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~ Free PDF Princess Elizabeth's Spy: A Maggie Hope Mystery, by Susan Elia MacNeal

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Princess Elizabeth's Spy: A Maggie Hope Mystery, by Susan Elia MacNeal

Susan Elia MacNeal introduced the remarkable Maggie Hope in her acclaimed debut, Mr. Churchill’s Secretary. Now Maggie returns to protect Britain’s beloved royals against an international plot—one that could change the course of history.
 
As World War II sweeps the continent and England steels itself against German attack, Maggie Hope, former secretary to Prime Minister Winston Churchill, completes her training to become a spy for MI-5. Spirited, strong-willed, and possessing one of the sharpest minds in government for mathematics and code-breaking, she fully expects to be sent abroad to gather intelligence for the British front. Instead, to her great disappointment, she is dispatched to go undercover at Windsor Castle, where she will tutor the young Princess Elizabeth in math. Yet castle life quickly proves more dangerous—and deadly—than Maggie ever expected. The upstairs-downstairs world at Windsor is thrown into disarray by a shocking murder, which draws Maggie into a vast conspiracy that places the entire royal family in peril. And as she races to save England from a most disturbing fate, Maggie realizes that a quick wit is her best defense, and that the smallest clues can unravel the biggest secrets, even within her own family.

Praise for Mr. Churchill’s Secretary
 
“Delightful may seem a strange word to describe a novel that takes place against the backdrop of the bombings of London during World War II, but it’s appropriate for this debut novel. . . . As sweet as it is intriguing.”—USA Today
 
“A captivating, post-feminist picture of England during its finest hour.”—The Denver Post
 
“Daring . . . Blends meticulous research on the era, psychological insight into Winston Churchill, and the creation of a riveting main character, Maggie Hope, into a spectacularly crafted novel.”—Bookreporter
 
“A ripping good yarn [that] enthralls and satisfies.”—Richmond Times-Dispatch

  • Sales Rank: #31753 in Books
  • Brand: Bantam
  • Published on: 2012-10-16
  • Released on: 2012-10-16
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .81" w x 5.13" l, .61 pounds
  • Binding: Paperback
  • 384 pages
Features
  • Great product!

From Booklist
Discouraged when she washes out in MI-5 physical training in late 1940, Maggie Hope is less than pleased to be assigned to Windsor Castle, ostensibly to tutor Princess Elizabeth in “maths.” A math whiz raised in America by an aunt, she aspires to be a spy on the continent. Just after she reaches the castle, a lady-in-waiting riding with the two princesses is killed, leaving Maggie wondering if the victim was really the intended target. Fourteen-year-old Elizabeth proves an apt student, even fortuitously devising a code, as Maggie successfully handles covert tasks and conceals personal concerns. (Her “almost-fiancé,” whose proposal she turned down because he was joining the RAF, is missing after being shot down over Germany.) MacNeal captures the atmosphere of wartime Britain, with its populace keeping a stiff upper lip, and Maggie is as spunky as she is smart, showing backbone yet acknowledging error. This sequel to Mr. Churchill’s Secretary (2012) is historical mystery true to its time, with concluding plot twists that pave the way perfectly for future entries in an up-and-coming series. --Michele Leber

Review
Praise for Mr. Churchill’s Secretary
 
“Delightful may seem a strange word to describe a novel that takes place against the backdrop of the bombings of London during World War II, but it’s appropriate for this debut novel. . . . As sweet as it is intriguing.”—USA Today
 
“A captivating, post-feminist picture of England during its finest hour.”—The Denver Post
 
“Daring . . . Blends meticulous research on the era, psychological insight into Winston Churchill, and the creation of a riveting main character, Maggie Hope, into a spectacularly crafted novel.”—Bookreporter
 
“A ripping good yarn [that] enthralls and satisfies.”—Richmond Times-Dispatch

About the Author

Susan Elia MacNeal is the Barry Award–winning and Edgar, Dilys, and Macavity Award–nominated author of the Maggie Hope mysteries, including Mr. Churchill’s Secretary, Princess Elizabeth’s Spy, His Majesty’s Hope, and The Prime Minister’s Secret Agent. She lives in Park Slope, Brooklyn, with her husband and child.

Most helpful customer reviews

65 of 69 people found the following review helpful.
Plagiarism Alive and Well
By Suze W
I bought this book from a B&N store, but they didn't have the first book, so I bought that one on Amazon, and I really enjoyed it. Then I read this one. What a let down of bad research and a compeltely plagiarized plot.

Well. If you loved Alias, as I did, you will LOVE this book. And that's because it's exactly the same. *Looks around nervously and whispers*... EXACTLY the same.

In 2001 a fantastic new TV show was launched following a grad student CIA spy (Sydney Bristow) through her adventures with her friends and her family and of course her work.
In 2012 Susan Elia MacNeal wrote a book set during WWII about a young grad student MI5 spy (Maggie Hope), and Princess Elizabeth's Spy takes the reader through her adventures with her family, friends and work.

Sydney has a father she barely knows who is also a spy, and a mother tragically killed in a car crash.
Maggie has a father she barely knows who is also a spy, and a mother tragically killed in a car crash.

Sydney has a fiancé who was tragically killed.
Maggie has a boyfriend, whose proposal she turned down, tragically killed.

Sydney has a hot, young Michael Vaughn as her new handler.
Maggie has a hot, young Hugh Thompson as her new handler.

When her bosses realize how important Sydney is, they assign a new `more experienced' dick of a handler.
When her bosses realize how important Maggie is, they assign a new `more experienced' dick of a handler.

Sydney threatens not to hand over important information unless Michael is her handler again.
Maggie threatens not to hand over important information unless Hugh is her handler again.

Michael is Sydney's handler again!
Hugh is Maggie's handler again!

Sydney goes to meet her father for dinner to discuss their past and her mother, but her father never shows. Michael consoles her.
Maggie goes to meet her father for dinner to discuss their past and her mother, but her father never shows. Hugh consoles her.

Sydney finds a code written in a book that her father had bought for her mother in Russia, cementing her idea that her father might be a double agent working for the enemy.
Maggie finds a code written in a book that her father had bought for her mother in Germany, cementing her idea that her father might be a double agent working for the enemy.

Sydney investigates and discovers that an agent was tasked with investigating her father, and was killed in the same auto-accident as her own mother. She suspects that he was really killed by her father.
Maggie investigates and discovers that an agent was tasked with investigating her father, and was killed in the same auto-accident as her own mother. She suspects that he was really killed by her father.
(in Alias, the agent who followed her father was Michael's father. In Princess Elizabeth's Spy, Hugh's father was on a hit list revealed by the code in the books. So essentially both Michael's and Hugh's fathers were killed by Sydney/Maggie's fathers.)

Michael's affable best friend at the office tells him that if he's beginning to have feelings for Sydney, he must break it off with his current girlfriend. He agrees, and does.
Hugh's affable best friend at the office tells him that if he's beginning to have feelings for Maggie, he must break it off with his current girlfriend. He agrees, and does.

Michael talks movingly about all the stars on the wall of the CIA representing people who had given their lives for their country, and that they'll never be forgotten.
Hugh talks movingly about all the poppies on the wall of MI5 representing people who had given their lives for their country, and that they'll never be forgotten.

In a big meeting, with all the big cheeses at the CIA, AND her father, Sydney is told that her mother is not in fact dead, that it was SHE who was the agent for the enemy and who had killed the other agents, including Michael's father.
In a big meeting, with all the big cheeses at MI5, AND her father, Maggie is told that her mother is not in fact dead, that it was SHE who was the agent for the enemy and who had killed the other agents, including Hugh's father.

There are hints that Sydney may have a half-sister who she will need to track down.
There are hints that Maggie may have a half-sister who she will need to track down.

There were many other instances, to include dialogue, that seemed to have been lifted directly from Alias. There were also HUGE plot issues and problems with the author not understanding the times in London. But they pale into comparison to the plagiarism here. It's a huge shame, because the first book was a lot of fun.

I've just read some Goodreads reviews for this book, and people are claiming she took the murder and detective parts directly from Foyles War, and large aspects of Susan Isaac's novel Shining Through (also a movie) in her next book, Her Majesty's Hope. I'm beginning to think that her deadlines came quicker than her ideas did.

61 of 69 people found the following review helpful.
Preposterous
By Jersey Bookworm
It is always interesting to me to imagine how real life historic figures, or even fictional characters, reacted to the momentous circumstances around them. In the best of these genres we are treated to plausible situations and multi-dimensional characters. The plots are creative and if they require a bit of suspension of disbelief, that is just part of the fun. I am thinking especially of Laurie King's Holmes and Russell series, the Maisie Dobbs novels, Charles Todd and Anne Perry, among others. Best of all, in these works the writing is excellent; clear, insightful, descriptive prose that is free of cliches and well edited.

This series started promisingly, if a little on the predictable side, with "Mr. Churchill's Secretary". The cover art is great, which usually indicates a real investment on the part of the publisher. As a rule, they won't waste that kind of investment on junk. So it wasn't in the same league as King, Winspear and Perry. It was still diverting.

Then came "Princess Elizabeth's Spy". It plods along predictably for awhile, not horrendous but certainly not very good either. But I stuck with it. The scene arrives where the Princesses are putting on their Christmas pantomime when BANG! shots ring out. Wait, shots ring out?!?! Are you kidding me? The King is shot?!? Never happened and reality is all down hill from there.

You can put disclaimers all over something that it is fiction, as they do here, but to make up such extreme events is just infuriating. I will not go into detail to avoid more spoilers. But the end of this book is so ridiculous I would not have been surprised if the author had thrown in that little green men from Mars had intervened and ended WW II. That is how plausible her actual scenario is. As far as I am concerned, this was pure laziness. It takes work to fit a fictional story into history. It takes no work at all to ignore history and make up your own to fit your plot.

I always hesitate to give a bad review, mostly because at least that author has done more than me and has actually gotten something published. But this is out and out preposterous junk and, for me at least, was not worth the money.

Too many characters, too many coincidences, plots that are unlikely can be forgiven when you know what you are getting into. There is nothing wrong with pure escapism and many of these lesser books are fine for that. But to literally rewrite history is going too far for me, especially when the book is not so great in the first place. This was a waste of time and money.

45 of 52 people found the following review helpful.
Awkward historical mystery with some jarring anachronisms
By NKA
I liked the premise of this book, but I could never really get into it. Every time the plot started to get interesting, I stumbled across something impossible like stores open on Sundays in Britain in the 1940s. Editing was terrible; there were sequences where days of the week and even entire years were confused. The main character alternates between a plausible 1940s character and a 21st century woman who has time traveled back to WWII. Every few chapters there is a public service announcement for the value of mathematics for women, starring the future Queen Elizabeth.

If you want a good accurate mystery set in England during World War II, try the television series Foyle's War.

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? Get Free Ebook In Serena's Web (Hagen), by Kay Hooper

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In Serena's Web (Hagen), by Kay Hooper

 
From New York Times bestselling author Kay Hooper comes this classic romantic tale of two men entangled in the nets of deadly temptation—and one irresistible, ambitious woman caught in a trap of her own devising. . . . 
  
At twenty-six, Serena Jameson is a handful—brilliant, manipulative, and passionate, at least when it comes to righting the wrongs of the world. Her father, a renowned computer magnate, is worried about Serena’s impetuous nature—as well as a far more tangible threat—and entrusts a colleague, handsome Brian Ashford, to ferry her on a trip across the country. But as usual, Serena has ideas of her own.

A novice in affairs of the heart, Serena asks Brian to give her a crash course in seduction so that she can tame the notorious womanizer Joshua Long. But what starts as a simple lesson in love becomes a complex erotic dance, as both men find themselves caught in the snares of Serena’s undeniable wiles. Is Serena trying to attract her declared target or her teacher? Who is really ensnaring whom? And can she finish weaving her web before the mysterious cabal eager to kill Serena’s father manages to succeed—over her dead body?

  • Sales Rank: #890438 in Books
  • Brand: Hooper, Kay
  • Published on: 2010-03-23
  • Released on: 2010-03-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.85" h x .75" w x 4.10" l, .31 pounds
  • Binding: Mass Market Paperback
  • 288 pages

About the Author
Kay Hooper, who has more than thirteen million copies of her books in print worldwide, has won numerous awards and high praise for her novels. She lives in North Carolina.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One


   She watched the tall, dark, undeniably handsome man enter the restaurant, watched his graceful progress through the crowded room. She watched the fawning waiters and noted the interested stares of fellow diners. She studied the man's companion for a briefmoment. Blondes, she thought. Always blondes. Doesn't his taste vary? 

  She looked across the table at her own companion. Another blonde. But the face she studied now was the opposite in every way--except one--from the face belonging to the blonde across the room.  

The one similarity was beauty.  

Masculine beauty met her thoughtful gaze as she studied her companion. His was an arresting face: lean, classical of feature, tanned, with a determined jaw and humor playing about the curved lips and gleaming in green eyes. A face capable, certainly, ofhaunting dreams and breaking hearts.  

He was a tall man, athletic, with broad shoulders and a lithe way of moving. Thick, silvery blond hair. A man in his mid-thirties who was obviously strong, tough, and determined.  

She looked once again at the dark man across the room. Slowly she began to smile.   "You're smiling," her companion observed in a tone of immense foreboding.  

She laughed softly and looked across the table at him, her gray eyes as deceptively unthreatening as a silent mountain fog.  

"Why are you smiling?" he demanded, anxiety mixed with amusement in his deep, pleasant voice. 

  "I'm not blond, and I don't have blue eyes."  

"That's why you're smiling?" He glanced at her wineglass suspiciously, obviously wondering how much was too much.  

Her smile widened. "Brian, you're a lovely man. I don't know what I would have done without you these last weeks."  

Far from being flattered by these soulful remarks, Brian Ashford began to frown in earnest. "Rena, you're up to something," he said uneasily. "The last time you told me I was a lovely man, I had to bail you out of jail the next day."  

Serena Jameson waved a slender hand in a dismissing gesture. "That was a misunderstanding."  

"You bet it was. You misunderstood that cop when he arrested you, so you punched him in the eye."  

Serena gave him another of the gentle, unthreatening smiles he'd learned to mistrust. "He was going to arrest Sam, and I couldn't allow that."  

Brian sighed. "I know, I know. Sam was in trouble, so you got yourself into trouble to keep him out of trouble--which is the way your mind works. You're frightening, d'you know that?"  

"Nothing terrible's happened, so--"  

"I know nothing terrible's happened . . . this week. Unlike last week. And the week before. Rena, I'm going to apologize to your father if I ever live to see him again. I believed--truly believed--that he was showing needless concern by requesting someoneto accompany you from Europe to New York and then on to the West Coast."  

"Brian--"  

"I never thought," he went on cordially, "that six weeks in the company of a rather lovely twenty-six-year-old woman could hold anything remotely resembling danger. Piece of cake, I thought. Oversee the travel arrangements, keep the lady company, see someof the country I've never seen, and just make sure the genius's daughter doesn't fall down and break a leg during the trip. Easy. Simple. Safe."  

"Brian--"  

"However, no one warned me that you bleed when somebody--anybody--gets cut. No one warned me that your gentle smile and soft voice cloak the heart of an army general bent on victory. No one warned me that the genius's daughter inherited more than her fairshare of the parent's brains, and his lack of common sense! And no one warned me that you get into more trouble than a shipful of sailors on liberty."   Serena looked mildly shocked. "Not that kind of trouble, Brian." 

  Brian gazed imploringly toward the ceiling and whatever lay beyond. "She's going to get me killed," he murmured.  

Reaching across the table to pat his hand comfortingly, Serena said, "Daddy won't blame you, Brian, whatever happens. He's used to me."  

Brian employed his free hand to rake through his thick blond hair. "No man in his right mind could ever get used to you," he told her frankly. Then he shook his head as if to clear it. "Look, Rena--your father is very important to my company. If that microchiphe's developing really works, it'll definitely revolutionize the computer industry. And I really don't mind taking an extended vacation and accompanying you across the country. I could even enjoy it, except for the fact that I'm slightly concerned about twopossibilities."  

"Which are?" She was gazing thoughtfully across the room, her hand still resting gently on his.  

Brian waited until she returned her gaze to him. "One, that you'll get me killed. Two, that I'll murder you."   Serena sat back, her hand sliding smoothly over his as it withdrew. She was still smiling. "Nonsense, Brian." She summoned a waiter with a glance, a trick she had learned from her charismatic father. "You'll feel better after a good night's sleep."  

As if he were approaching senility and needed extra sleep, Brian thought irritably. "Rena--" He broke off with a sigh as the waiter approached.  

With the gently wistful smile that always won her instant slaves of the male sex, Serena spoke to the waiter. "Would you please have a bottle of your finest champagne sent over to Mr. Long's table and put it on my bill?"  

"Certainly, Miss Jameson."  

The waiter, Brian observed sourly, was ready to die for her. Then her request sank in, and he began to feel seriously alarmed.  

Serena added sweetly, "And when he asks who sent it, just tell him an admirer, would you, please?"  

"Of course, Miss Jameson." The waiter, a silly smile on his face, departed.  

"What," Brian asked evenly, "was that all about? Who's Long?" 

  Wide gray eyes gazed at him innocently. "Joshua Long," she murmured. "He's staying here at the hotel, in case you haven't noticed."  

Brian glanced across the room and frowned. He waited until the waiter appeared again, following the man's progress as he carried champagne to another table. When he got a good look at the recipient of that expensive bottle, his frown deepened. "I knowthe name." Then he looked back at her quickly. "Of course I know the name. Rena, he's the closest thing this century's seen to a rake." 

  "Exciting, isn't it?" 

  He stared at her. "I knew you were up to something. Dammit, what're you up to?"  

Serena returned the stare, her expression utterly guileless. "Well, Brian, you've convinced me that I need . . . someone to take care of me."  

"And so?" Foreboding was heavy in his voice. 

  "I thought I'd get married," she told him in the casual tone of one deciding which wine might go with dinner.  

After a long moment Brian--not trusting his voice--sent an inquiring glance toward Long's table before staring again at Serena.  

She nodded. "I should think he'd know how to manage me, wouldn't you?"  

Brian ignored the question to ask one of his own. "And is he aware of the treat in store for him?"  

If Serena was irritated by his sarcasm, it certainly didn't show on her lovely face. "Not yet. But he will be soon. Very soon." 

  "Rena, we're going on to Flagstaff tomorrow," he reminded her carefully.  

"You can, if you want," she murmured in an absent tone, her eyes once more fixed on the table across the room. "I like Denver. I think I'll stay on here for a few days. Or a week."  

"Rena--" Brian began to rise as she did, but he was delayed by the necessity of signing the check. By the time he could catch up to Serena, she was already halfway out of the restaurant. With a choice of two exits, she had chosen the one across the room,which meant she would pass Joshua Long's table. And pass it she did, Brian reflected, unsure of his own emotions as he watched her gliding, graceful movements. She walked, he thought, the way Eve must have walked for Adam.  

Long's gaze was drawn away from his blond companion to appreciatively observe that walk, and Brian was near enough to see the arrested expression in the other man's cool blue eyes as Serena sent him a glance over her shoulder.  

Catching up to his wayward charge, Brian grasped her elbow firmly and steered her hastily from the restaurant.  

"You spoiled the effect," she told him in mild annoyance as they stood inside the elevator and he released her arm. She rubbed it, sending him a reproachful look, and added, "Brute."  

"I am not," he said coldly, "going to let you get into trouble again. Especially not with Joshua Long. You were unattached when I met you in London, and you'll be unattached when I deliver you to your father in California."  

"Deliver me," she murmured. "Like a parcel all tied up with string."   Something about her gentle voice sent Brian's inner alarms--sharpened by the past three weeks--jangling. He backed up rather hastily. "I didn't mean it like that."   "Didn't you?" The deceptively tranquil gray eyes studied him for an unnerving moment. "I believe you did, Brian."  

He could think of no response until the elevator let them out on their floor. Then, as he walked beside her down the hall, he said carefully, "Rena, we've gotten to be friends these last weeks, haven't we?" 

  She sent him a glance. "You've threatened to murder me at least half a dozen times. I suppose that constitutes friendship. Of a sort."  

Brian cleared his throat strongly. "The point is that friends watch out for each other. And I wouldn't be much of a friend if I let you . . . get involved with a man like Long. My responsibilities to your father aside, Long would only hurt you."  

Serena halted at her door, digging in her spangled evening purse for her key. "I can take care of myself, Brian. I am, as you pointed out earlier, twenty-six, and I've seen something of the world." Locating her key, she unlocked the door and sent him alast, direct look. "I don't need a Galahad."  

Brian gritted his teeth. "Long was with someone. Doesn't that mean anything to you?"  

Reflectively she said, "I'm not planning to dye my hair blond, so I suppose I'll have to teach him to love brunettes." 

  "Rena, he'll only hurt you." 

  "You forget, Brian"--she stepped inside the door and smiled very gently at him as she started to close it--"I'm not in his web. He's in mine. Good night."  

Serena tossed her bag on the wide bed and stood for a moment in her dimly lighted room gazing at her reflection in the mirror over the dresser. Her thoughtful gray eyes met the reflected ones briefly, then went on to study the rest of herself methodicallyand critically. 

  The thick hair piled atop her head was an unusually dark, rich brown, almost black at certain times, but showing coppery highlights in strong light. Her face was delicate, the features finely formed; her large, tranquil gray eyes gave her the unguardedlook of a kitten. 

  She was a tiny woman who appeared amazingly fragile, but her slender figure boasted startling curves that were shown to advantage in the midnight-blue dress she wore; it was low cut and clinging, and though jeans inevitably made her look sixteen, a dresssuch as this one turned her into a smoky-eyed siren. 

  Serena sighed softly and shook her head. She wasn't given to longing for what she didn't have, but a few more inches of height and ash-blond hair would have served her purpose better at the moment.  

Remembering the blondes Joshua Long had escorted around the hotel during the past three days, Serena sighed again. She glanced at the clock on the nightstand and then sat down on the bed. He'd bribe the waiter to tell him who had sent the champagne, sheknew, and would either call or knock on her door. In the meantime, however, she really should talk to her father.  

Before Brian did. Serena knew her parent too well to think he'd give Brian permission to spirit her away to California, but she'd always kept him informed of her plans, and this plan was no exception. She placed the call, and shortly heard her father'svague, affectionate voice.  

"Hi, honey. Brian hasn't murdered you yet?"  

Serena laughed and leaned against the pillows banked up behind her. "Not yet, Daddy. He's threatened to, though."  

"Yes, he's called every other day or so," Stuart Jameson said in an absent tone. "He seemed to think I'd be angry that he hadn't kept you out of jail and out of the Mississippi."  

"He's being very stuffy," Serena told her father severely.

   "Rena, stop playing your tricks on the man." Her father's tone matched hers now. "I've had twenty-six years to learn how to cope, but he hardly knows you."  

"He's learning." She was unrepentant.  

"In self-defense, I'm sure."  

She laughed. "He's holding up, Daddy. He may be calling you tonight, by the way."   "What've you done now?"  

"Nothing," Serena answered placidly. "Not yet, anyway. It's just that I've decided to get married, and Brian thinks I've chosen the wrong man."  

As her father had said, he had been granted some years to become accustomed to her sudden fits and starts. So he didn't deafen her with exclamations of horror or surprise. He merely said politely, "You're getting married?"  

"I thought I would." 

  "And who is it that Brian disapproves of?"  

"Joshua Long."  

There was a long silence, and then her father murmured, "Joshua Long. I see. He's in Denver? You are still in Denver?"  

"Yes to both questions." 

  "And you told Brian you'd decided to marry Joshua Long?"  

"Uh-huh." 

  "He believed you?"  

"He doesn't know me very well," Serena explained tranquilly. "Not yet, anyway."   "I see," her father murmured. "I think. Brian disapproved--uh--strongly of these impending nuptials, I take it?"  

"Well," she said, faintly dissatisfied, "not strongly enough. But I expect he'll get better at it."  

"With a nudge from you?"  

"That," she said, "is the plan." 

  There was silence, and then a soft chuckle. "Rena, when you were a child, I believed you'd gotten few of my brains but all of your mother's sweet temperament. Through the years, I've had to revise that deduction. You got your mother's temper, all right--andmy brains--and the cunning of the two pirates and three politicians on the family tree."  

"Thank you," she responded gravely. Then her amusement faded. "Daddy? Any more calls?"  

Stuart Jameson sobered as well, but his voice was reassuring. "No mention of you since New York, honey. You've lost them, I'd say. Does Brian know--?"

  "No, I haven't really found the right opportunity to tell him. I think it's time, though. He's going to be angry when he finds out he's been in the dark during all of this." 

  "I have a feeling," the elder Jameson said dryly, "you'll know how to handle him."  

"Well, I'll certainly try. D'you think it'll be all right for us to stick around here for a while?"  

"Yes, but keep your eyes open, honey."  

"I always do." Serena smiled to herself. "We'll stay awhile, then, Daddy." 

  He laughed again. "Then I won't look for you until I see you. Should I start shopping for a wedding present?" 

  "Just be ready to give me away."  

"I hope you know what you're doing," he offered dryly. "Otherwise I'll have to get ready for a funeral. Yours. One of them's bound to kill you."  

"Oh, I think I know what I'm doing. See you, Daddy."  

"Bye, honey."  

She had barely cradled the receiver when a knock sounded on her door. Smiling, she went to answer it, and found a tall, dark, undeniably handsome man leaning against the jamb.  

"Thanks for the champagne," he drawled, blue eyes quizzical.

From AudioFile
Serena Jameson, beautiful, brilliant, and determined, has her eye on handsome industrialist Brian Ashford. When Serena's life is in danger, Brian is drafted by Serena's father, a genius inventor, to take her across the country until he can identify who is behind the threat. The plotline is not rescued by Emily Zeller's narration. Zeller's childlike and often-rushed portrayal of Serena is more irritating than entertaining. Also, there's little differentiation between Serena and hero Brian, who isn't very heroic and appears to be more the good friend than the romantic interest throughout most of the book. A.C.P. © AudioFile 2010, Portland, Maine

Most helpful customer reviews

9 of 9 people found the following review helpful.
An early triumph...
By A. Cole
This book is one of her early releases through the now defunct Loveswept Romance line. Her ability to take the "formula" of their line and add humor and quick-pacing is what lifted her out into the mainstream of contemporary romance / mystery. But as with Nora Roberts' early stuff, don't expect the sophistication of her new material. Just enjoy it for what it is!

4 of 4 people found the following review helpful.
Hagan series is so very entertaining
By katie nahulu
Kay Hoopers early work with Loveswept was entertaining when it first came out years and years ago and still stands the test of time. Poignant and lighthearted the Hagan series is a great quick escape.

2 of 2 people found the following review helpful.
Part of Kay Hooper's "Hagan" series.
By Sheila McVicar
Kay Hooper has a very interesting way to her writing and this series proves it. It has international intrigue, highly intelligent scientists, undercover agents who are 'dragon slayers' and romance.

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Sabtu, 21 Juni 2014

> Ebook Death Times Three (Nero Wolfe), by Rex Stout

Ebook Death Times Three (Nero Wolfe), by Rex Stout

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Death Times Three (Nero Wolfe), by Rex Stout

Murder strikes thrice in these three baffling mysteries of crime and detection. First, Stout's great detective, Nero Wolfe, develops an appetite for the sweet taste of revenge when someone slips something most foul into his lunch. Then, a couturier's beautiful sister uses Archie Goodwin, Wolfe's man about town, as her ready-made alibi - and maybe fall guy - unless Wolfe can spot the loose ends in a nearly seamless crime. Finally, Wolfe has a run-in with the law after a mysterious old woman leaves a package at the detective's West Thirty-fifth Street brownstone that pits him against a cunning criminal - and the U.S. government.

"Nero Wolfe...part of our folklore." (New York Times)

  • Sales Rank: #551518 in Books
  • Brand: Brand: Bantam
  • Published on: 1995-01-02
  • Released on: 1995-01-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .50" w x 5.50" l, .74 pounds
  • Binding: Paperback
  • 256 pages
Features
  • ISBN13: 9780553763058
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From the Publisher
5 1.5-hour cassettes

About the Author
Rex Stout, born 1886 in Indiana/USA, worked at thirty different professions until he earned enough money to travel. In 1932, he began to write thrillers focusing on the famous detective Nero Wolfe. Nero is a gourmet weighing more than a hundred kilos, and moving as little as possible. Rex Stout finished more than fifty novels and received the "Grand Masters Award." He died 1975.
Rex Stout,1886 in Indiana/USA geboren, soll ca. dreiig Berufe ausgeubt haben, bevor er mit einem von ihm selbst konzipierten Sparkassensystem so viel Geld verdiente, da er ausgedehnte Reisen unternehmen konnte. 1932 begann er, Kriminalromane zu schreiben in deren Mittelpunkt fast immer der beruhmte Privatdetektiv Nero Wolfe steht. Dieser ist eine uber hundert Kilo "schwergewichtiger" Gourmet, der sich so wenig wie moglich bewegt und leidenschaftlicher Orchideenzuchter ist. Rex Stout wurde fur seine uber funfzig Romane mit dem "Grand Masters Award" ausgezeichnet. Er starb 1975.

Rex Stout, born 1886 in Indiana/USA, worked at thirty different professions until he earned enough money to travel. In 1932, he began to write thrillers focusing on the famous detective Nero Wolfe. Nero is a gourmet weighing more than a hundred kilos, and moving as little as possible. Rex Stout finished more than fifty novels and received the "Grand Masters Award." He died 1975.
Rex Stout,1886 in Indiana/USA geboren, soll ca. dreiig Berufe ausgeubt haben, bevor er mit einem von ihm selbst konzipierten Sparkassensystem so viel Geld verdiente, da er ausgedehnte Reisen unternehmen konnte. 1932 begann er, Kriminalromane zu schreiben in deren Mittelpunkt fast immer der beruhmte Privatdetektiv Nero Wolfe steht. Dieser ist eine uber hundert Kilo "schwergewichtiger" Gourmet, der sich so wenig wie moglich bewegt und leidenschaftlicher Orchideenzuchter ist. Rex Stout wurde fur seine uber funfzig Romane mit dem "Grand Masters Award" ausgezeichnet. Er starb 1975.

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0 of 0 people found the following review helpful.
Spelling and punctuation errors abound
By A Customer
Rex Stout's Nero Wolfe is one of the most enduring detectives in the canon. Unfortunately the Amazon Kindle ebooks of the series are filled with typographic and punctuation errors, and Amazon doesn't have a mechanism in place for readers to report mistakes. Buy the print copy. It's better quality.

33 of 33 people found the following review helpful.
Wolfe redux
By Michele L. Worley
All three of the stories herein were previously published in different forms, one of which wasn't even a Wolfe story.
"Assault on a Brownstone" - Rewrite of "Counterfeit for Murder" from _Homicide Trinity_. Hattie Annis, who operates a rooming house in New York City, found some counterfeit money and wants a reward, but the case quickly turns into a murder investigation.
"Frame-Up for Murder" - Expanded rewrite of "Murder Is No Joke" from _And Four To Go_. Flora Gallant, the sister of famous dress designer Alec Gallant, hires Wolfe and Archie to break Bianca Voss' mysterious hold over her brother. While questioning an interested party via telephone, Wolfe and Archie hear a murder - or do they? Was it genuine, or was the killer playing games to mess up the time of death?
"Bitter End" - 11-12 July, 1939. Take the plot and cast of Stout's Tecumseh Fox novel _Bad for Business_, replace Fox with Archie and Wolfe, and cut it down to a short story. The entry into the story is different, of course, since Amy Duncan isn't the focus; Wolfe is served with some of the quinine-tainted Tingley's products and takes it as an insult.

9 of 13 people found the following review helpful.
3 short stories
By Michael Dea
Death Times Three is not a complete novel, but rather a collection of 3 short stories, 'Bitter End', 'Frame-up For Murder' and 'Assault on a Brownstone'.
The best is 'Bitter End' where Nero Wolfe is determined to find the culprit who has been tampering with his favorite brand of pate. If he solves a murder in the meantime that's just a bonus.
Rex Stout's Nero Wolfe stories are an interesting mix of American and British mystery writing. Nero Wolf is an eccentric loner in the British tradition of Sherlock Holmes or Hercule Poirot. The stories are narrated by Wolfe's sidekick Archie Goodwin, similar to Poirot's Captain Hastings. However the character and narrative manner of Goodwin is more in the line of the American tradition of Phillip Marlowe, and the Continental-Op.

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Jumat, 20 Juni 2014

## Get Free Ebook Larger than Life, by Kay Hooper

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Larger than Life, by Kay Hooper

From New York Times bestselling author Kay Hooper comes a novel of romantic intrigue about a pop music sensation with an unforgettable voice—and a secret past she keeps hidden even from the man she loves.

What makes Saber Duncan sing with such passion? Her sensual voice moves women to tears and makes men want to go out and slay dragons to get close to her. Yet a few years ago this budding superstar was just another lightweight pop diva. So what changed? As her would-be biographer Travis Foxx embarks on a quest to uncover the painful secret in Saber’s past, a mutual attraction intensifies. But he finds himself blocked at every turn by the walls she has thrown up to guard herself from outsiders. On a visit to her friend’s Arizona hideaway for some much-needed R&R, Saber finds her carefully constructed defenses crumbling as bonds of trust begin to form between her and headstrong, persistent Travis. But will the arrival of a mysterious man from Saber’s former life wreck the new one they hope to build together? Sometimes starting over means revealing everything about your past. Visit

  • Sales Rank: #2271324 in Books
  • Brand: Bantam
  • Published on: 2009-06-23
  • Released on: 2009-06-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.86" h x .76" w x 4.16" l, .32 pounds
  • Binding: Mass Market Paperback
  • 288 pages
Features
  • Great product!

About the Author
Kay Hooper is the award-winning author of Blood Dreams, Sleeping with Fear, Hunting Fear, Chill of Fear, Touching Evil, Whisper of Evil, Sense of Evil, Once a Thief, Always a Thief, the Shadows trilogy, and other novels. She lives in North Carolina, where she is at work on her next book.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One



She was extraordinary. Compelling. Exquisite. Waves of smoldering sensuality emanated from her striking silvery eyes and slender body to hold the audience spellbound. Her sequined gown was a shimmering silver, molding to her like a second skin: the bare flesh it revealed was tanned a smooth gold. Her thick, shining ebony hair hung about her shoulders in a living curtain of darkness. And her voice . . . throaty, sensual, filled with an odd defiant yearning, endowing the words of the song with a wild plea that touched every person in the audience. Women, old and young alike, felt their throats constrict and eyes fill with tears as the passionate words seemed to rise from their own deepest selves. And men of all ages felt their hearts thudding dully in their ears, conscious of a desperate desire to go out and slay dragons. . . . 

The man standing in the wings felt the compulsion toward heroic deeds, felt his heart pounding fiercely. A distant part of his mind marveled silently at the effect of the woman and the woman’s voice. In little less than a year, she’d won over popular music fans throughout the country. The world, her manager had mentioned casually, happily, was next. 

Travis Foxx, standing next to that manager now was conscious of a dozen questions he wanted to ask. But he listened, instead, to a voice rich with a woman’s passion and to words that stripped that woman’s soul naked as she sang of the dearth of heroes. 

“Isn’t she something?” Philip Saunders asked cheerfully, clearly expecting a positive response.Travis reluctantly pulled his gaze from the stage as Saber Duncan instantly went into another song, barely giving the stunned audience time to applaud. 

“Yes. Yes, she’s certainly something.” Travis’s resonant voice added coolly, “But is she the same woman who released a couple of—in all honesty— forgettable songs just about two years ago?” Saunders blinked, then laughed. “You’ve heard the rumors, I see.” 

“That perhaps she isn’t Saber Duncan at all, but a ringer brought in by Mosaic Records? I’ve heard. And now I wonder.” With an effort Travis closed his ears to that enchanting voice scant feet away, focusing his attention on the man at his side. “I heard those forgettable songs when the records were released. And that voice wasn’t the one I’m hearing tonight.” 

“You’re so sure of that?” 

Travis ignored the mild question. “That voice was as sweet as honey and just as bland. No power. Certainly no passion. And I have copies of the studio photos released to the press then. That Saber was a girl, a hothouse flower with the dew still on its petals.” 

“Nice imagery,” Saunders murmured, clearly amused. 

He was ignored again. “This Saber”—Travis gestured toward the performer onstage—“is part jungle cat and part siren. And her voice holds more power, more raw passion, then I’ve heard from a performer in fifteen years.” He lifted an eyebrow at the smiling manager. “Such a change in a single year? Sorry, Saunders, but I’m having a hard time swallowing that.” 

“Hence the book?” Saunders questioned dryly. Travis turned his gaze back to the stage, his eyes drawn like a lodestone to the woman pouring her heart out so compellingly. “That’s partly the reason,” he answered honestly. “I’ve never written a biography before, as I told you. . . .” 

“But you want to write hers.” Saunders filled in the sudden silence between them with wry words. “Well, I warned you. Saber’s a very, very private person. I honestly think she’ll refuse to authorize you to write about her.”

Shifting his weight restlessly in an unconscious movement, Travis frowned, not noticing the thoughtful gaze of the other man. “I’ll talk her into it. There isn’t enough material for a single chapter in that scanty bio you release to the press; I haven’t been able to build a profile on her.” His frowning eyes returned to the manager’s expressionless face. “One thing I have been able to find out: Saber Duncan was born just about two years ago. The bio that Mosaic—or you, or she—concocted is just that. Concocted.” 

Philip Saunders was silent for a long moment, his level hazel eyes weighing, considering. Then he sighed. Softly he quoted, “ ‘You would pluck out the heart of my mystery; you would sound me from my lowest note to the top of my compass.’ ” It was Travis’s turn to blink. “Shakespeare. Hamlet.” He identified the quote easily, then the words sank in. Before he could comment, Saunders was explaining. 

“That’s something Saber quoted to me about a year ago, when I signed on to manage her career. When—not to put too fine a point on it—I was asking a few questions about her life before I entered it.” 

Travis was more than a little surprised, and slightly suspicious. “Are you trying to tell me that you’re no better informed about her than the public?” 

Saunders was unoffended. “That’s what I’m telling you. Oh, if you want to write that highquality stuff, like what she eats for dinner or what her favorite colors are, I could probably oblige. But if you want the sordid details of her shady past—” Travis cut him off with an impatient gesture. “I don’t want to write a damned ‘Meet the Latest Superstar’ book, whether you believe that or not.” “Oh, I believe it.” Saunders’s voice was abruptly sober. “I’ve read some of your stuff, Mr. Foxx. You write exceptionally strong fiction and stunning nonfictional exposés. Your books hit the bestseller lists as soon as they land in the bookstores.” 

Travis’s green eyes sharpened. “But you don’t want me probing into your client’s background?” “She doesn’t want it. And that’s good enough for me. Look, Foxx, there’s almost a year missing from Saber’s professional life. And, as you pointed out, that professional life covers only a scant two years. She cut two quick singles, vanished for months, then reappeared and, virtually overnight, became a star.” He folded his arms across his chest and stared broodingly at the other man. “Now I don’t know where she was during those missing months, but I’m reasonably certain she went through hell; I’ve seen the studio pics and heard the ‘forgettable’ songs, too, you see.” 

“And you aren’t curious?” 

Most helpful customer reviews

15 of 17 people found the following review helpful.
A sweet romance
By Smiley
This is a re-release of one of Kay Hooper's early novels (1986) from the days when she wrote for Loveswept. This novel was originally a special edition available to Loveswept subscribers and not for sale in stores. This is a sweet romance but I think that readers of the author's more recent books will be disappointed by the simple storyline and the lack of suspense. One additional caution - this is more a novella in length than a novel. I bought the electronic version and it is only 130 pages long.

2 of 2 people found the following review helpful.
Hollow
By Jorge Frid
The plot is hollow and the love story to boot. The story has too many flaws. How - and this is not a spoiler- can a man go inside an airplane and nobody is the wiser? No matter that this story is from the 80's even there were security measures inside the airport and whithin the tarmac. Like this flaw are others that if I tell you could be a spoiler.

1 of 1 people found the following review helpful.
It's an easy read and is the perfect jump off point for ...
By Treeshah
I've been reading Kay Hooper for 40 years and she's one of my favorites. This story has potential but Kay must have been distracted when writing, as there is so much potential with this story that was never exploited. It's an easy read and is the perfect jump off point for 3 other books. She has staged the possibilities of three stories begging to be told for Cory, Mark and Matt, three very strong characters that appear in "Larger than Life". I've looked for the other stories, but unfortunately no luck. Don't judge Kay Hooper by this book, as she's a fantastic writer. Check out her Hagen Series from her early romance work and her most recent work, delving into suspense and mystery. Fabulous!!
Come on Kay...give us Cory's, Mark's and Matt's stories, they are long overdue!!!

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Kamis, 19 Juni 2014

^^ PDF Download Buried Bones, by Carolyn Haines

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Buried Bones, by Carolyn Haines

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Buried Bones, by Carolyn Haines

Private investigation isn't on the list of a southern belle's most desirable accomplishments--but it's saved Sarah Booth Delaney's Delta homestead. Now all she has to cope with is its bossy antebellum ghost who is determined to save Sarah--from spinsterhood. Then comes the perfect social occasion: Lawrence Ambrose's dinner party...

Buried Bones

Ambrose, once a famous man of southern letters, is planning a comeback: a delicious tell-all with a bitchy ex-model as his "biographer." As he taunts his dinner guests with the news that his book will blow the lid off Zinnia's darkest secrets, it becomes plain that each and every guest has a secret--and wants Ambrose to keep it. When the morning-after mess includes a bloody corpse and the manuscript of the biography disappears, Sarah Booth goes digging for answers. But many who hold them are six feet under--or soon will be--and if she doesn't tread carefully, she could join them any day now...

  • Sales Rank: #282197 in Books
  • Brand: Bantam
  • Published on: 2000-10-31
  • Released on: 2000-10-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.88" h x .97" w x 4.18" l, .40 pounds
  • Binding: Mass Market Paperback
  • 354 pages
Features
  • Great product!

Review
"A feistier southern belle you couldn't hope to find. Pull up a chair on the porch of Dahlia House and pour yourself a mint julep. You're going to want to set a spell."
-- Rick Riordan, Edgar Award-winning author of The Widower's Two-Step

"A writer of exceptional talent."
-- The Milwaukee Journal


Don't miss Sarah Booth Delaney's debut As The Mississippi Delta's First Southern Belle P.I.

Them Bones
A Mystery Guild
Alternate Selection

"Wonderful!"
-- Nancy Pickard, author of The Whole Truth

"A page-turning, laugh-out-loud read--I couldn't put it down."
-- Deborah Crombie, author of Kissed a Sad Goodbye

Available from Bantam Books

From the Inside Flap
Private investigation isn't on the list of a southern belle's most desirable accomplishments--but it's saved Sarah Booth Delaney's Delta homestead. Now all she has to cope with is its bossy antebellum ghost who is determined to save Sarah--from spinsterhood. Then comes the perfect social occasion: Lawrence Ambrose's dinner party...
Buried Bones
Ambrose, once a famous man of southern letters, is planning a comeback: a delicious tell-all with a bitchy ex-model as his "biographer." As he taunts his dinner guests with the news that his book will blow the lid off Zinnia's darkest secrets, it becomes plain that each and every guest has a secret--and wants Ambrose to keep it. When the morning-after mess includes a bloody corpse and the manuscript of the biography disappears, Sarah Booth goes digging for answers. But many who hold them are six feet under--or soon will be--and if she doesn't tread carefully, she could join them any day now...

From the Back Cover
"A feistier southern belle you couldn't hope to find. Pull up a chair on the porch of Dahlia House and pour yourself a mint julep. You're going to want to set a spell."
-- Rick Riordan, Edgar Award-winning author of The Widower's Two-Step

"A writer of exceptional talent."
-- The Milwaukee Journal


Don't miss Sarah Booth Delaney's debut As The Mississippi Delta's First Southern Belle P.I.

Them Bones
A Mystery Guild
Alternate Selection

"Wonderful!"
-- Nancy Pickard, author of The Whole Truth

"A page-turning, laugh-out-loud read--I couldn't put it down."
-- Deborah Crombie, author of Kissed a Sad Goodbye

Available from Bantam Books

Most helpful customer reviews

3 of 3 people found the following review helpful.
Less Sarah Booth More Lawrence Ambrose
By W. Carter
Lawrence Ambrose is a writer and supporter of the arts who, on the eve of having his "tell all" published, pledges it will divulge the innermost secrets of various people he knows/has known. Of course, the morning after making this dinner party announcement, he if found murdered...

The storyline is an interesting one and the book possesses literary merit; however, I would have liked more on Mr. Ambrose's character (and his life) and a little less on Sarah Booth's daily thoughts and meanderings--I mean how fascinated can one character be with the color of people's eyes (and they're all blue)? How many times and ways can the reader be told that S.B. is a fallen-from-grace, once wealthy daddy's girl/deb who is now having to make her own way? And that ubiquitous Jitty "character", who does nothing to advance the storyline, definitely needs a rest. She exists solely, I guess, to serve as comic relief and foil to Saran Booth.

The other townspeople in this small Mississippi enclave are, for the most part, fairly interesting and we get to know several of them pretty well. This is the second book in the series I have read and despite my mumblings and grumblings above, I will read another. Ms. Haines is a gifted writer--of that there is no doubt. However, it is difficult not to get the impression she--how can I put this--"dumbs down" her talent to appeal to a wider based audience.

0 of 0 people found the following review helpful.
Now I won't be content until I have read every one of her Sarah Booth Delaney Tales GREAT Story Line and Wonderful Characters to
By BigHawgh
This was my 2nd Reading in this Murder Mystery Series after accidentally "discovering" Miz Haine's writings whom I thought was a New Author! Now I won't be content until I have read every one of her Sarah Booth Delaney Tales GREAT Story Line and Wonderful Characters to follow from one to the next

0 of 0 people found the following review helpful.
I loved it. Being raised in the Mississippi Delta
By Dot Reichle
I loved it. Being raised in the Mississippi Delta, it took me back to the land I love. I will read all of her books before it is over.

See all 59 customer reviews...

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# Download PDF Legacy of the Dead (Inspector Ian Rutledge Mysteries), by Charles Todd

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Legacy of the Dead (Inspector Ian Rutledge Mysteries), by Charles Todd

Legacy of the Dead (Inspector Ian Rutledge Mysteries), by Charles Todd



Legacy of the Dead (Inspector Ian Rutledge Mysteries), by Charles Todd

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Legacy of the Dead (Inspector Ian Rutledge Mysteries), by Charles Todd

The weathered remains found on a Scottish mountainside may be those of Eleanor Gray, but the imperious Lady Maude Gray, Eleanor's mother, will have to be handled delicately. This is not the only ground that Inspector Ian Rutledge of Scotland Yard must tread carefully, for the case will soon lead him to Scotland, where many of Rutledge's ghosts rest uneasily. But it is an unexpected encounter that will hold the most peril.

For in Scotland Rutledge will find that the young mother accused of killing Eleanor Gray is a woman to whom he owes a terrible debt. And his harrowing journey to find the truth will lead him back through the fires of his past, into secrets that still have the power to kill.

  • Sales Rank: #192107 in Books
  • Brand: Bantam
  • Published on: 2001-05-29
  • Released on: 2001-05-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x 1.00" w x 4.20" l,
  • Binding: Mass Market Paperback
  • 384 pages
Features
  • Great product!

From Publishers Weekly
The muddy, bloody horrors of WWI continue to haunt Insp. Ian Rutledge, back at work at Scotland Yard, but just barely. Still guilt-stricken over his wartime murder of Corp. Hamish MacLeod, who "cracked" during the Somme offensive of 1916, Rutledge hears Hamish's voice in his head as a steady, moralizing conversationalist. Now Rutledge has been dispatched to Scotland to identify the probable remains of Eleanor Gray, an aristocratic suffragette inexplicably estranged from her mother, the imperious Lady Maude. Local police theorize that Eleanor was murdered on the Highlands by beautiful, young Fiona MacDonald, who's been raising Eleanor's newborn son as her own. Unconvinced of a link between the two women, Rutledge visits Fiona in jail and immediately recognizes her as Hamish's beloved fianc?e. But Fiona won't exonerate herself, refusing to identify the boy's real parents. Following the Edgar-nominated A Test of Wills (1996), this fourth installment in the series focuses narrowly on the question: is there a link between Fiona and Eleanor? Since the answer is never in doubt, there's not much to absorb suspense addicts, as Rutledge slogs through Scotland trying to break the apparently deadlocked circumstantial case. The resolution, implicating too many peripheral characters, is particularly unsatisfying. But readers will continue to be captivated by Todd's portrait of the dangerously unraveling detective, and his equally incisive evocation of the grieving postwar world. Agent, Jane Chelius. (Oct.)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
A sensitive approach, literate prose, and provocative situations mark Todd's latest addition to his Ian Rutledge series. Although recovered enough from World War I shell shock to function ably in his job with Scotland Yard, Ian still carries with him an internal voice of guilt named Hamish, a soldier he ordered shot for cowardice. When Ian investigates a possible murder in Scotland, the main suspect turns out to be the dead Hamish's intended, who seems destined for the gallows but will not betray a confidence. Very forceful emotional scenes ensue as Ian ferrets out the truth. A special treat for series and historical fans.
Copyright 2000 Reed Business Information, Inc.

From Booklist
It's a little hard to believe that a successful series could develop from such a quirky premise, but here's the third novel about Scotland Yard Inspector Ian Rutledge and his unusual sidekick, Hamish MacLeod. It's late 1919, and Rutledge is assigned to find the truth behind some recently unearthed human remains. He winds up investigating a young woman accused of murder and uncovering some secrets he would prefer remain hidden. So far this is pretty standard stuff. But readers who have yet to meet Rutledge are in for a surprise: his sidekick, MacLeod, was a corporal in World War I; during the Battle of the Somme, Rutledge was forced to have MacLeod executed for cowardice. MacLeod exists now only as a voice in Rutledge's head--not a ghost but more than a fantasy figure. MacLeod is as real as any flesh-and-blood man, at least to Rutledge, whose inner turmoil, whose haunting (if you will), is what makes this series so immensely intriguing. This is a fine, unique, and moving mystery that will appeal to readers looking for something a little out of the ordinary. David Pitt
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

42 of 45 people found the following review helpful.
No wrap up!
By Mutz Mum
I really thoroughly enjoyed the entire story, the characters, the progression. And then the ending was abrupt and unsatisfying. Like the author ran out of paper at the end and didn't feel like going to the store to get more. Epilogue. I need an epilogue. I want to know how Lady Maude dealt with the truth. I want to know how Rutledge's uncle deals with it all. I want to know what happens to the kid. I want to know if Rutledge's boss took advantage of how it played out to torment Rutledge more. I really resent it when authors get hours of commitment from me (I listened to the audio version so I couldn't even peek ahead to see the ending) and then dump me.

It feels disrespectful of the characters, of the plot, of the story, of the reader - the author(s) leaves too many loose ends. Yeah, we know the key stuff like who killed whom and from where the boy came, and the bad guys are dealt with ok. But this book was rich with characters and story lines which engaged the reader, and to give no info on how those areas came together is beyond disappointing.

So I'd give the story 5 stars, and the ending minus 1 star.

0 of 0 people found the following review helpful.
Cover to cover
By Amazon Customer
Because I was so engrossed I couldn't put it down, that's how I read this book. It probably deserved 5 stars, but because it didn't have an epilogue I felt the author did the unforgivable--left certain important details unresolved. To me that's inexcusable. Regardless, I have become enough of a fan that I'll probably continue my "affair" with Inspector Rutledge.

1 of 1 people found the following review helpful.
Suspenseful, intriguing, superb
By Nico Brusso
Slowly, slowly, slowly Charles Todd's story in "Legacy of the Dead" stretches to its conclusion. The extended suspense is almost intolerable. One is forced to keep reading. You may, however, find the ending a bit abrupt, but you'll understand it.

If you're like me, you'll have to turn back to the very first chapter, which has stuck in your mind. By carefully rereading those few beginning pages, you'll also understand what you likely couldn't have understood before finishing the book.

Meanwhile, a young woman hated and shunned by the prim inhabitants of a small English town near the Scottish border, finds herself accused of stealing a baby boy at birth and murdering the mother. Vicious rumors and letters have turned the town against her. Her refusal to defend herself makes a finding of guilt in the impending trial by town jury, a veritable certainty. The case seems hopeless; she will hang.

A woman's bones have been found in the Scottish mountains. Are they of the murdered mother? English police have approached and angered a Lady Maude Gray about whether the bones might belong to her missing daughter, Eleanor.

Inspector Ian Rutledge is sent by Scotland Yard to investigate and "smooth troubled waters" with Lady Maude and between the English and Scottish jurisdictions. He becomes deeply involved with all the characters, including the accused.

Rutledge's mental companion, Hamish, is more strongly present than in the earlier novels. We find out much more about the Scotland area Hamish came from and about the woman he left behind.

We also learn more of Rutledge's background and his Scottish godfather, David Trevor, whose house Rutledge had frequently visited while growing up. The household is grieving the loss of David's son in the war.

The characters are well drawn. Their conflicts are intriguing. The writing is superb.

See all 115 customer reviews...

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Rabu, 18 Juni 2014

# Get Free Ebook Personal Demon (Women of the Otherworld), by Kelley Armstrong

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Personal Demon (Women of the Otherworld), by Kelley Armstrong

In her acclaimed Women of the Otherworld series, Kelley Armstrong has created a scintillating realm where the supernatural and the human coexist on the edge of darkness, romance, and eternity. Now Armstrong tells the captivating tale of a young woman with an insatiable lust for danger. She can’t help it. It’s in her blood.

Tabloid reporter Hope Adams appears to live the life of an ordinary working girl. But in addition to possessing the beauty of a Bollywood princess, Hope has other unique traits. For she is a half demon—a human fathered by a demon. And she’s inherited a hunger for chaos. Naturally, when she’s chosen by a very dangerous group for a very dangerous mission that will take her through Miami’s hot spots, she jumps at the chance. But Hope is a little too good at this job. And soon she’s in a little too deep. To save herself, she’ll have to unleash her most primal instincts—and open herself, mind and body, to everything she most fears . . . and desires.

  • Sales Rank: #462190 in Books
  • Brand: Armstrong, Kelley
  • Published on: 2008-09-30
  • Released on: 2008-09-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.95" h x 1.15" w x 4.20" l, .58 pounds
  • Binding: Mass Market Paperback
  • 544 pages

From Publishers Weekly
Chaos rules in Armstrong's complex eighth Women of the Otherworld installment (after 2007's No Humans Involved). The formidable Benicio Cortez once helped tabloid-reporting, gun-toting, chaos demon spy girl Hope Adams out of a jam, so she agrees to go undercover and join a supernatural youth gang that's been causing problems for Cortez's multinational corporation. Assuming the persona of bratty rich co-ed Faith Edmonds, Hope works her way into the gang, participates in heists and soon finds herself dangerously attracted to one of the other members, cute Jasper Jaz Haig. All too soon, Jaz's diabolical plans lead to a shocking tragedy. Armstrong excels in depicting Hope's transformations, but new readers might want to read earlier books to get context for all the mayhem. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Half chaos-craving demon, half-human tabloid reporter Hope Adams, who clandestinely works for a council of paranormal beings, goes undercover for the Cortez Cabal by infiltrating a gang of paranormals. She is soon joined in Miami by ex-lover Karl Marsten, a master thief and lone werewolf; Lucas Cortez, sorcerer heir to the Cortez Cabal; and Paige Winterbourne, the witches’ delegate to the council. Hope likes the young gang members, who run a nightclub and pull capers on the side. When two of the them are kidnapped, suspicions flare. A series of murders and an invasion into cabal CEO Benicio Cortez’s home leave Hope wondering which side is the right side to be on. As she fights her craving for the orgasmic thrill of chaos, the pace of events accelerates, turning this into a page-turning thriller. Fans of the paranormal will delight in the eighth Women of the Underworld yarn, with its ass-kicking, Bollywood-beautiful, former-socialite heroine and full complement of sorcerers, witches, werewolves, and other paranormal beings. --Diana Tixier Herald

Review
“A page-turning thriller. Fans of the paranormal will delight in the eighth Women of the Underworld yarn, with its ass-kicking, Bollywoodbeautiful, former-socialite heroine and full complement of sorcerers, witches, werewolves, and other paranormal beings.”—Booklist


From the Hardcover edition.

Most helpful customer reviews

0 of 0 people found the following review helpful.
PRETTY GOOD STORY
By Carolyn F
Audiobook

This story is technically about two couples - Hope & Karl and Paige & Lucas - but it's really about Hope & Karl mostly and how he screwed up their relationship, tried to fix it, but it might have been too late. There's a 3rd person that is piquing Hope's interest but she needs to figure out whether he's a good or bad guy. Paige & Lucas help her out. This story was pretty good. Hope forgave Karl pretty quickly but then Karl's reason for breaking up with her was just stupid male pride, so I probably would have too. 3-1/2 out of 5 stars

3 of 3 people found the following review helpful.
Okay ... but not up to Armstrong's usual standards
By Rachel
The "Women of the Otherworld" series is one of my favourites. Armstrong's choice of a different narrator every couple of books (although each narrator is an integral part of the supernatural world, and has a connection, however slight, with the characters from the previous books) helps keep the series fresh, and her characters generally are well-rounded and three-dimensional.

In this instalment, the narrator - half of the time - is Hope, who was introduced in the previous book, "No Humans Involved." For the first time, though (as far as I can recall) Armstrong uses alternating narratives, and certainly this is the first book featuring the perspective of one of her male characters. It's an interesting change from the previous novels, but unfortunately, I didn't feel that it totally succeeded. In the past I could barely put one of the "Otherworld" novels down once I started, and have re-read the early ones at least once. This instalment was a real struggle - I actually put it aside halfway through for several weeks, before eventually finishing it - and I can't see myself rereading it.

My main problem was I couldn't really care about Hope as a character. Because she first appears in the preceding book, and I really did not get a firm sense of her, I did not have the same sentimental connection to her as to some of the previous narrators. Furthermore, Hope herself is comparatively rather dull and insipid. I would have been more drawn in, I think, had the story centred on characters who have made more than one previous appearance, and who are much more vibrant and three-D - for example Elena, Savannah, or even Cassandra the vampire. The relationship with Karl Marsten also didn't quite ring true, in contrast to the other pairings in this series.

What did partly succeed though was Lucas as a narrator, which gives me high hopes for the forthcoming "Men of the Otherworld."

As always, Armstrong writes vividly and evocatively, and I have no real complaints about the plot and narrative structure. It was the choice of protagonist for this book that made it hard for me to get into it. Maybe there's something in a previous reviewer's theory that it was rushed to meet a deadline.

Finally, for those who are encountering the "Women of the Otherworld" series for the first time: while each book theoretically can stand alone in terms of plot, the series will not make complete sense unless read in chronological order, and the reader runs the risk of missing out on some of the more subtle developments of plot and character that connect the novels in the series.

3 of 3 people found the following review helpful.
Good, but a weak installment to the Underworld series
By WittAuthor
I never thought the day would come where I would give Kelley Armstrong fewer than five stars. From her very first book, I have devoured the series, each book getting better and better than the last. I love keeping up with characters that are nearly family to me at this point. With that said, this latest installment was a disappointment. I nearly stopped reading for the first 150 or so pages. I was bored, found the new characters flat, and felt like I was reading a poorly developing mystery/crime fighting novel (all of her books have the `who-done-it' premise, but are, most of the time, so much more). The story felt rushed and forced. I know Kelley has started a new crime series that is not supernatural (which is great, always wonderful for an artist to spread their wings), and it seemed like this book attempted to be a crossover between what the series has been thus far and what her new fiction has been about. Nearly halfway through the book, I finally got hooked, and tore through the last half. It felt like I was reading Kelley Armstrong again. The first part of the book I would rate 1 star, the second 4, so I am compromising and labeling a 3. If you are a loyal fan of Kelley, you will still enjoy this book. If you are new to her, read her other work first and build up to this one. While Hope Adams is my least favorite Woman of the Underworld thus far, I have high hopes that she can be further developed in the next installment. She has great potential as a truly deep and multifaceted character.

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