad during World War II, is an exceptional war novel. THE END OF WAR, using as a backdrop the last few months of the war against Hitler's Third Reich, is equally riveting and compelling.
The legions of the Western Allies are advancing to the Rhine, and the Red Army juggernaught is poised to invade Poland from across that country's eastern border. The logical goal of both: Berlin.
The characters in the second echelon of this fictional work are 20th century giants of political and military history: Roosevelt, Churchill, Stalin, and generals Eisenhower and Zhukov. It is their ideology, pride, suspicion, and desire for glory that determines the paths of armies. It's history that Berlin was taken by Zhukov and the Soviets. Because Robbins apparently did extensive research from a long bibliography to recreate the high-level decisions that directed that outcome, I like to think that much of what I read was factual. But, never mind. The value of THE END OF WAR lies in its fictional characters, the first echelon, who live under the greasy arrows drawn on the warlords' battle maps.
Ilya is a former Soviet Army major, a hero of Stalingrad, reduced to enlisted status in a penal battalion because an uncle, a general, angered Stalin. Lottie is a young cello player of the Berlin Philharmonic Orchestra, cowering with her mother under the daily (and nightly) rain of British and American bombs. Charley Bandy, whose aspiration is to enter Germany's capital with the first Anglo-American force to get there, is an American photographer working for LIFE magazine.
This novel is one that virtually demands to be read at one sitting. All characters are expertly brought to life, and the dialog is consistently arresting and believable. Above all else, the images Robbins brings to mind are powerful and unforgettable. It's almost as if you're there smelling Winston's cigar, or the brick dust of Berlin's rubble. Consider the scene ...
Ilya commands several Red Army soldiers escorting sixty captured Germans to the rear. On a road far from anywhere, far from any witnesses, one of the POWs collapses to the ground exhausted. The Soviets gather round, exhorting the man to get up with curses and kicks. Suddenly the episode escalates as the guards begin shouting at all the prisoners.
"The guards hurl more names at the Germans. Names of prison camps, Rovno, Ternopol, Zitomir; names of occupied villages, Braslav, Balvi, Vigala; names of death camps, Auschwitz, Sobibor, Treblinka; names of dead comrades ...; names of fathers and mothers, brothers, women. The Red soldiers vent themselves on the Germans ... They have debts to collect ... One of the Germans mutters in Russian, `Bastards' ... All of these men hate. Back and forth, volleys of loathing ... Two of the Germans reach to the ground to lift their comrade. They put the man on his feet and release him with care. He stays erect, shaking. The rest of the prisoners move by instinct closer, penned animals do the same ... One of the Russians raises his rifle to his cheek, ridiculous, as though he needs to aim this close to his targets ... Ilya's mouth is bone dry. He could speak ... He could say, what? ...Another crow dispatches his voice from the trees ... Ilya turns his back."
Can you see it in your mind's eye, the palpable animosity on that stretch of dusty, country road? Oh, my.
If you enjoy novels of men and women in the firestorm of war, buy this book.

0 of 0 people found the following review helpful.
Excellent book
By A Customer
David Robbins, I found your book quite engrossing. No doubt you've heard these comparisons before, but it reminds me somewhat of "The Young Lions" and "Winds of War". Panoramic novels of WWII are kind of old news at this point - but somehow you make this one fresh. The battle scenes are especially good, and among the most original stuff in the book. Your imagery is excellent - the clatter of the GIs' gear making them sound like "cicadas", a blush rising up a soldier's scar like mercury in a thermometer. Very well observed! You must have crackerjack 3-D imaging skills to coordinate the battles as well as you do. I like your sense of color also. Your description of the Polish town Posen appeared in my mind like a technicolor aerial view. I enjoyed many other scenes as well - the spookiness of the abandoned corpses in the Hurtgen, the nighttime river crossing (my own father endured several of these - across the Seine, the Somme, the Meuse, and others).

Your characters are introspective guys, not fire-breathing Rambo or Sgt. Rock types at all. Cerebral even. They formulate their own metaphysics of battle. Bandy, when he joins the paratroopers in combat, perceives their tactics as pure geometry - and Ilya experiences the explosions over a besieged enemy fortress with a kind of religious ecstasy. Bandy and Ilya, despite their different roles, come across as similar men. The contrast you draw between Ilya and Misha, though, is quite subtle. When you first meet them, there's the big guy with the muscles and the little guy with the brains, and you figure the former is protecting the latter. Yet Misha eventually gets so tough and hardened that it almost pisses him off when the war ends. Meanwhile Ilya works his way up to lieutenant (truly, a male ingenue kind of role) while revealing himself as more and more (dare I say it?) "sensitive". The relationship between these dudes is at once symbiotic and competitive, and each of them ends up growing into his own version of the other guy (if that makes any sense). When I think of the Soviet Army taking Berlin, I imagine savagery unleashed - but you disarm the reader by playing your characters against type, making them as "nice" as such guys could possibly be.

That Lottie is a puzzling chick. Another interesting characterization. Her egocentric self-absorption and morbid outlook keep the reader guessing. Will she take the cyanide? Will she fink on Julius? I found myself most fascinated by the fact that her mother's relationship with Julius takes Lottie by surprise - ditto for her mother's turning a trick now and then. I'd always assumed women had a sixth sense about the sexual and romantic lives of the other women they're close to - and it seems odd that Lottie should be so clueless. Not that I'm criticizing - not at all. It just makes you wonder about her. The stark, hermaphroditic apparition at the end of the book - when Lottie appears before the Soviets with her hair cut short and yet naked below the waist - seems eerie, but just right. There has been this weird sexual ambiguity in the young lady all along for which this final scene is the perfect epiphany.

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Jumat, 23 Oktober 2015

## PDF Download Encyclopedia Brown Boy Detective 1: Encyclopedia Brown and the Case of the Secret Pitch/Encyclopedia Brown Finds the Clues/Encyclopedia Bro

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Encyclopedia Brown Boy Detective 1: Encyclopedia Brown and the Case of the Secret Pitch/Encyclopedia Brown Finds the Clues/Encyclopedia Bro

Perfect for aspiring sleuths--master crime-solver Encyclopedia Brown lets you crack the cases along with him!

A set of the first four books in the classic mystery series starring everyone's favorite boy detective Encyclopedia Brown! Whether Encyclopedia is solving cases for his neighborhood friends or his chief-of-police dad, he always has an intriguing mystery to crack. 
Set includes: Encyclopedia Brown: Boy Detective; Encyclopedia Brown and the Case of the Secret Pitch; Encyclopedia Brown Finds the Clues; and Encyclopedia Brown Gets His Man

  • Sales Rank: #9165689 in Books
  • Brand: Brand: Bantam Dell Pub Group (Juv)
  • Published on: 1991-10
  • Format: Box set
  • Original language: English
  • Dimensions: 1.80" h x 5.40" w x 7.70" l,
  • Binding: Paperback
Features
  • Used Book in Good Condition

About the Author
Donald J. Sobol was the author of the highly acclaimed Encyclopedia Brown series and many other books. His awards include a special Edgar Award from the Mystery Writers of America for his contribution to mystery writing in the United States, and the Pacific Northwest Library Association Young Readers’ Choice Award for Encyclopedia Brown Keeps the Peace.

Most helpful customer reviews

127 of 131 people found the following review helpful.
Can't go wrong with Encyclopedia Brown ....
By M. Pollard
I remember enjoying these books as a boy and love sharing them with my son. Besides being enjoyable stories with admirable characters they are great for teaching reading. Solving the puzzles requires reading with attention to the details, logic and imagination. Sometimes young readers would rather skip difficult to read details but with these books they know they need to get each word.

88 of 91 people found the following review helpful.
Booking Grandma
By F. Musser
I have decided to be the book grandma, and this is the perfect starter for my 7 1/2 year old grandson. I am striving to get him as excited about reading as I did his mother 30 years ago.

81 of 87 people found the following review helpful.
Great book for boys
By Suzanne
This is a wonderful book for boys who like adventure. My son is dyslexic and doesn't like to read but is required to read 3 over the summer. It's hard to get him interested in any book, but he liked these, and they are a fairly easy read but still sophisticated enough to keep a 10 year old interested.

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Selasa, 20 Oktober 2015

# Ebook Free Safe Harbor, by Luanne Rice

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After every storm there is a place to return to—if you have the courage to follow your heart…

New York Times bestselling author Luanne Rice has touched the hearts and lives of readers everywhere with powerful tales of love and loss...and love regained. In an unforgettable novel set on her beloved Connecticut seaside, she weaves a timeless story…

Artist Dana Underhill has always been a free spirit, traveling the world, filling her canvases with the mysterious colors of the seas she and her sister have sailed since childhood. Then on a calm, moonlit night an inexplicable “accident” occurs and Dana is called home to Hubbard’s Point to become a mother to her two young nieces, a challenge unlike any she’s ever known.

As Dana and the girls struggle to begin a new life—and to find the truth about what happened to Dana’s sister and brother-in-law—help comes in the person of an old childhood friend. Sam Trevor is now a tall, striking marine biologist, and he’s been in love with Dana for years. Although she can’t begin to contemplate opening her heart again, together Dana and Sam will discover that Hubbard’s Point is the center of endless mysteries—and endless possibilities. And as Dana rediscovers her passion as an artist and a woman, she will find more than a lifetime’s share of answers, magic, and love in the only safe harbor there is.

  • Sales Rank: #1260136 in Books
  • Brand: Bantam
  • Published on: 2003-01-01
  • Released on: 2003-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.86" h x 1.11" w x 4.16" l, .45 pounds
  • Binding: Mass Market Paperback
  • 432 pages
Features
  • Great product!

From Publishers Weekly
The sacred bond of sisterhood is explored in painstaking detail in Rice's newest offering (after Summer Light), a warm and weepy drama set in the picaresque seaside town of Black Hall, Conn. The novel sets sail slowly when a grief-stricken Dana Underhill returns home to care for her two nieces, Quinn and Allie, following the death of her sister, Lily, and Lily's husband, Mike, in a sailing accident. Dana, a professional painter, had intended to whisk her nieces back to France with her, but her plans are put on hold when she realizes that change may not be what's best for Quinn and Allie. Indeed, Quinn, a cigarette-smoking 12-year-old with a chip on her shoulder, is dead set against leaving, particularly since she's determined to uncover the circumstances surrounding her parents' deaths. The mystery of Mike and Lily's drowning and the state of their marriage before the accident weighs down the second half of the book, but the pace picks up when Dana's childhood acquaintance, oceanographer and Yale professor Sam Trevor, arrives to provide Dana with a shoulder to lean on and to help Quinn find the answers she seeks. While Quinn and Sam make plans to recover her parents' sailboat, Dana struggles to overcome her sister's death and to paint again. The affection between Dana and Sam is heartwarming and convincing, but the novel's finale involving the rescue of Quinn and Allie during a fierce storm with the aid of a little divine intervention is anticlimactic. Less a romance than a somber meditation on the importance of family ties, this saccharine read is buoyed by Rice's evocative prose and her ability to craft intelligent, three-dimensional characters.

Copyright 2002 Cahners Business Information, Inc.

From Library Journal
Dana was close enough to sister Lily to take on Lily's children when she dies. But there's no "safe harbor" here: both she and Quinn, her 12-year-old niece, have questions about Lily's death.
Copyright 2001 Reed Business Information, Inc.

From Booklist
All their lives sisters Dana and Lily loved living near the ocean until Lily and her husband die on a sailboat. Almost a year later, Dana returns home to Black Hollow, Connecticut, for an exhibit of her artwork and plans to take her nieces with her back to France. At the show, Dana meets someone who shares her past, Sam Trevor, once a lonely youngster she and her sister took under their wing. A professor at Yale, Sam never forgot the sisters, especially Dana, but he enters her life just as she is leaving. Her nieces don't want to go, and during a heart-wrenching scene at the airport, Dana has a change of heart and decides to pay more attention to the increasingly attractive Sam. This paean to sisterhood and the joy of sailing is an excellent escape from the doldrums of winter, and readers who enjoyed Firefly Beach [BKL My 1 01] will happily reunite with some old friends. Patty Engelmann
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

1 of 2 people found the following review helpful.
Not up to Par
By Dorothy Bickar
I was rather disappointed with Safe Harbor. The characters were shallow and talked way too much. The story was a bit unbelievable and moved very very slow. It did not measure up to all Rice's other novels, and came nowhere near "Home Fires", "Cloud Nine" or" Summer Light". The story seemed to me like she was trying to crank out a story to get some spending money. Would not recommend it.

1 of 1 people found the following review helpful.
Another emotional story by Luanne Rice
By Kelley Hartsell
Courtesy of CK2S Kwips and Kritiques

Dana Underhill has just returned to Connecticut from years abroad in Paris. She is reeling from her recent divorce and now has to deal with the grief of losing her sister as well. She returns, planning to just take her two nieces back to Paris, but things have a way or turning out different than expected. Allie, the younger of the two children is taking everything in stride and working through her grief pretty well. The older of the two, Quinn is stubborn and resentful over everything, and is convinced there is more to the death of her parents then has been revealed.

Sam Trevor is an old friend of Dana who also has recently returned to town. He's always had feelings for her, even as a young boy when Dana was his sailing instructor. As he renews his friendship and makes plans with Quinn to recover her parents' sailboat, his bond to Dana grows stronger, resulting in a new love.

With Safe Harbor, once again Luanne Rice proves her talent for writing heart wrenching stories full of strong emotion and tender love. The author is skilled at representing all kinds of relationships in her stories and this one is no different. Readers will especially be drawn into Quinn's story, feeling her pain, her anger, her frustration at losing her parents. She is the rebellious preteen, but by the end of the story her behavior will be completely understood.

There were a couple flaws in the story though. The ending to the book was a bit too perfect, too predictable for readers to fully enjoy it. Also, the relationship between Dana and Sam, though well developed was a little too unbelievable. As much as one can understand and enjoy relationships between a woman and a younger man, there seemed to be too much of an age difference for this reader to totally buy it. Granted the abridged version of the novel was listened too, no actual numbers were given to show what the age gap was, but there was definitely the feeling that there was a significant difference in ages, too much possibly for some to find it believable.

? Kelley A. Hartsell, December 2005. All rights reserved.

0 of 0 people found the following review helpful.
Reading a Luanne Rice book is always a safe harbor!
By Nancy R. Katz
At a recent book signing I asked an author who were her favorite authors. She answered by saying Alice Hoffman and Luanne Rice and I shook my head in total agreement. From the first book I read by Luanne Rice, Crazy in Love in 1988, till now Ms Rice remains a very favorite author of mine whose books generally always make my top ten list at the end of the year. I even met my first online friends in a book folder on AOL when she mentioned an earlier Rice title, Blue Moon. And now my most recent read, Safe Harbor is a perfect example of why I love and look forward to any book by Luanne Rice. Combining the bonds of family life with personal needs, Ms Rice presents a portrait of characters finely etched in the minds of her readers. Characters we hate to leave at the end of the book and think about for some time afterwards.
Returning to Hubbard's Point, Conn. the scene of an earlier book, Firefly Beach and the recently published True Blue, we meet the central character, Dana Underhill, as she returns home after many years living abroad. An artist living in Paris, she is still reeling from her husband's recent affair with a model and their subsequent divorce. She claims to love her independence and few family ties but fate has something else in store for her. Several months before, her beloved sister died with her husband during a boating accident. Her nieces are now being raised by their grandmother but now Dana realizes that her mother is no longer able to care for the girls especially Quinn, a difficult and unhappy 13 year old. While Dana expects to return home and then bring her nieces back to Paris to live with her, circumstances conspire against her plans. Dana's arrival at her family home, her niece's unhappiness and the appearance of a younger man from her past, may force her to make a decision she never thought possible.
Ms. Rice captures the many moods of this book completely and perfectly. The longings of young children for their deceased parents, the needs of a woman unaccustomed to raising children and love between an older woman and a younger man. But Ms. Rice is always best at family relationships and in Safe Harbor, you will cry as I did when this authors writes about the relationship of Dana and her sister and ultimately Dana`s grief at her loss. We finish this book on a hopeful note as new relationships are forged and the characters become safe harbors for one another. And the best part is that we can visit with them once again in the third and final book in this trilogy, True Blue. I wholeheartedly recommend this book to any reader who enjoys a wonderful story and characters.

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Sabtu, 17 Oktober 2015

>> Ebook Download Helmet for My Pillow: From Parris Island to the Pacific, by Robert Leckie

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Helmet for My Pillow: From Parris Island to the Pacific, by Robert Leckie

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Helmet for My Pillow: From Parris Island to the Pacific, by Robert Leckie

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Helmet for My Pillow: From Parris Island to the Pacific, by Robert Leckie

Here is one of the most riveting first-person accounts ever to come out of World War II. Robert Leckie enlisted in the United States Marine Corps in January 1942, shortly after the Japanese attack on Pearl Harbor. In Helmet for My Pillow we follow his odyssey, from basic training on Parris Island, South Carolina, all the way to the raging battles in the Pacific, where some of the war’s fiercest fighting took place. Recounting his service with the 1st Marine Division and the brutal action on Guadalcanal, New Britain, and Peleliu, Leckie spares no detail of the horrors and sacrifices of war, painting an unvarnished portrait of how real warriors are made, fight, and often die in the defense of their country. 

    From the live-for-today rowdiness of marines on leave to the terrors of jungle warfare against an enemy determined to fight to the last man, Leckie describes what war is really like when victory can only be measured inch by bloody inch. Woven throughout are Leckie’s hard-won, eloquent, and thoroughly unsentimental meditations on the meaning of war and why we fight. Unparalleled in its immediacy and accuracy, Helmet for My Pillow will leave no reader untouched. This is a book that brings you as close to the mud, the blood, and the experience of war as it is safe to come.



Now producers Tom Hanks, Steven Spielberg, and Gary Goetzman, the men behind Band of Brothers, have adapted material from Helmet for My Pillow for HBO’s epic miniseries The Pacific, which will thrill and edify a whole new generation.

  • Sales Rank: #18123 in Books
  • Published on: 2010-02-02
  • Released on: 2010-02-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .69" w x 5.17" l, .53 pounds
  • Binding: Paperback
  • 305 pages

Review
“Helmet for My Pillow is a grand and epic prose poem.  Robert Leckie’s theme is the purely human experience of war in the Pacific, written in the graceful imagery of a human being who—somehow—survived.”—Tom Hanks


“One hell of a book! The real stuff that proves the U.S. Marines are the greatest fighting men on earth!”—Leon Uris, author of Battle Cry

About the Author
Robert Leckie was the author of more than thirty works of military history as well as Marines, a collection of short stories, and Lord, What a Family!, a memoir. Raised in Rutherford, New Jersey, he started writing professionally at age sixteen, covering sports for The Bergen Evening Record of Hackensack. He enlisted in the United States Marine Corps on the day following the attack on Pearl Harbor, going on to serve as a machine gunner and as an intelligence scout and participating in all 1st Marine Division campaigns except  Okinawa.  Leckie was awarded five battle stars, the Naval Commendation Medal with Combat V, and the Purple Heart.  Helmet for My Pillow (Random House, 1957) was his first book; it received the Marine Corps Combat Correspondents Association award upon publication.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One


Boot

A cutting wind slanted up Church Street in the cheerless dawn of January 5, 1942. That day I departed for the United States Marines.

The war with Japan was not yet four weeks old, Wake Island had fallen. Pearl Harbor was a real tragedy, a burning bitter humiliation. Hastily composed war songs were on the lips of everyone, their heavy patriotism failing to compensate for what they lacked in tune and spirit. Hysteria seemed to crouch behind all eyes.

But none of this meant much to me. I was aware of my father beside me, bending into the wind with me. I could feel the wound in my lower regions, still fresh, still sore. The sutures had been removed a few days earlier.

I had sought to enlist the day after Pearl Harbor, but the Marines had insisted that I be circumcised. It cost me a hundred dollars, although I am not sure to this day whether I paid the doctor or not. But I am certain that few young men went off to war in that fateful time so marked.

We had come across the Jersey meadows, riding the Erie commuter line, and then on the ferry over the Hudson River to downtown New York. Breakfast at home had been subdued. My mother was up and about; she did not cry. It was not a heart-rending leave-taking, nor was it brave, resolute—any of those words that fail to describe the thing.

It was like so much else in this war that was to produce unbounded heroism, yet not a single stirring song: it was resigned. She followed me to the door with sad eyes and said, “God keep you.”

It had been a silent trip across the meadows and it was a wordless good-by in front of the bronze revolving doors at Ninety, Church Street. My father embraced me quickly, and just as quickly averted his face and left. The Irish doorman measured me and smiled.

I went inside and joined the United States Marines.

The captain who swore us in reduced the ceremony to a jumble. We all held up our hands. We put them down when he lowered his. That way we guessed we were marines.

The master gunnery sergeant who became our momentary shepherd made the fact plainer to us. Those rich mellow blasphemous oaths that were to become so familiar to me flowed from his lips with the consummate ease of one who had spent a lifetime in vituperation. I would meet his masters later. Presently, as he herded us across the river to Hoboken and a waiting train, he seemed to be beyond comparison. But he was gentle and kind enough when he said good-by to the thirty or forty of us who boarded the train.

He stood at the head of our railroad car—a man of middle age, slender, and of a grace that was on the verge of being ruined by a pot belly. He wore the Marine dress blues. Over this was the regulation tight-fitting overcoat of forest green. Green and blue has always seemed to me an odd combination of colors, and it seemed especially so then; the gaudy dark and light blue of the Marine dress sheathed in sedate and soothing green.

“Where you are going it will not be easy,” the gunnery sergeant said. “When you get to Parris Island, you’ll find things plenty different from civilian life. You won’t like it! You’ll think they’re overdoing things. You’ll think they’re stupid! You’ll think they’re the cruelest, rottenest bunch of men you ever ran into! I’m going to tell you one thing. You’ll be wrong! If you want to save yourself plenty of heartache you’ll listen to me right now: you’ll do everything they tell you and you’ll keep your big mouths shut!”

He could not help grinning at the end. No group of men ever had a saner counselor, and he knew it; but he could not help grinning. He knew we would ignore his every word.

“Okay, Sarge,” somebody yelled. “Thanks, Sarge.”

He turned and left us.

We called him “Sarge.” Within another twenty-four hours we would not dare address a lowly Pfc. without the cringing “sir.” But today the civilian shine was still upon us. We wore civvies; Hoboken howled around us in the throes of trade; we each had the citizen’s polite deprecation of the soldier, and who among us was not certain that he was not long for the ranks?

Our ride to Washington was silent and uneventful. But once we had arrived in the capital and had changed trains the atmosphere seemed to lift. Other Marine recruits were arriving from all over the east. Our contingent was the last to arrive, the last to be crammed aboard the ancient wooden train that waited, puffing, dirty-in-the-dark, smelling of coal—waited to take us down the coast to South Carolina. Perhaps it was because of the dilapidated old train that we brightened and became gay. Such a dingy, tired old relic could not help but provoke mirth. Someone pretended to have found a brass plate beneath one of the seats, and our car rocked with laughter as he read, “This car is the property of the Philadelphia Museum of American History.” We had light from kerosene lamps and heat from a potbellied stove. Draughts seemed to stream from every angle and there was a constant creaking and wailing of wood and wheels that sounded like an endless keening. Strange old train that it was, I loved it.

Comfort had been left behind in Washington. Some of us already were beginning to revel in the hardship of the train ride. That intangible mystique of the marine was somehow, even then, at work. We were having it rough, which is exactly what we expected and what we had signed up for. That is the thing: having it rough. The man who has had it roughest is the man to be most admired. Conversely, he who has had it the easiest is the least praiseworthy.

Those who wished to sleep could cat-nap on the floor while the train lurched down through Virginia and North Carolina. But these were few. The singing and the talk were too exciting.

The boy sitting next to me—a handsome blond-haired youth from south Jersey—turned out to have a fine high voice. He sang several songs alone. There being a liberal leavening of New York Irish among us, he was soon singing Irish ballads.

Across the aisle there was another boy, whom I shall call Armadillo because of his lean and pointed face. He was from New York and had attended college there. Being one of the few college men present, he had already established a sort of literary clique.

The Armadillo’s coterie could not equal another circle farther down the car. This had at its center a stocky, smiling redhead. Red had been a catcher for the St. Louis Cardinals and had once hit a home run at the Polo Grounds off the great Carl Hubbell.

There was no measuring the impact of such a celebrity on our group, composed otherwise of mediocrities like myself. Red had been in the big time. He had held daily converse with men who were nothing less than the idols of his newfound comrades. It was quite natural they should ring him round; consult him on everything from pitching form to the Japanese General Staff.

“Whaddya think it’ll be like at Parris Island, Red?”

“Hey, Red—you think the Japs are as tough as the newspapers say they are?”

It is an American weakness. The success becomes the sage. Scientists counsel on civil liberty; comedians and actresses lead political rallies; athletes tell us what brand of cigarette to smoke. But the redhead was equal to it. It was plain in his case what travel and headlines can do. He was easily the most poised of us all.

But I suspect even Red’s savoir-faire got a rude jolt when we arrived in Parris Island. We had been taken from the railroad station by truck. When we had dismounted and had formed a motley rank in front of the red brick mess hall, we were subjected to the classic greeting.

“Boys,” said the sergeant who would be our drill instructor. “Boys—Ah want to tell yawl something. Give youah hearts to Jesus, boys—cause youah ass belongs to me!”

Then he fell us in after our clumsy civilian fashion and marched us into the mess hall.

There were baloney and lima beans. I had never eaten lima beans before, but I did this time; they were cold.

The group that had made the trip from New York did not survive the first day in Parris Island. I never saw the blond singer again, nor most of the others. Somehow sixty of us among the hundreds who had been aboard that ancient train, became a training platoon, were assigned a number and placed under the charge of the drill sergeant who had delivered the welcoming address.

Sergeant Bellow was a southerner with a fine contempt for northerners. It was not that he favored the southerners; he merely treated them less sarcastically. He was big. I would say six feet four inches, two hundred thirty pounds.

But above all he had a voice.

It pulsed with power as he counted the cadence, marching us from the administration building to the quartermaster’s. It whipped us, this ragged remnant, and stiffened our slouching civilian backs. Nowhere else but in the Marine Corps do you hear that peculiar lilting cadence of command.

“Thrip-faw-ya-leahft, thrip-faw-ya-leahft.”

It sounds like an incantation; but it is merely the traditional “three-four-your-left” elongated by the southern drawl, made sprightly by being sung. I never heard it done better than by our sergeant. Because of this, and because of his inordinate love of drill, I have but one image of him: striding stiff-backed a few feet apart from us, arms thrust out, hands clenched, head canted back, with the whole body following and the great voice ceaselessly bellowing, “Thrip-faw-ya-leahft, thrip-faw-ya-leahft.”

Sergeant Bellow marched us to the quartermaster’s. It was there we were stripped of all vestiges of personality. It is the quartermasters who make soldiers, sailors and marines. In their presence, one strips down. With each divestment, a trait is lost; the discard of a garment marks the quiet death of an idiosyncrasy. I take off my socks; gone is a propensity for stripes, or clocks, or checks, or even solids; ended is a tendency to combine purple socks with brown tie. My socks henceforth will be tan. They will neither be soiled, nor rolled, nor gaudy, nor restrained, nor holey. They will be tan. The only other thing they may be is clean.

So it is with it all, until one stands naked, struggling with an embarrassment that is entirely lost on the laconic shades who work in quartermaster sheds.

Within—in the depths the psychiatrists call subliminal—a human spark still sputters. It will never go quite out. Its vigor or its desuetude is in exact proportion to the number of miles a man may put between himself and his camp.

Most helpful customer reviews

258 of 269 people found the following review helpful.
Profound and unique insight into the WWII Pacific experience
By Lori D. Smith
First, I must admit a particular regard for this book as the granddaughter of Bill Smith (whom Leckie refers to as 'Hoosier'), who served with Leckie in How Company. Leckie offers nuanced insight into the ways in which he and his friends understood national military service, the `enemy', and the war more generally, and how these perspectives or ideas evolved among the men from North Carolina to Guadalcanal, Australia, and New Britain. Leckie steers clear from prototypes or cliches; there is no enblematic enlisted man or officer. Rather, these men are treated as real people coping (or not) with the profound uncertainty of their situation.

Perhaps this appreciation says more about my own lack of experience with combat/warfare. Thinking of Guadalcanal from a macro or military history perspective, it is easy to take for granted that marines' objectives - and the most efficacious means to pursue them - were always apparent to those involved. In this context, Leckie's account of warfare as a learning process was deep, reflexive, and fascinating. For example, he describes: 1) the marines' first reactions to air battle and subsequent adjustment to air battle as a simple process of attrition; and 2) the uncertainty confronted by officers at various stages, against the backdrop of the US' limited military experience in the Pacific or in jungles more generally. In this way, Leckie also makes apparent the need - and efficacy - of severe hierarchy. For this reason, I think that reviewers' arguments positing a lack of regard for officers deserve qualification.

***UPDATE/REFLECTIONS***
Hoosier was wounded and evacuated early in the Battle of Peleliu; I believe that Chuckler and Runner were wounded later and evacuated with Leckie. Leckie and his friends stayed in touch - in the summer of 1985, my grandfather and his wife, as well as Runner (Juergens) and his wife, went to visit Leckie in New Jersey. There Leckie decidated a park in their honor, in honor of all marines who fought in the Pacific Theater (I uploaded a photo of the dedication plaque in the 'customer image gallery').

Although Hoosier never liked to share his experiences from the war, my father considers the book to be true to his character. And, while the HBO miniseries diverges considerably from the book, Hoosier's sense of humor appears true to form (the book provides far greater nuance and depth, different dialogue, and events unfolded differently). This edition of the book also includes a few photographs of Leckie, Runner, Hoosier, and others - some taken in their dress blues, and others on Guadalcanal.

148 of 157 people found the following review helpful.
That was victory
By wogan
`Helmet for My Pillow" is a reissue from 1957. My one and only complaint is my usual one with reissues...please put in an updated introduction...tell us what has happened with the author or life, don't just reissue it and do nothing else. This will be made into a mini series which is probably the reason for the reissue. No matter what the reason it's definitely worth reading. Robert Leckie's descriptions create a picture; from his drill sergeant..." but above all he had a voice" to the exultation of leave in Australian after the battle of Guadalcanal. There are black and white pictures throughout the pages of the men he served with and of Leckie which definitely helps with the mind's pictures.

But most of all this book is remarkable. I have heard men describe their experiences with jungle warfare, both from WWII and Vietnam, but never with the awful clarity that is done in these pages. I grew up in the army and have been with the military all of my life and can agree with so much of what is said here, and said with far more ability than almost any other book I have read.
Leakie pulls no punches, not in the way many of the enlisted were treated by their officers or in his own `mistakes' that landed in him the brig.
Historically there is much in here that I have never read before, and I have read and listened to much. There are stories of the hunger the fighting men felt during battle and how Japanese forces would try to sneak into their camps at night for food. Then there are the descriptions of the `widow makers', trees that were weakened by artillery fire that killed 25 men as they broke and fell on them.
This is truly an incredible account, eye opening and worthy of your time and effort to read.

116 of 125 people found the following review helpful.
Absolutely spellbinding. Couldn't put it down.
By R. KELSEY
One of the best personal memoirs of war I have ever read. Leckie is brutally honest about anything and everything to do with his experiences in the 1st Marine Division during WWII. Incredibly impressed by his sensitive candor and philosophical reflections on the impact of war on human beings. Having been an officer myself, I was truly shocked to read his descriptions of Marine officers blatantly stealing from enlisted men. I guess in wartime, they were willing to let anyone become an officer. Leckie pulls no punches but shows remarkable understanding, forgiveness, and mercy towards all his comrades and even the enemy. This book is a classic and a must-read for anyone interested in what combat in the Pacific theater was really like and about young men's reaction to war. Rest in peace, Robert Leckie. For those who fell, there is no hell. I thank God knowing you have been reunited with your comrades. Thank you for writing this book. It was a privilege to have read it. A great gift to those who have never known the horrors and sacrifice of war.

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>> Ebook Download Helmet for My Pillow: From Parris Island to the Pacific, by Robert Leckie Doc

>> Ebook Download Helmet for My Pillow: From Parris Island to the Pacific, by Robert Leckie Doc

>> Ebook Download Helmet for My Pillow: From Parris Island to the Pacific, by Robert Leckie Doc
>> Ebook Download Helmet for My Pillow: From Parris Island to the Pacific, by Robert Leckie Doc