Kamis, 21 Januari 2016

# Free Ebook 77 Shadow Street (with bonus novella The Moonlit Mind): A Novel, by Dean Koontz

Free Ebook 77 Shadow Street (with bonus novella The Moonlit Mind): A Novel, by Dean Koontz

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77 Shadow Street (with bonus novella The Moonlit Mind): A Novel, by Dean Koontz

77 Shadow Street (with bonus novella The Moonlit Mind): A Novel, by Dean Koontz



77 Shadow Street (with bonus novella The Moonlit Mind): A Novel, by Dean Koontz

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77 Shadow Street (with bonus novella The Moonlit Mind): A Novel, by Dean Koontz

#1 NEW YORK TIMES BESTSELLER
 
Welcome to the Pendleton. Built as a tycoon’s dream home in the 1880s and converted to luxury condominiums not quite a century later, the Gilded Age palace at the summit of Shadow Hill is a sanctuary for its fortunate residents. Scant traces remain of the episodes of madness, suicide, mass murder—and whispers of things far worse—that have scarred its grandeur almost from the beginning.
 
But now inexplicable shadows caper across walls, security cameras relay impossible images, phantom voices mutter in strange tongues, not-quite-human figures lurk in the basement, elevators plunge into unknown depths. With each passing hour a terrifying certainty grows: Whatever drove the Pendleton’s past occupants to their unspeakable fates is at work again. And as nightmare visions become real, as a deadly tide begins to engulf them, the people at 77 Shadow Street will find the key to humanity’s future . . . if they can survive to use it.
 
Includes the bonus novella The Moonlit Mind—first time in print

  • Sales Rank: #271746 in Books
  • Brand: Bantam
  • Published on: 2012-08-28
  • Released on: 2012-08-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.47" h x 1.75" w x 4.22" l, .86 pounds
  • Binding: Mass Market Paperback
  • 720 pages
Features
  • Great product!

Review
PRAISE FOR DEAN KOONTZ

“One of the master storytellers of this or any age.”—The Tampa Tribune
 
“Koontz writes first-rate suspense, scary and stylish.”—Los Angeles Times
 
 “A rarity among bestselling writers, Koontz continues to pursue new ways of telling stories, never content with repeating himself. He writes of hope and love in the midst of evil in profoundly inspiring and moving ways.”—Chicago Sun-Times
 
“A master at spinning dark tales . . . Koontz knows how to dial up the terror.”—Associated Press
 
“Koontz is a superb plotter and wordsmith. He chronicles the hopes and fears of our time in broad strokes and fine detail, using popular fiction to explore the human condition [and] demonstrating that the real horror of life is found not in monsters, but within the human psyche.”—USA Today
 
“Koontz . . . is a master storyteller and a daring writer. . . . He gives readers bright hope in a dark world.”—Publishers Weekly (starred review)
 
“Dean Koontz . . . has the power to scare the daylights out of us.”—People
 
“Dean Koontz is not just a master of our darkest dreams, but also a literary juggler.”—The Times (London)

About the Author
Dean Koontz, the author of many #1 New York Times bestsellers, lives in Southern California with his wife, Gerda, their golden retriever, Anna, and the enduring spirit of their golden, Trixie.

Excerpt. © Reprinted by permission. All rights reserved.
1

The North Elevator

Bitter and drunk, Earl Blandon, a former United States senator, got home at 2:15 a.m. that Thursday with a new tattoo: a two-­word obscenity in blue block letters between the knuckles of the middle finger of his right hand. Earlier in the night, at a cocktail lounge, he’d thrust that stiff digit at another customer who didn’t speak En­glish and who was visiting from some third-­world backwater where the meaning of the offending gesture evidently wasn’t known in spite of countless Hollywood films in which numerous cinema idols had flashed it. In fact, the ignorant foreigner seemed to mistake the raised finger for some kind of friendly hello and reacted by nodding repeatedly and smiling. Earl was frustrated directly out of the cocktail lounge and into a nearby tattoo parlor, where he resisted the advice of the needle artist and, at the age of fifty-­eight, acquired his first body decoration.

When Earl strode through the front entrance of the exclusive Pendleton, into the lobby, the night concierge, Norman Fixxer, greeted him by name. Norman sat on a stool behind the reception counter to the left, a book open in front of him, looking like a ventriloquist’s dummy: eyes wide and blue and glassy, pronounced marionette lines like scars in his face, head cocked at an odd angle. In a tailored black suit and a crisp white shirt and a black bow tie, with a fussily arranged white pocket handkerchief blossoming from the breast pocket of his coat, Norman was overdressed by the standards of the two other concierges who worked the earlier shifts.

Earl Blandon didn’t like Norman. He didn’t trust him. The concierge tried too hard. He was excessively polite. Earl didn’t trust polite people who tried too hard. They always proved to be hiding something. Sometimes they hid the fact that they were FBI agents, pretending instead to be lobbyists with a suitcase full of cash and a deep respect for the power of a senator. Earl didn’t suspect that Norman Fixxer was an FBI agent in disguise, but the concierge was for damn sure something more than what he pretended to be.

Earl acknowledged Norman’s greeting with only a scowl. He wanted to raise his newly lettered middle finger, but he restrained himself. Offending a concierge was a bad idea. Your mail might go missing. The suit you expected back from the dry cleaner by Wednesday evening might be delivered to your apartment a week later. With food stains. Although flashing the finger at Norman would be satisfying, a full apology would require doubling the usual Christmas gratuity.

Consequently, Earl scowled across the marble-­floored lobby, his embellished finger curled tightly into his fist. He went through the inner door that Norman buzzed open for him and into the communal hallway, where he turned left and, licking his lips at the prospect of a nightcap, proceeded to the north elevator.

His third-­floor apartment was at the top of the building. He did not have a city view, only windows on the courtyard, and seven other apartments shared that level, but his unit was sufficiently well-­positioned to justify calling it his penthouse, especially because it was in the prestigious Pendleton. Earl once owned a five-­acre estate with a seventeen-­room manor house. He liquidated it and other assets to pay the ruinous fees of the blood-­sucking, snake-­hearted, lying-­bastard, may-­they-­all-­rot-­in-­hell defense attorneys.

As the elevator doors slid shut and as the car began to rise, Earl surveyed the hand-­painted mural that covered the walls above the white wainscoting and extended across the ceiling: bluebirds soaring joyously through a sky in which the clouds were golden with sunlight. Sometimes, like now, the beauty of the scene and the joy of the birds seemed forced, aggravatingly insistent, so that Earl wanted to get a can of spray paint and obliterate the entire panorama.

He might have vandalized it if there hadn’t been security cameras in the hallways and in the elevator. But the homeowners’ association would only restore it and make him pay for the work. Large sums of money no longer came to him in suitcases, in valises, in fat manila envelopes, in grocery bags, in doughnut-­shop boxes, or taped to the bodies of high-­priced call girls who arrived naked under leather trench coats. These days, this former senator so frequently felt the urge to deface so many things that he needed to strive to control himself lest he vandalize his way into the poorhouse.

He closed his eyes to shut out the schmaltzy scene of sun-­washed bluebirds. When the air temperature abruptly dropped perhaps twenty degrees in an instant, as the car passed the second floor, Earl’s eyes startled open, and he turned in bewilderment when he saw that the mural no longer surrounded him. The security camera was missing. The white wainscoting had vanished, too. No inlaid marble under­foot. In the stainless-­steel ceiling, circles of opaque material shed blue light. The walls, doors, and floor were all brushed stainless steel.

Before Earl Blandon’s martini-­marinated brain could fully absorb and accept the elevator’s transformation, the car stopped ascending—­and plummeted. His stomach seemed to rise, then to sink. He stumbled sideways, clutched the handrail, and managed to remain on his feet.

The car didn’t shudder or sway. No thrumming of hoist cables. No clatter of counterweights. No friction hum of rollers whisking along greased guide rails. With express-­elevator speed, the steel box raced smoothly, quietly down.

Previously, the car-­station panel—­B, 1, 2, 3—­had been part of the controls to the right of the doors. It still was there, but now the numbers began at 3, descended to 2 and 1 and B, followed by a new 1 through 30. He would have been confused even if he’d been sober. As the indicator light climbed—­7, 8, 9—­the car dropped. He couldn’t be mistaking upward momentum for descent. The floor seemed to be falling out from under him. Besides, the Pendleton had just four levels, only three aboveground. The floors represented on this panel must be subterranean, all below the basement.

But that made no sense. The Pendleton had one basement, a single underground level, not thirty or thirty-­one.

So this could not be the Pendleton anymore. Which made even less sense. No sense at all.

Maybe he had passed out. A vodka nightmare.

No dream could be this vivid, this intensely physical. His heart thundered. His pulse throbbed in his temples. Acid reflux burned his throat, and when he swallowed hard to force down the bitter flood, the effort brought tears that blurred his vision.

He blotted the tears with a suit-­coat sleeve. He blinked at the indicator board: 13, 14, 15. . . .

Panicked by a sudden intuitive conviction that he was being conveyed to a place as terrifying as it was mysterious, Earl let go of the handrail. He crossed the car and scanned the backlit control board for an emergency stop button.

None existed.

As the car passed 23, Earl jammed a thumb hard against the button for 26, but the elevator didn’t stop, didn’t even slow until it passed 29. Then rapidly yet smoothly, momentum fell. With a faint liquid hiss like hydraulic fluid being compressed in a cylinder, the car came to a full stop, apparently thirty floors under the city.

Sobered by a supernatural fear—­fear of what, he could not say—­Earl Blandon shrank away from the doors. With a thud, he backed into the rear wall of the car.

In his storied past, as a member of the Senate Armed Services Committee, he had once been to a meeting in the bunker far beneath the White House, where the president might one day try to ride out a nuclear holocaust. That deep redoubt was bright and clean, yet it impressed him as more ominous than any graveyard at night. He had some experience of cemeteries from his earliest days as a state lawmaker, when he had thought that in such lonely places, from earth and graves and dust, no one could be raised up to witness the paying of a bribe. This quiet elevator felt far more ominous than even the presidential bunker.

He waited for the doors to open. And waited.

Throughout his life, he’d never been a fearful man. Instead, he inspired fear in others. He was surprised that he could be so suddenly and completely terrorized. But he understood what reduced him to this pathetic condition: evidence of something otherworldly.

A strict materialist, Earl believed only in what he could see, touch, taste, smell, and hear. He trusted nothing but himself, and he needed no one. He believed in the power of his mind, in his singular cunning, to bend any situation to his benefit.

In the presence of the uncanny, he was without defense.

Shudders passed through him with such violence that it seemed he should hear his bones knocking together. He tried to make fists, but proved to be so weak with dread that he could not clench his hands. He raised them from his sides, looked at them, willing them to close into tight knuckled weapons.

He was sober enough now to realize that the two words tattooed on the middle finger of his right hand could have made his insult no clearer to the clueless third-­world patron in the cocktail lounge. The guy probably couldn’t read En­glish any more than he could speak it.

As close to a negative self-­judgment as he had ever come, Earl Blandon muttered, “Idiot.”

As the car doors slid open, his enlarged prostate seemed to clench as his fists would not. He came perilously close to peeing in his pants.

Beyond the open doors lay only a darkness so perfect that it seemed to be an abyss, vast and perhaps bottomless, into which the blue light of the elevator could not penetrate. In this icy silence of the tomb, Earl Blandon stood motionless, deaf now even to the pounding in his chest, as if his heart were suddenly dry of blood. This was the quiet at the limit of the world, where no air existed to be breathed, where time ended. It was the most terrible thing he had ever heard—­until a more alarming sound, that of something approaching, arose from the blackness beyond the open doors.

Ticking, scraping, muffled rustling: This was either the blind but persistent questing of something large and strange beyond the power of the senator’s imagination . . . or a horde of smaller but no less mysterious creatures, an eager swarm. A shrill keening, almost electronic in nature yet unmistakably a voice, quivered through the blackness, a cry that might have been of hunger or desire, or bloodletting frenzy, but certainly a cry of urgent need.

As panic trumped Earl’s paralyzing dread, he bolted to the control panel, scanning it for a close door button. Every elevator offered such a feature. Except this one. There was neither a close door nor an open door button, neither one labeled emergency stop nor one marked alarm, neither a telephone nor a service intercom, only the numbers, as if this were an elevator that never malfunctioned or required service.

In his peripheral vision, he saw something loom in the open doorway. When he turned to face it directly, he thought the sight would stop his heart, but such an easy end was not his fate.

Most helpful customer reviews

243 of 248 people found the following review helpful.
Worth reading -- but not among Koontz's best
By Kathy Cunningham
Dean Koontz's 77 SHADOW STREET is not an easy book to describe. On the one hand, it's a fairly familiar haunted house tale in which generations of residents at a posh Victorian mansion are sucked into a terrible nightmare. On the other hand, it's Koontz's little jab at the modern world, which he sees as disintegrating around us, leaving us unprepared to combat the ultimate forces of evil. The house itself, once called Belle Vista and now the Pendleton, happens to have been constructed on something Koontz calls a "space-time trapdoor," which opens every 38 years to suck in the hapless people unlucky enough to be in the vicinity. This can be scary, if a bit derivative (you'll be reminded of THE SHINING, 1408, THE MIST, and even the TV series AMERICAN HORROR STORY). There's an evil presence called "One" (who wants ultimate dominion), and another called "Witness" (who will help him achieve it). There are creepy creatures galore, and a few really grotesque happenings. But somehow the novel didn't work for me.

The biggest problem with 77 SHADOW STREET is the way Koontz tells his story. There is a huge cast of characters, which are introduced slowly over the first half of the book through a series of vignettes told from differing perspectives. At first it's difficult to keep track of all of them; it's also difficult to get very attached to any of them. Devon Murphy is a security guard still mourning the loss of his mother, Bailey Hawkes is an ex-marine investment counselor, Silas Kinsley is a retired litigation attorney who finds himself researching the history of the Pendleton, Twyla Trahern is a country music composer with a precocious 8-year-old son, Mikey Dime is a hit man with psychopathic tendencies, the Cupp sisters are octogenarian cake-bakers, Sparkle Sykes is writer with an autistic daughter - the list honestly goes on and on (and I haven't even mentioned the characters from past generations of Pendleton residents). It's not that these characters aren't interesting - some of them are. It's just that there are so many of them, and the story jumps from one to the other in little mini-chapters which never allow the reader to become really invested in any of them. This makes it hard to care all that much what happens to them when things go crazy at horror house.

Additionally, there is an amazing lack of dialogue in this novel. For almost the entire first half, Koontz's many characters are isolated from each other, each in his/her own apartment. The story unfolds from their many perspectives, with Koontz telling us what's happening, describing events, even summarizing conversations that we never actually get to hear. It's an odd way of telling a story, especially with so many characters involved. It leaves us, as readers, distanced from the core of the action, and kept separated from the characters we're supposed to root for.

Ultimately, Koontz's story is interesting, and I can't say the book isn't worth reading. I grew tired of it, however, which isn't what I expected from a Dean Koontz thriller. And by the end, I wasn't invested enough in any of the characters to really care why all this was happening and what we were supposed to learn from it. "This world," one character says, "is a dark place, and hard." That much comes through very clearly in 77 SHADOW STREET. I was disappointed, however. Two stars for the novel; the additional one is for Mr. Koontz, whose books I have loved for decades. I will always be a fan.

115 of 123 people found the following review helpful.
Wow...where do I begin?
By EmilyJane1818
I WANT to like books that I buy. I realize that it takes authors a great deal of time and effort to bring a book to fruition, and I feel horrible when I leave a negative review. Unfortunately, I'm about to feel horrible.

I've been a faithful Koontz fan for ages...Odd Thomas is one of my all-time favorite characters. And having read Dean Koontz for so long, I've come to think of his books ("Odd Thomas" and "Frankenstein" aside -- those are special) along the lines of, "If you've read one, you've read them all." He thinks of so many different ways to tell "good versus evil" stories, that even though the premise was the same in most of his books, they were still entertaining. However, not only was this book not, "Odd Thomas" or "Frankenstein," but it was also not like anything else I've ever read by this author. In fact, as I was reading this book, I wondered if Dean Koontz actually wrote it (the plethora of incomplete sentences was a big, unwelcome surprise).

The plot was far more science-fiction than horror or thriller. The storyline was weird. The suspense was lukewarm. Character development was pretty much nil. The ending was anticlimactic. I'm sorry to say that much of this book was REDUNDANT and BORING; I eventually got to the point where I just wanted to get reading it over with. It was during this time that I read only the first sentence of each paragraph for many of the chapters, and guess what? I DIDN'T MISS ANYTHING.

I guess the only part of this book that I actually did like was the advertisement for the new Odd Thomas book at the end.

85 of 90 people found the following review helpful.
Who wrote this? It surely couldn't be Dean Koontz!!
By Sojourner
As a huge fan of Dean Koontz, I could scarcely contain my anticipation while waiting for the release of his latest offering. I was looking forward to a heart-racing romp through the unknown with one of my favorite authors, so I cleared the decks of all book-interfering obligations, poured myself a glass of my favorite beverage, and settled in for a good read. I doggedly kept at it thinking "77" must just be a slow starter or that my mood wasn't right, but after all is said and done, this is one of the worst books I've read in a very long time.

I don't normally write reviews, but I'm an avid reader of them, especially when approaching authors new to me. I've come to rely on my invisible Amazon friends to help identify the stars and the stinkers. When I find someone who likes the same books I do and for the same reasons, I'll go look at their other reviews for hints about what to read next. Folks, my disappointment with this book was so huge, that I found my voice. No, I take that back. I felt compelled to issue a warning to the virtual community of people who enjoy the written word: If you are looking for Dean Koontz, you will not find him here. Instead of being caught up in the suspense, my mind kept puzzling over how this book ever got published and what on earth was the editor doing. Who kidnapped Dean Koontz and when will they release him? His reading public is worried and anxiously awaits his return.

You can read the other reviews for a summary, but my personal experience is that I had a very difficult time reading this to completion. My thoughts would wander, I would need tea, I would need to call for a dental appointment, but mostly I needed many, many little mini-naps. When my snoring would wake me yet again, I'd have to check my notes before I could remember who occupied which apartment. I cared so little for the people caught in this haunted manse, that I had to have a crib sheet.

Normally I devour Mr. Koontz's offerings as though in a single gulp, staying up far later than I should, attempting to cook with one hand while coddling the book with the other, ignoring family and social life just because I simply can't stop until he leads me breathless across the finish line. My usual experience is that finishing his books brings me blinking my way into reality aware that I've just had a terrific time. I've been known to tell people that I can't interact during the last 50 pages and they need to come back later. Unfortunately, this book just did not resonate in that way. I found myself actually eyeing constant companion, my Kindle, with a feeling of dread and finding more and more reasons not to read. If you knew me, you'd laugh when I tell you that scrubbing the grout in the bathroom at one point rated at a higher priority to reading yet another tedious chapter. The weirdest thing was that I felt guilty for avoiding this book, and the only way I pushed myself back into the story was by bribing myself that I could order something new and delightful for my Kindle, but first had to take my medicine and finish this book. Silly, huh?

Mr. Koontz, if you read this, writing this review nearly broke my heart. I generally enjoy your work and I believe I have purchased everything you've written. It would be interesting to someday hear your thoughts on why this one just didn't work for readers like me.

See all 969 customer reviews...

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Selasa, 19 Januari 2016

@ Get Free Ebook Your Baby's First Year: Third Edition, by American Academy Of Pediatrics

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Your Baby's First Year: Third Edition, by American Academy Of Pediatrics

 
THE ONE GUIDE MOST PEDIATRICIANS RECOMMEND
 
From the American Academy of Pediatrics—the nation’s most trusted name in child care—Your Baby’s First Year is the definitive all-in-one guide to caring for your infant. Revised and updated, including two new chapters on sleep and allergies, Your Baby’s First Year provides authoritative advice on all aspects of infant care, including
 
• expanded sections on raising twins, multiples, and children with autism
• new material on prebiotics, probiotics, and the Tdap vaccine
• a month-to-month guide to your baby’s first year with vital facts on growth, behavior, and development
• a complete health encyclopedia covering illnesses, injuries, and disabilities
• advice on breastfeeding, bottle-feeding, and introducing solids
• guidelines for choosing a child care provider
• safety checks for home and car, including a car safety seat shopping guide
• And much more
 
    Comprehensive, reassuring, and up-to-date, Your Baby’s First Year is an indispensable guide for all parents who want to provide the very best care for their baby.

  • Sales Rank: #201906 in Books
  • Brand: Bantam
  • Published on: 2010-05-25
  • Released on: 2010-05-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.88" h x 1.40" w x 4.20" l, .86 pounds
  • Binding: Mass Market Paperback
  • 816 pages
Features
  • Great product!

About the Author
 
Steven P. Shelov, M.D., M.S., F.A.A.P., pioneered and developed several of the parenting publications for the American Academy of Pediatrics, including Caring for Your Baby and Young Child, The First Year of Life, and A Guide to Your Child’s Symptoms. In 2002, he was presented with the Lifetime Achievement in Education Award by the AAP, its highest award for pediatric education. In 2009, Dr. Shelov received the Clifford G. Grulee Award, recognizing his outstanding service to the AAP.
 
The American Academy of Pediatrics is an organization of 60,000 primary care pediatricians, pediatric medical subspecialists, and pediatric specialists dedicated to the health, safety, and well-being of infants, children, adolescents, and young adults.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One

 Preparing for a New Baby   

  Pregnancy is a time of anticipation, excitement, preparation, and, for many new parents, uncertainty. You dream of a baby who will be strong, healthy, and bright--and you make plans to provide her with everything she needs to grow and thrive. You probablyalso have fears and questions, especially if this is your first child, or if there have been problems with this or a previous pregnancy. What if something goes wrong during the course of your pregnancy, or what if labor and delivery are difficult? What if beinga parent isn't everything you've always dreamed it would be? These are perfectly normal feelings and fears to have. Fortunately, most of these worries are needless. The nine months of pregnancy will give you time to have your questions answered, calm your fears,and prepare yourself for the realities of parenthood.  

Some of your initial concerns may have been raised and addressed if you had difficulty becoming pregnant, particularly if you sought treatment for an infertility problem. But now that you're pregnant, preparations for your new baby can begin. The bestway to help your baby develop is to take good care of yourself, since medical attention and good nutrition will directly benefit your baby's health. Getting plenty of rest and exercising moderately will help you feel better and ease the physical stresses ofpregnancy. Talk to your physician about prenatal vitamins, and avoid smoking, alcohol, and eating fish containing high levels of mercury. 

  As pregnancy progresses, you're confronted with a long list of related decisions, from planning for the delivery to decorating the nursery. You probably have made many of these decisions already. Perhaps you've postponed some others because your baby doesn'tyet seem "real" to you. However, the more actively you prepare for your baby's arrival, the more real that child will seem, and the faster your pregnancy will appear to pass.

   Eventually it may seem as if your entire life revolves around this baby-to-be. This increasing preoccupation is perfectly normal and healthy and actually may help prepare you emotionally for the challenge of parenthood. After all, you'll be making decisionsabout your child for the next two decades--at least! Now is a perfect time to start.  

Here are some guidelines to help you with the most important of these preparations.      

Giving Your Baby a Healthy Start    

Virtually everything you consume or inhale while pregnant will be passed through to the fetus. This process begins as soon as you conceive. In fact, the embryo is most vulnerable during the first two months, when the major body parts (arms, legs, hands,feet, liver, heart, genitalia, eyes, and brain) are just starting to form. Chemical substances such as those in cigarettes, alcohol, illegal drugs, and certain medications can interfere with the developmental process and with later development, and some caneven cause congenital abnormalities.

   Take smoking, for instance. If you smoke cigarettes during pregnancy, your baby's birth weight may be significantly decreased. Even inhaling smoke from the cigarettes of others (passive smoking) can affect your baby. Stay away from smoking areas and asksmokers not to light up around you. If you smoked before you got pregnant and still do, this is the time to stop--not just until you give birth, but forever. Children who grow up in a home where a parent smokes have more ear infections and more respiratoryproblems during infancy and early childhood. They also have been shown to be more likely to smoke when they grow up.  

There's just as much concern about alcohol consumption. Alcohol intake during pregnancy increases the risk for a condition called fetal alcohol syndrome (FAS), which is responsible for birth defects and below-average intelligence. A baby with fetal alcoholsyndrome may have heart defects, malformed limbs (e.g., club foot), a curved spine, a small head, abnormal facial characteristics, small body size, and low birth weight. Fetal alcohol syndrome is also the leading cause of mental retardation in newborns. Alcoholconsumption during pregnancy increases the likelihood of a miscarriage or preterm delivery, as well.  

There is evidence that the more alcohol you drink during pregnancy, the greater the risk to the fetus. It is safest not to drink any alcoholic beverages during pregnancy.  

You also should avoid all medications and supplements except those your physician has specifically recommended for use during pregnancy. _This includes not only prescription drugs that you may have already been taking, but also nonprescription or over-the-counterproducts such as aspirin, cold medications, and antihistamines. Even vitamins can be dangerous if taken in high doses. (For example, excessive amounts of vitamin A have been known to cause congenital [existing from birth] abnormalities.) Consult with your physicianbefore taking drugs or supplements of any kind during pregnancy, even those labeled "natural." 

  Fish and shellfish contain high-quality protein and other essential nutrients, are low in saturated fat, and contain fatty acids called omega-3's. They can be an essential part of a balanced diet for pregnant women.

   At the same time, you should be aware of the possible health risks from eating fish while you're pregnant. You should avoid raw fish during pregnancy because it may contain parasites such as flukes or worms. Cooking and freezing are the most effectiveways to kill the parasite larvae found in fish. For safety reasons, the U.S. Food and Drug Administration (FDA) recommends cooking fish at 140 degrees Fahrenheit. The fish should appear opaque and flaky when done. Certain types of cooked sushi such as eel andCalifornia rolls are safe to eat when pregnant.   The most worrisome contaminant in both freshwater and ocean fish is mercury (or more specifically, a form of mercury called methyl mercury). Mercury in a pregnant woman's diet has been shown to be damaging to the development of the brain and nervous systemof the fetus. The FDA advises pregnant women, women who may become pregnant, nursing mothers, and young children to avoid eating shark, swordfish, king mackerel, and tilefish due to high levels of mercury in these fish. According to the FDA, pregnant womencan safely eat an average of 12 ounces (two average meals) of other types of cooked fish each week. Five of the most commonly eaten fish that are low in mercury are shrimp, canned light tuna, salmon, pollock, and catfish: Albacore tuna tends to be high in mercury,so canned chunk light tuna is a better choice. If local health agencies have not issued any advisories about the safety of fish caught in your area, you can eat up to 6 ounces (one average meal) per week of fish you catch from local waters, but don't consumeany other fish during that week.  

While no adverse effects from minimal caffeine intake (one cup of caffeinated coffee per day) have yet been proven, you may want to limit or avoid caffeine when you are pregnant. Remember, caffeine is also found in many soft drinks and foods such as chocolate.  

Another cause of congenital abnormalities is illness during pregnancy. You should take precautions against these dangerous diseases:  

German measles (rubella) can cause mental retardation, heart abnormalities, cataracts, and deafness. Fortunately, this illness now can be prevented by immunization, although you must not get immunized against rubella during pregnancy. If you're not surewhether you're immune, ask your obstetrician to order a blood test for you. In the unlikely event that the test shows you're not immune, you must do your best to avoid sick children, especially during the first three months of your pregnancy. It is then recommendedthat you receive this immunization after giving birth to prevent this same concern in the future.

   Chickenpox is particularly dangerous if contracted shortly before delivery. If you have not already had chickenpox, avoid anyone with the disease or anyone recently exposed to the disease. You also should receive the preventive vaccine when you are notpregnant.   Herpes is an infection that newborns can get at the time of birth. Most often, it occurs as the infant moves through the birth canal of a mother infected with genital herpes. Babies who get a herpes viral infection may develop fluid-filled blisters onthe skin that can break and then crust over. A more serious form of the disease can progress into a severe and potentially fatal inflammation of the brain called encephalitis. When a herpes infection occurs, it is often treated with an antiviral medicationcalled acyclovir. Women may reduce their risk of contracting the herpes virus by following safer sexual practices. 

  Toxoplasmosis is primarily a danger for cat owners. This illness is caused by a parasitic infection common in cats, but it also is found in uncooked meat and fish. The infected animal excretes a form of the parasite in its stools, and people who come incontact with infected stools could become infected themselves. To guard against this disease, see the box Protecting Against Toxoplasmosis on page 9.      

Getting the Best Prenatal Care   

  Throughout your pregnancy, you should work closely with your obstetrician to make sure that you stay as healthy as possible. Regular doctor's visits up until the birth of your baby can significantly improve your likelihood of having a healthy newborn.During each doctor's visit, you will be weighed, your blood pressure will be checked, and the size of your uterus will be estimated to evaluate the size of your growing fetus.   Here are some areas that deserve attention during your pregnancy.    

   Nutrition   

  Follow your obstetrician's advice regarding your use of prenatal vitamins. As mentioned, you should take vitamins only in the doses recommended by your doctor. Perhaps more than any other single vitamin, make sure you have an adequate intake (generally,400 micrograms a day) of folic acid, a B vitamin that can reduce the risk of certain birth defects, such as spina bifida. Your obstetrician may recommend a daily prenatal vitamin pill, which includes not only folic acid and other vitamins, but also iron, calcium,and other minerals, and the fatty acids docosahexaenoic acid (DHA) and arachidonic acid (ARA). Fatty acids are "good" fats, and DHA in particular accumulates in the brain and eyes of the fetus, especially during the last trimester of pregnancy. These fattyacids are also found in the fat of human breast milk. Make sure your doctor knows about any other supplements you may be taking, including herbal remedies.      

Eating for Two    

When it comes to your diet, do some planning to ensure that you're consuming balanced meals. Make sure that they contain protein, carbohydrates, fats, vitamins, and minerals. This is no time for fad or low-calorie dieting. In fact, as a general rule, youneed to consume about 300 more calories per day than you did before you became pregnant. You need these extra calories and nutrients so your baby can grow normally.     

  Exercise    

Physical activity is just as important when you're pregnant as at any other time of life. Discuss a fitness program with your doctor, including fitness DVDs or videotapes that you've found of interest. Particularly if you haven't been exercising regularly,your doctor may suggest a moderate walking or swimming regimen, or perhaps prenatal yoga or Pilates classes. Don't overdo it. Take it particularly slowly during the first few workouts--even just five to ten minutes a day is beneficial and a good place to start.Drink plenty of water while working out, and avoid activity with jumping or jarring movements.    

   Tests During Pregnancy  

   Whether your pregnancy is progressing normally or if concerns are present, your obstetrician may recommend some of the following tests.  

An ultrasound exam is a safe procedure and one of the most common tests given to pregnant women. It monitors your fetus's growth and the well-being of his internal organs by taking sonograms (images made from sound waves) of him. It can ensure that yourbaby is developing normally and will help determine any problems or fetal abnormality. It also can be used if your doctor suspects that your baby is in the breech position. Although most babies are in a head-down position in the uterus at the time of delivery,breech babies are positioned so that their buttocks or feet will move first through the birth canal, before the baby's head. Although some breech babies can safely be delivered vaginally, the risk of complications may be higher in many breech deliveries, andthus your doctor may recommend delivery by Cesarean section. (For further discussion of breech babies and Cesarean births, see Delivery by Cesarean Section in Chapter 2, pages 51-54.)  

A nonstress test electronically monitors the fetus's heart rate and movements. In this test, a belt is positioned around your abdomen. It is called a "nonstress" test because medications are not used to stimulate movement in your unborn baby or triggercontractions of the uterus.  

A contraction stress test is another means of checking the fetus's heart rate, but this time it is measured and recorded in response to mild contractions of the uterus that are induced during the test. For example, an infusion of the hormone oxytocin maybe used to cause these contractions. By monitoring your baby's heart rate during the contractions, your doctor may be able to determine how your baby will react to contractions during the actual delivery; if your baby is not responding favorably during thesecontractions, the delivery of your baby (_perhaps by Cesarean section) might be scheduled prior to your due date.

   A biophysical profile uses both a nonstress test plus an ultrasound. It evaluates the movement and breathing of the unborn baby, as well as the volume of amniotic fluid. Scores are given for each component of the profile, and the collective score willhelp determine whether there is a need for an early delivery. 

  Other tests may be recommended, depending on your own physical health and personal and family history. For example, particularly for women with a family history of genetic problems or for those who are age thirty-five or older, your obstetrician may advisetests that can detect genetic disorders. The most common genetic tests are amniocentesis and chorionic villus sampling, which are described in the box Detecting Genetic Abnormalities on pages 14-15.  


Your doctor may recommend other screening tests. For example:  

Glucose screening can check for high blood sugar levels, which could be an indication of gestational diabetes, a form of diabetes that can develop during pregnancy. To conduct the test, which is usually performed between the twenty-fourth and twenty-eighthweek of pregnancy, you'll be asked to drink a sugar solution and then a sample of your blood will be collected. If a high level of glucose (a type of sugar used for energy) is in the blood, then additional testing should be done. This will determine if youdo have gestational diabetes, which is associated with an increased likelihood of pregnancy complications.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Informative book
By Ileana H.
Very thorough, helpful and resourceful.

30 of 33 people found the following review helpful.
Very Informative.
By docmom
I have really enjoyed reading this book before my daughter was born and now re-reading the chapters as she gets older. I am a Family Medicine physician, so I feel that I know a lot about children, but this book has a lot of practical advice that is supported by the AAP and current clinical guidelines. It is also inexpensive. I think this is a great book for new parents.

31 of 35 people found the following review helpful.
Great book, lots of reading
By S. Carter
This book presents itself like a 800 page novel, so if you don't like to read a lot or want more pictures, this book isn't for you. It's full of great material, but again, it reads like a thick book. It has some great growth charts in the back (but they're really small since the book is small) and it has great sections on common (and uncommon) illnesses. If you want straightforward information from a trustworthy source, you can't get much more trustworthy than the American Academy of Pedicatrics. If you LOVED your What to Expect When Expecting book, I would get the What to Expect in the First Year book. I didn't like the WTEWE book so I didn't get the first year book, I chose this one instead.

See all 118 customer reviews...

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^ Ebook Download A Feast for Crows (A Song of Ice and Fire, Book 4), by George R. R. Martin

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A Feast for Crows (A Song of Ice and Fire, Book 4), by George R. R. Martin

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A Feast for Crows (A Song of Ice and Fire, Book 4), by George R. R. Martin

It seems too good to be true. After centuries of bitter strife and fatal treachery, the seven powers dividing the land have decimated one another into an uneasy truce. Or so it appears. . . . With the death of the monstrous King Joffrey, Cersei is ruling as regent in King’s Landing. Robb Stark’s demise has broken the back of the Northern rebels, and his siblings are scattered throughout the kingdom like seeds on barren soil. Few legitimate claims to the once desperately sought Iron Throne still exist—or they are held in hands too weak or too distant to wield them effectively. The war, which raged out of control for so long, has burned itself out.

But as in the aftermath of any climactic struggle, it is not long before the survivors, outlaws, renegades, and carrion eaters start to gather, picking over the bones of the dead and fighting for the spoils of the soon-to-be dead. Now in the Seven Kingdoms, as the human crows assemble over a banquet of ashes, daring new plots and dangerous new alliances are formed, while surprising faces—some familiar, others only just appearing—are seen emerging from an ominous twilight of past struggles and chaos to take up the challenges ahead.

It is a time when the wise and the ambitious, the deceitful and the strong will acquire the skills, the power, and the magic to survive the stark and terrible times that lie before them. It is a time for nobles and commoners, soldiers and sorcerers, assassins and sages to come together and stake their fortunes . . . and their lives. For at a feast for crows, many are the guests—but only a few are the survivors.

Few books have captivated the imagination and won the devotion and praise of readers and critics everywhere as has George R. R. Martin’s monumental epic cycle of high fantasy that began with A Game of Thrones. Now, in A Feast for Crows, Martin delivers the long-awaited fourth book of his landmark series, as a kingdom torn asunder finds itself at last on the brink of peace . . . only to be launched on an even more terrifying course of destruction.

  • Sales Rank: #23240 in Books
  • Brand: Martin, George R. R.
  • Published on: 2007-10-30
  • Released on: 2007-10-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.50" w x 6.10" l,
  • Binding: Paperback
  • 784 pages

From Publishers Weekly
Long-awaited doesn't begin to describe this fourth installment in bestseller Martin's staggeringly epic Song of Ice and Fire. Speculation has run rampant since the previous entry, A Storm of Swords, appeared in 2000, and Feast teases at the important questions but offers few solid answers. As the book begins, Brienne of Tarth is looking for Lady Catelyn's daughters, Queen Cersei is losing her mind and Arya Stark is training with the Faceless Men of Braavos; all three wind up in cliffhangers that would do justice to any soap opera. Meanwhile, other familiar faces—notably Jon Snow, Tyrion Lannister and Daenerys Targaryen—are glaringly absent though promised to return in book five. Martin's Web site explains that Feast and the forthcoming A Dance of Dragons were written as one book and split after they grew too big for one volume, and it shows. This is not Act I Scene 4 but Act II Scene 1, laying groundwork more than advancing the plot, and it sorely misses its other half. The slim pickings here are tasty, but in no way satisfying. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Library Journal
In the fourth volume of Martin's "A Song of Ice and Fire" saga, the evil king is finally dead-and trouble is starting to brew.
Copyright 2002 Reed Business Information, Inc.

From Bookmarks Magazine
Martin’s manuscript for Feast of Crows was so long that his publisher relegated half the chapters to a fifth book due out in 2006, A Dance with Dragons. With only half the storylines and characters present from A Storm of Swords (2000), Feast of Crows should seem thin—but it’s so rich with characters, plot twists, and settings that a few critics thought the novel one of the best in the fantasy genre. Martin renders his characters—would-be queens, outlaws, priests, squires, ladies, and fools—with unusual depth and moral complexity, while placing their personal dramas within the epic sweep of lands lost and won. Though the book stands alone, readers will reap greater rewards by starting with the first of the series, A Game of Thrones.

Copyright © 2004 Phillips & Nelson Media, Inc.

Most helpful customer reviews

345 of 381 people found the following review helpful.
A Song of Walking and Walking Some More
By DonAthos
Yikes.

I've enjoyed this series, honestly I have, but the latest entry--A Feast for Crows--has forced me to seriously reconsider whether it has been worth it.

In the first place, frankly, this is no longer the series I'd signed on for. The first novel introduced a group of characters, the Starks, and led us to believe that they would be central to the narrative. Now with most of them dead or scattered, they're almost incidental to it. Since this volume only deals with half of the current "main cast," some of my personal favorites completely disappear (like Tyrion and Daenerys). In short, when I decided to continue on after A Game of Thrones, I didn't know I'd be reading 1000 pages of Brienne and the Iron Born.

Aside from this literary 'bait and switch,' there's also the fact that... well... nothing really happens in this book. Okay, maybe "nothing" is harsh, but it certainly feels like it. *Lots of things* should happen in a 1000 page book, but Martin strives to put all of the relevant happenings at the very end. Before that, characters spend an endless amount of time wandering from place to place. We readers get to meet all sorts of new and extraneous characters, instead of spending time with the countless we've met before. (Though in fairness, given the time between publishings, it's unlikely we'd remember all of those older characters. I can't keep straight who's died anymore... I forget, is Theon dead?) Incredibly, most of the exciting action (battles and the like) take place between chapters, and we only learn about it through conversation after the fact.

Many of the new characters introduced here get their own POV chapter, sometimes one to a character. The series is becoming increasingly disjointed, and there's certainly no kind of resolution for anything in sight. The one real thru-line is Cersei's story. She probably gets the most chapters, and something like an actual plot. Of course, I can sum up all of those chapters to you here with: Cersei hates and is suspicious of/jealous of everyone and everything. Cersei sits around and snapes at everything, over and over again, and lord but it doesn't get much more exciting than that until page 900.

The series is, at least, consistent in that the worst things always happen to the best characters and things can always be counted on to go wrong (unless you're a villain). While it was once possible to say that Martin was being "realistic" in showing that, sometimes, bad things happen to the heroes... well, it's almost ridiculous now, in how nothing good ever seems to happen to anyone who could be described as "virtuous." Though, of course, very few of the remaining characters could so be described. Most have been decapitated well before this novel. There is a line between "realism" and "sadism," and it isn't all that "fine." Martin has crossed it some time ago.

Man, I was looking forward to this book. But really what I was looking forward to was a sequel to the novels that had come before it. Instead, this book (and, increasingly, the series) abandons the characters who have come before and, rather than offer any resolution, creates new conflicts spiraling off into the aether. It doesn't deal with any of those conflicts, either. Instead, it contents itself with having all of its main characters walk from locale to locale, talking, thinking and dreaming but never doing.

George R.R. Martin has taken up close to 4000 pages now, more than three times what Tolkien used in The Lord of the Rings and more than twice War and Peace. He has accomplished very little for all that, and given us little hope that there's any relief in sight. His preferred method of resolving conflicts seems to be having his characters abruptly die, and so that's how I figure he'll tie the loose ends here. It's all rather depressing, if like me you feel you have to finish what you start. Martin is capable of good, snappy storytelling--his graphic novel which takes place in the same world, The Hedge Knight, was really quite good. But it has one large advantage over A Song of Ice and Fire in that it has a beginning, middle and end. A Song of Ice and Fire, on the other hand, seems to be nothing but an endless middle. (The fact that it's a series doesn't mean it can't have both rising and falling action and resolutions to conflicts sprinkled along the way. Examine almost any other series, ever, for examples.)

Not all of these flaws are new to the series--in fact, they've been there since almost the start--but over time they're becoming more and more inescapable and damaging to the overall experience. Two stars for this novel. If things don't rapidly improve, and there's no reason to expect them to, we'll quickly find ourselves at a solitary star. A shame.

84 of 92 people found the following review helpful.
A Feast for Yawns
By Shafty
Unbelievably disappointing.

*****SPOILER ALERT*****: Nothing happens. And then nothing else happens, and then some more nothing, and WAIT HERE'S A TWIST: it's nothing.

I can't even give you a spoiler alert, because there's nothing to spoil. NOTHING HAPPENS. Character go on quests...that they never complete, get close to completing, and are in no way ever even close to the right path. Characters train and prepare for trials that never happen. Plots are hatched and then forgotten. Nothing happens.

The first three books were really phenomenal and engaging and I can't recommend them highly enough. But skip this one. Here, I'll spoil the plotlines for each of the characters followed in this book:

Brienne: Nothing happens. She goes on a quest to find and protect Sansa (or maybe Arya, too) and is never within 1000 miles of them. And since you as the reader know exactly where Sansa and Arya are, you know she's spending 3 chapters traveling to the wrong place.

Jaime: Nothing happens. He's mulling over his tarnished honor and lost hand, but also trying to train to use his left hand to sword fight, so you're kind of thinking maybe at the end he's going to be in some morally ambiguous situation where he tries to regain some of his lost honor by standing up for some injustice, even though he knows he'll likely lose left-handed...but no. He's training and preparing for a conflict that never occurs. Nothing happens.

Arya: Nothing happens. Hey check out this temple where they train badass assassins. I guess I'll do that or maybe I won't but I'll hang out for awhile and maybe get a little better at being kinda zen, but maybe not.

Sansa: Nothing happens. Hey I'm all hanging out at the Eyrie and no conflicts occur except for one slight annoyance quickly handled by somebody else. Oops, it's snowing, guess we'll go down the mountain for a bit.

Sam: Nothing happens. I'M ON A BOAT. That never gets attacked. And nothing really happens except for a love interest against my vows exactly like what Jon did in the last book. But then it's all okay and nothing happens.

Asha: Nothing happens. Hey I'm kind of a cool sexy pirate chick although you never actually get to see me fighting anything and I'm tough and I want to lead the Ironmen but they say I can't because I'm girl and oh look they're right they want some other dude as king and he says they're gonna take over the world but then they don't do anything except raid a couple of islands.

Arianne: I've got a plot to start a war but it doesn't work and then nothing happens.

Cersei: Okay, this is the ONLY character where anything is different at the end of the book than at the start, so I won't spoil this one...but really only read the last 3-4 Cersei chapters and you'll get the whole picture. Even then it's not that surprising, and you don't get to see the ultimate conclusion anyway.

On top of the fact that nothing happens...none of the stories have ANYTHING to do with each other. Except for Jaime and Cersei (and even then it's only in the first few chapters), none of the characters ever meet any of the other characters, or impact each other in any way. It'd be like watching Star Trek, except for the entire series Picard is on one starship and Riker's on another and every other character is on their own ship with different crews in different parts of the galaxy and none of them know each other or ever meet or interact in any way and they don't do anything anyway. Why are they in the same story? They have nothing to do with each other!

And it's not like the potential isn't there! You'd think Brienne might actually meet up with Sansa and have a confrontation with Jaime or Cersei...but nope. Or that the Ironmen and their conflict are fleshed out because they're going to capture Sam's ship and then all go off to find Dany together but...nope. Or that Jaime is going to investigate Arianne's plot with his daughter...but nope.

And the worst...you get to the end and discover that the next book in the series runs concurrently with this one. And since nothing happened in this book...no big new wars broke out, no undead monsters descended upon the southern realms...that means nothing is going to happen in the next book, either. It's going to be another giant snooze fest where absolutely nothing happens.

tl;dr: nothing happens.

140 of 157 people found the following review helpful.
You can't be serious...
By Dirty_Gil
I was a soldier in Iraq when this book was released. I had been eagerly waiting for 4 years for a new installment of what I felt at the time was the best and brightest light in the fantasy sub-genre. I was disappointed. By now you know that every major character that GRRM had cultivated for nearly 3000 pages, 10 years and 3 novels was absent or only mentioned peripherally at best. But that's not the biggest betrayal of this novel. The biggest betrayal is the introduction of new POVs that we, as readers, have nothing invested in. We couldn't care less about them and aren't given any compelling reasons to begin caring. Brienne, Samwell, the Greyjoys, and anything happening in Dorne were minor ornamentations to the first three novels -- and that's being generous in some cases. In this one, they are center-stage for a solid 2/3rds of the text and they contribute nothing. NOTHING. They don't advance the plot, they don't illuminate motivations of the major players, they don't even bother to capture your interest. Brienne LITERALLY rides around and looks for someone the whole book. That's it. I just summed up in eleven words what evidently takes a dozen or so entire chapters for GRRM to convey.

For a fan of the world of ASOIAF, this is an "okay" novel. It provides depth of background and expands the tapestry of this world, letting you into the minds of characters that, prior to this novel, you had no access to. For fans of the STORY of ASOIAF, this book is a virtual waste of time. There are perhaps half a dozen chapters that advance the story and, after all, I believe thats what most of us are craving. As I type this, we've been waiting almost 5 years for the next installment, A Dance with Dragons. I won't bore you with reasons why I'm irritated about it. (At this point, you're either a GRRM apologist and have forgiven him for making you wait almost a decade for something new to happen in his creation, or you're not. I am not.) However, to say that I've moved on to other stories and writers is an understatement.

If you're new to ASOIAF, I'm advising you to avoid these novels. I have a feeling GRRM will end up breaking our hearts. He is notorious for not keeping notes and "writing from his mind". So unlike Jordan, who had extensive outlines, notes and ideas for a future ghostwriter to work from in the event of his untimely death, GRRM may leave nothing but an unfinished series.

At the very least, you can probably skip this novel. What "A New Spring" was to the Wheel of Time series, this book will be to ASOIAF. An interesting side-journey for hardcore fans, but, to the casual reader, ultimately a marketing diversion intended to soak you of more money.

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@ Fee Download Midnight Awakening (The Midnight Breed, Book 3), by Lara Adrian

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Midnight Awakening (The Midnight Breed, Book 3), by Lara Adrian

Book 3 in the New York Times and #1 internationally bestselling Midnight Breed vampire romance series

With a dagger in her hand and vengeance on her mind, Darkhaven beauty Elise Chase prowls Boston's streets in search of retribution against the Rogue vampires who took from her everything she cherished. Using an extraordinary psychic gift, she tracks her prey, well aware that the power she possesses is destroying her. She must learn to harness this gift, and for that she can turn to only one man--the deadliest of the Breed warriors, Tegan.

No stranger to loss, Tegan knows Elise's pain. He knows fury, but when he slays his enemies it is with ice in his veins. He is perfect in his self-control, until Elise seeks his aid in her personal war. An unholy alliance is forged--a bond that will link them by blood and vow--and plunge them into a tempest of danger, desire, and the darkest passions of the heart. . . .

  • Sales Rank: #483121 in Books
  • Brand: Dell
  • Published on: 2007-11-27
  • Released on: 2007-11-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.01" h x 1.09" w x 5.04" l, .45 pounds
  • Binding: Mass Market Paperback
  • 400 pages
Features
  • Great product!

Review
"One of the Top 10 Best Romance Novels of 2007" --Selected by the Editors at Amazon.com

"Lara Adrian's series goes from strength to strength. Fast paced and thrilling, MIDNIGHT AWAKENING serves up satisfying romance with exciting action and an original fantasy background and plotline. If you are a fan of JR Ward, Lynn Viehl or Sherrilyn Kenyon, you want to add Lara Adrian to your reading list." --LoveVampires.com (5 Stars)

“An adrenaline-fueled, sizzlingly sexy, darkly intense addition to Lara Adrian's addictively readable paranormal Breed series.”—Chicago Tribune

From the Author
The Midnight Breed Series reading order:

A Touch of Midnight (prequel novella - free ebook)
Kiss of Midnight
Kiss of Crimson
Midnight Awakening
Midnight Rising
Veil of Midnight
Ashes of Midnight
Shades of Midnight
Taken by Midnight
Deeper Than Midnight
A Taste of Midnight (novella, ebook only)
Darker After Midnight
The Midnight Breed Series Companion
Edge of Dawn
Marked by Midnight (novella)
Crave the Night
Tempted by Midnight (novella)
Bound to Darkness
Stroke of Midnight (novella)
Defy the Dawn (Spring 2016)
Midnight Untamed (October 2016)
...and more to come!

Also by Lara Adrian:

Phoenix Code Romantic Suspense Series (with Tina Folsom)
Cut and Run
Hide and Seek

Masters of Seduction Paranormal Romance Series
Merciless: House of Gravori
Priceless: House of Ebarron

To get notified of new releases and to be eligible for subscribers-only giveaways and exclusive content, be sure to visit Lara's website and sign up for the newsletter!

About the Author
Lara Adrian is the New York Times and #1 internationally bestselling author of the Midnight Breed vampire romance series (Random House) and seven award-winning, newly reissued historical romances, previously released under the pen name Tina St. John--now available for Kindle and other ebook devices.

To keep up to date with all of Lara's upcoming books and to be eligible for special promotions and giveaways, visit Lara's website and sign up for her private email newsletter.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Beauty and the Beast
By Southern Girl
This book started a little slower than the others I've read so far in this series but once the action starts midway through the book it's really good. I can't imagine what direction the other books will take since one of the main characters is taken out of the picture at the end but I'm looking forward to finding out. Overall, it's been a really good series.

0 of 0 people found the following review helpful.
An enjoyable read!
By RatherBeTraveling
I've read the first three books in this series (and will probably read more after getting through the books I have in my TBR pile). All three had interesting, fast-moving plots, with good tension/resolution between the main characters. I know this series is often compared to the Black Dagger series. I actually like this series a little better than the BDB series due to the contrived slang (and other issues) of the BDB series. So far, so good... :)

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
can't get enough of these books

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Kamis, 14 Januari 2016

@ Get Free Ebook The Neighbor: A Detective D. D. Warren Novel, by Lisa Gardner

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The Neighbor: A Detective D. D. Warren Novel, by Lisa Gardner

A young mother, blond and pretty, vanishes from her South Boston home, leaving behind only one witness—her four-year-old daughter—and one suspect—her handsome, secretive husband.

From the moment Detective Sergeant D. D. Warren arrives at the Joneses’ snug little bungalow, instinct tells her that something is seriously off with the wholesome image the couple has worked so hard to create. 
 
With the clock ticking on the life of a missing woman and a media firestorm building, D.D. must decide whether Jason Jones is hiding his guilt—or just trying to hide. But first she must stand between a potential killer and his next victim—an innocent child who may have seen too much.

  • Sales Rank: #56476 in Books
  • Brand: Bantam
  • Published on: 2010-06-22
  • Released on: 2010-06-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.87" h x 1.09" w x 4.22" l, .57 pounds
  • Binding: Mass Market Paperback
  • 496 pages
Features
  • Great product!

Amazon.com Review
Book Description
From a master of suspense comes a chilling new novel that explores the dangers lurking closer than you think. Because even in the perfect family, you never know what is going on behind closed doors...

This is what happened...

It was a case guaranteed to spark a media feeding frenzy--a young mother, blond and pretty, disappears without a trace from her South Boston home, leaving behind her four-year-old daughter as the only witness and her handsome, secretive husband as the prime suspect.

In the last six hours...

But from the moment Detective Sergeant D. D. Warren arrives at the Joneses’ snug little bungalow, she senses something off about the picture of wholesome normality the couple worked so hard to create. On the surface, Jason and Sandra Jones are like any other hardworking young couple raising a four-year-old child. But it is just under the surface that things grew murky.

Of the world as I knew it...

With the clock ticking on the life of a missing woman and the media firestorm building, Jason Jones seems more intent on destroying evidence and isolating his daughter than on searching for his “beloved” wife. Is the perfect husband trying to hide his guilt--or just trying to hide? And will the only witness to the crime be the killer’s next victim?

Amazon Exclusive: Lisa Gardner on the Making of The Neighbor

A dozen suspense novels later, it still amazes me how little control I have over the writing process. I’m a plotter. That means each time I start a novel, I feel compelled to map out the road ahead. I’m going to write a very scary book where lots of people die, and this is how I’m gonna do it. Sounds good. And yet, each and every time, by page five or so, that plan is blown out of the water. The plot veers off in a different direction. A character throws me for a loop. I don’t know. You go to write a book and apparently, things happen.

My latest release, The Neighbor is no exception. I started the book with a simple premise: I wanted a love interest for one of my favorite characters, hard-nosed Boston detective, D.D. Warren. How much fun would it be, I wondered, if D.D. fell for a guy suspected of murdering his own wife? Better yet, I’ll make the guy a father of a four-year-old girl, because surely workaholic Sergeant Warren deserves a sexy, dark-haired man who also knows how to fashion pigtails and make Mickey Mouse pancakes. Perfect!

Of course, I wanted a twisted storyline with lots of shocking turns. Not a problem. Most of my novels have been inspired by true crimes, and let’s face it, there are no shortages of husbands currently resolving their marital woes by killing off their wives. Research cases were numerous and easy to find. If I now sleep with one eye open, well that’s what happens when you spend six months immersed in the study of spousal homicide.

Next, I needed some other suspects to stir the pot. What about a registered sex offender living on the same block as the missing woman? And what if the missing woman happens to also be a beautiful blonde schoolteacher, perhaps a natural favorite with her male students? See, now we’re having some fun. Add half a dozen deep dark secrets and we’re off to the races.

This also led to more interesting research. I thought I knew what I needed to know about sex offenders. As wife and mother, I’ve been very comfortable with the notion of shooting first and questioning later. I’ve also had zero respect for female schoolteachers who engage in sexual relations with their students. A sex offender is a sex offender, even the ones who are pretty and female. Then again, sometimes during the research phase, I learn things that totally change the course of the novel.

I started The Neighbor with a plan, and quickly ended up with a puzzle. At a certain point, I was writing the book simply so I could find out what was going to happen next. Did Jason Jones actually kill his wife? What was he doing on the computer night after night? And what about poor four-year old Ree, the last known person to have seen her mother alive?

I thought D.D. Warren needed to a love interest. But maybe, what she really needs is to save a scared little girl, caught in the middle of a deadly game.

It’s possible there’s a bit more to the story than I’ve mentioned so far. Some other key characters that appear along the way, some rather unexpected developments. Because when you go to write a book, apparently, things happen. --Lisa Gardner

(Photo © John Earle)

From Publishers Weekly
In bestseller Gardner's gripping 11th thriller, Sgt. Det. D.D. Warren, last seen in 2007's Hide, looks into the curious disappearance of Sandra Jones, a sixth-grade social studies teacher, from her South Boston home: Sandra's keys and purse were on the kitchen counter, nothing was disturbed, and her four-year-old daughter, Ree, to whom she was devoted, was asleep upstairs. The missing woman's reporter husband, Jason, becomes an immediate suspect because he refuses to answer questions and appears to have destroyed evidence. As a media frenzy envelopes the case, Warren's investigation reveals the couple's life as anything but perfect or normal. Full of inventive twists, this highly entertaining novel delivers a shocking solution as well as a perfectly realized sense of justice. Fans will appreciate the deft way Gardner weaves in a key character from 2008's Say Goodbye. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
“Gripping....Full of inventive twists, this highly entertaining novel delivers a shocking solution as well as a perfectly realized sense of justice.”—Publishers Weekly

“Gardner's compelling narrative keeps her readers guessing.”—Library Journal

“Her most harrowing and riveting book yet . . . [Lisa Gardner is] a master storyteller.” —Providence Sunday Journal
  
“Razor-sharp . . . challenges the mind and gets the heart racing.”  —The Daily Beast

Most helpful customer reviews

147 of 156 people found the following review helpful.
so many suspects...so little time
By Richard Cumming
Lisa Gardner concocts a flaming stew of suspects and hot button issues in this latest novel. A gorgeous young teacher vanishes in the middle of the night. Her husband is a reporter. He comes home late to find his wife gone and his 4-year-old daughter alone in their highly fortified house in South Boston. All the doors are still locked.

The cops assume that the husband did it. Perhaps he killed his wife and threw her into the ocean? But there are so many other potential culprits; "the neighbor" of the title is a convicted sex offender. The missing woman's father is a possible abuser, too. Then there's the police forensics guy who has a crush on her. His computer geek nephew also had a crush on teacher. And so on...Whodunnit?

Gardner pulls out one surprise after another with twists all along the way. Meanwhile we get flashbacks of the missing woman's thoughts. Her anger. Her lust. Her unsatisfied desires. The female cop on the case is another gorgeous, horny specimen. Then there's the husband, a total hunk. And the forensics guy, a David Caruso lookalike. Gardner's romance roots are showing through...

The steamy stew spills into the internet where more secrets lurk. The computer geek is a 13-year-old genius and as one might expect he's way ahead of the adults. Surprise ending. No spoilers here.

52 of 55 people found the following review helpful.
"A bad neighbor is as great a calamity as a good one is a great advantage." Hesiod
By michael a. draper
4 1/2 Stars.

Sandra Jones, a high school teacher, puts her daughter, Ree, to bed before going to bed herself. Then she hears a sound coming from the stairs...When her husband, Jason, comes home from his night shift job at the newspaper, Sandra has vanished.

Sgt. Detective D. D. Warren, last seen in Gardner's 2007 novel, "Hide" knows that the spouse is always the prime suspect when the other spouse goes missing or is killed. Now, when she attempts to interview Jason, he is uncooperative, almost nonchalant.

Who is the guilty person who did whatever was done to Sandra?
Is it the husband? Is it the neighbor, Aidan Brewster, whose room overlooks the Jones' bedroom and is a registered sex offender? Could it be Ethan Hastings, a 13 year old high school student who has a crush on Sandra? Or, could it be a late comer in the story, Wayne Reynolds, a state police computer analyst who had met Sandra at her high shool's basketball game and has been meeting her for a weekly school game thereafter?

The story continues with Sandra's father, Judge Maxwell Black, entering the scene and demanding he be given visitation privileges to his granddaughter. Sandra had no relationship with her father and had accused him of mistreatment.

The reader is able to know the various characters'houghts and it is difficult to see who might be the guilty character.

It is obvious that the author enjoyed writing this book and her sense of having fun with the plot comes through. "The Neighbor" is a well written, fast moving story that would have made Alfred Hitchcock proud.

46 of 49 people found the following review helpful.
"There are things that once done can't be undone."
By E. Bukowsky
In Lisa Gardner's "The Neighbor," Jason Jones and his twenty-three year old wife, Sandra, appear to be a normal American couple. He works nights as reporter for a Boston newspaper and she is a conscientious middle school social studies teacher. They dote on their adorable and precocious four-year old, Clarissa, whom they call Ree. However, nothing in a Lisa Gardner novel is ever straightforward. When Jason and Sandra married, he was thirty and she was eighteen. Neither one revealed to the other certain horrific secrets that they preferred to keep buried. As Sandra says, "It seems we go longer in silence all the time." Her husband has a tendency to be morose, since "he believed at all times that the worst could happen."

The trouble begins when Jason comes home from work early one morning and finds his wife missing with Ree asleep in her bedroom. Jason knows that Sandra would never willingly depart without Ree. Did someone abduct Sandra or did she leave of her own accord? Working on the case is thirty-eight year old Sergeant D. D. Warren, a "dedicated [homicide] investigator and hard-core workaholic." With no useful conclusive physical evidence, there is not much that D. D. and her colleagues can do. However, they are looking both at Jason and his neighbor, Aidan Brewster, a convicted sex offender. Since Jason is egregiously uncooperative when the police question him, the cops soon suspect that he knows more about his wife's disappearance than he is willing to admit. Brewster is a pathetic loner who works in a garage, goes home, eats dinner, and watches television. He is required to report to his probation officer regularly. "The shrinks have a term for it: pretend normal," he says wryly. Since he had met Sandra briefly, it is not inconceivable that Aidan took an interest in this pretty young blonde.

Gardner teases us with subtle hints, but only slowly reveals the big picture. We wonder why Jason is so silent and testy when he is questioned by the cops. Yet, even the most jaded individual must acknowledge that Jason appears to be a phenomenal father who knows exactly how to handle Ree's moods. He does everything in his power to make his little girl feel special and loved. The scenes between Jason and Ree are tender and poignant. Questions that are raised but not immediately answered are: Why does Jason spend hours huddled over his computer? Where does Sandra go when she occasionally "takes a break" from her family? Why does this couple avoid discussing their childhood experiences with one another? As we get to know each character through affecting first-person accounts and flashbacks that alternate with third person narrative, we begin to sense that separating fact from fiction will prove to be extremely difficult. Gardner builds up suspense brilliantly and wraps up her story with a series of genuine surprises and a final clever twist.

"The Neighbor" is an edge-of-your seat thriller in which Gardner explores the ways in which computers can be used for good or evil, how horrific childhood traumas can scar a victim for life, and the need that every man and woman has to love and be loved in return. She also touches on the media frenzy that inevitably follows when an attractive wife and mother vanishes without a trace. The dialogue is sharp and laced with mordant humor. This is not your typical escapist beach read. There is a great deal of profanity and some disturbing references to unsavory subjects. "The Neighbor" is a gripping and intense police procedural, a moving portrait of a troubled family, and a complex murder mystery. Few readers will be able to put this book aside until they learn exactly what Jason and Sandra are hiding and why.

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