Minggu, 29 November 2015

** Download Ebook Dark Horse, by Tami Hoag

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Dark Horse, by Tami Hoag

Dark Horse, by Tami Hoag



Dark Horse, by Tami Hoag

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Dark Horse, by Tami Hoag

In her latest thriller, New York Times bestselling author Tami Hoag takes readers on a suspense-filled ride of shocks and twists leading to an explosive finish. It is the story of an ex-cop, a missing girl, and a killer locked in a race where there can be only one winner—and the losers die trying.

In a trailer in a Florida swamp, time is running out for eighteen year-old Erin Seabright. A pawn in a kidnapper's terrifying game for a ransom no one can pay, her last hope is a washed-up ex-cop who has already lost it all-not once, but twice.

The wealthy world of the Palm Beach horse set seems a long way from a cop's world in the narcotics division. A lifetime ago, undercover sheriff's detective Elena Estes worked the mean streets and BackTop alleys, living by her wits and playing the long odds until she took one risk too many. Now Estes lives on the ragged edge of lost hope and self-hatred, hiding from the past and believing she doesn't deserve to have a future. But the past is about to come back with a vengeance, and the future is about to become a race between life and death.

A young woman is missing and her twelve year-old stepsister comes to Estes for help. No one but serious, studious Molly Seabright seems concerned about what's happened to her troubled older sister. But Molly is convinced Erin is in danger. Estes has no P.I. license, no interest in a new career, and no desire to break her self-imposed exile. But the more she learns about the people Erin Seabright was involved with, the more her long-dormant cop instincts come back to life.

One trip to the show grounds where Erin worked as a groom, and Estes is quickly pulled to the dark side of a glamorous sport. Behind the glittering, ultra-rich facade is an ultra-ruthless world of drugs, payoffs, and dirty deals. A world of dissolute playboys and crooked horse-dealers, of royalty and rabble, of rivals and enemies. An obscenely wealthy world where anything can be had for a price—including a life.

And in that world stalks a killer who will lead Estes down a dark, twisted trail of decadence and deceit, mayhem and murder—from the gilded life of Palm Beach to the darkest corners of the Florida swamps, to a final show-down that could cost her everything. A race against time and evil. A race in which Estes is the dark horse—and no one is betting on her to win.

  • Sales Rank: #560385 in Books
  • Brand: Bantam
  • Published on: 2004-06-01
  • Released on: 2004-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x 1.20" w x 4.20" l, .60 pounds
  • Binding: Mass Market Paperback
  • 592 pages
Features
  • Great product!

From Publishers Weekly
The professional horse world, as seen through Hoag's eyes, is full of intrigue, glitter and skullduggery. Elena Estes is a former cop whose bravado on the force resulted in a colleague's death; it also cost her her job and her self-esteem, not to mention the psychological and physical fallout from nearly being shot. She's been keeping a low profile at a friend's Florida ranch, but her world is disrupted when 12-year-old Molly Seabright, wise beyond her years, attempts to hire Elena to find her older sister, Erin, who has been missing for two days. As Elena digs deeper into Erin's disappearance, the dark side of the horse-show set is revealed. Hoag (Night Sins; Dust to Dust), herself an experienced equestrian, shows off her dressage-to-showing knowledge of the sport as she weaves behind-the-scenes tidbits about the training, competitions, horse brokers and grooms into a plot that gallops along. Though she is a master of suspense, the story falters when a major secret about the kidnapping is exposed. There are too many bad guys who may be in on the scheme, and readers will feel cheated by the improbable 11th-hour revelation. It's too bad Hoag felt the need to undercut her plot with schemes and counterschemes, since she finds plenty of tension in the equestrian world she examines here and doesn't need the contrivance. Nonetheless, she has enough skill and drawing power to propel this, her 10th book, onto bestseller lists.
Copyright 2002 Cahners Business Information, Inc.

From Library Journal
Elena Estes leaves the Palm Beach County sheriff's office in disgrace after causing the death of a fellow copand gallops straight into trouble at an international riding competition in Florida's horse country.
Copyright 2002 Reed Business Information, Inc.

From Booklist
Welcome to the dark psyche of Elena Estes, a woman who had everything that society has to offer but gave it away to become a cop, and now even that life is lost. She made a mistake during a drug bust, an officer died, and she was badly hurt. Now she's a pariah in the Palm Beach sheriff's office. She retreats to the farm of an old friend, and returns to her childhood love of horse, while she recovers physically if not emotionally. Twelve-year-old Molly Seabright brings Elena back to the world of the living by asking her to find her missing 18-year-old sister, Erin, who works as a groom. Neither the police nor her parents believe anything is wrong, but Molly is persistent. Elena agrees to investigate and soon lands knee-deep in the muck of the horse world, where she finds horses murdered for insurance money, sleazy dealers, debauched playboys, charismatic trainers, and one infuriating cop. A tangled web of deceit and double-dealing makes for a fascinating look into the wealthy world of horses juxtaposed with the realistic introspection of one very troubled ex-cop. A definite winner for Hoag. Patty Engelmann
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

11 of 11 people found the following review helpful.
Not bad, but not her best work
By A Customer
Dark Horse was not a bad book, but it did take me an awful long time to read, which in my terms basically means that the story wasn't intriguing enough for me to not want to put it down. I liked the main character, Elena Estes, but it also seemed like more of the same as in many of her other books...female in a role of law enforcement that did something that has turned all her colleagues against her so she is now an outsider and must try to do her job while dealing with their animosity.. does anyone else feel like this formula is getting kind of old in her books. I'd like to maybe read something a little different for once. Aside from that fact, the story wasn't bad, it just wasn't that intriguing; and the ending was not very satifying to me. I'm still a fan of Tami Hoag, but I really did not find this to be her best work.

13 of 14 people found the following review helpful.
Perfect for High Level Equestrians
By A Customer
To start: I am an equestrian. I ride jumpers in the Chicago area and spend 3 months of every winter in West Palm Beach and Tampa to show my horse. I write this review as a national level equestrian to other national level equestrians. If you do not fit this description, this review will most likely not be of any assistance to you at all.
Personally, I don't read much of the category most people title "Beach Books," and the stuff Tami Hoag writes seems to fit that picture. I wasn't even going to read this book, but a friend of mine who rides with my trainer convinced me it was worth it. She was right.
Dark Horse takes place in West Palm Beach on the Wellington Equestrian Festival show grounds. There is a cornucopia of shady characters in this book, and I suppose an average reader would find it unbelievable or even ludicrous, but anyone familiar with the microcosm of West Palm or any part of the USEF hunter/jumper show circuit will not find this unconvincing. The plot involves a horse murdered for insurance and the kidnapping of a girl who knew the truth about the animal's death. Names of certain jumper trainers in the Chicago area and numerous multimillionaires come to mind. Anyone who thinks of "the Sandman" as someone besides a character in a fairytale will believe this plot.
Now, like I said, I don't read this sort of thing, but the author portrays her West Palm setting perfectly, depicting all parts of the show grounds to a tee. I loved it for its accuracy, if nothing else.
This review is not intended to explain the book to you -- read the official description for that -- but it is intended to encourage all hunter/jumper riders to read it. Dressage people, too -- the main character is a dressage rider.
This book also contains a great deal of accuracy. Robert Dover is mentioned and even the drama at Cellular Farms a few years back is referenced. The primary jumper trainer in the novel is hauntingly similar to a certain Chicago trainer...
So please, read it if you are any kind of a horse person, even if you hate this sort of book or all books in general. It is worth it. For those of you who do not ride, I cannot say whether to read it or not.

12 of 13 people found the following review helpful.
Review of audiobook version.
By Erik1988
Since so many other reviews tell you the story I won't bother with that here:
1) The reader of the audiobook did a fine job, very good acting. She did some voice changes for different characters but not all, which is ok because it wasnt needed.
2) Characters are believable and their actions consistent.
3) Plot was well put together with enough red herrings and other dislikable characters that you couldn't quite guess the real end to very late in the story. I figured out most of it about 2/3rds of the way through or at least had my suspicions...but that only encouraged me to keep reading to see if I was right or not. Nice pace to everything...at no point was an action-freak like myself bored and wanting more, even though there is very little "action".
4) The protagonist is a character one would want to read in another story. Strong female detective type with a sharp sense of humor and insight. Enjoyable and a character with flaws (not perfect physically and personality-wise)...what more could you ask for.
OVERALL: Worth getting into. Makes me want to check out more from this author.

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Sabtu, 28 November 2015

~~ Free Ebook The Myth Hunters (The Veil, Book 1), by Christopher Golden

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The Myth Hunters (The Veil, Book 1), by Christopher Golden

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The Myth Hunters (The Veil, Book 1), by Christopher Golden

In this enthralling new tale from bestselling author Christopher Golden, one man is drawn into a realm just across the veil from our own, where every captivating myth and fairy tale is true, the vanished exist–and every fear is founded….

Yielding to his father's wishes, Oliver Bascombe abandoned his dream of being an actor and joined the family law firm. Now he will marry a lovely young woman bearing the Bascombe stamp of approval. But on the eve of his wedding, a blizzard sweeps in–bringing with it an icy legend who calls into question everything Oliver believes about the world and his place in it….

Pursued by a murderous creature who heeds no boundaries, Jack Frost needs Oliver's help to save both himself and his world–an alternate reality slowly being displaced by our own. To help him, Oliver Bascombe, attorney-at-law, will have to become Oliver Bascombe, adventurer, hero–and hunted. So begins a magnificent journey where he straddles two realities…and where, even amid danger, Oliver finds freedom for the very first time.


From the Trade Paperback edition.

  • Sales Rank: #909633 in Books
  • Brand: Golden, Christopher
  • Published on: 2007-01-30
  • Released on: 2007-01-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x .95" w x 4.20" l, .58 pounds
  • Binding: Mass Market Paperback
  • 448 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Stoker-winner Golden (The Boys Are Back in Town) launches a promising new dark fantasy series with this chiller, which opens on a snowy December night on the coast of Maine. Lawyer Oliver Bascombe is having a case of prewedding jitters at his family home, an "enormous Victorian mansion," when a blizzard smashes its way into the house and blows in "the winter man" (aka Jack Frost). Frost needs Oliver to save him from a Myth Hunter from beyond the Veil (i.e., the land of faerie). Seizing the opportunity to duck his wedding obligations, Oliver agrees to pass with Frost through the Veil. Meanwhile, on Earth, Oliver's tough-minded sister, Colleen, sets out to solve the mystery of his disappearance. When she finds her father murdered, she turns for help to Det. Ted Hallowell, who gets on the trail of a serial killer. Fast pacing, superior characterization and sound folklore yield a winner. (Jan. 31)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
On the eve of his wedding, Oliver Bascombe confesses to his older sister, Colette, that he isn't sure he wants to marry his fiancee. The impending nuptials soon take a backseat to much bigger troubles, however, when a man made wholly of ice crashes through the living room window. The man tells Oliver that he is the legendary Jack Frost and is in very immediate danger. Oliver helps Jack return to his own world, Borderland, but crosses over himself, too, and is soon caught up in the action there. A group of vicious killers is hunting and brutally killing mythological creatures. Joined by the woman Kitsune, who transforms into a fox at will, Jack and Oliver flee in a desperate attempt to get Oliver safely back home, where things aren't as Oliver left them. The Sandman has escaped Borderland, killed Oliver's father, and kidnapped his sister. The colorful, vividly imagined world and unresolved major plotline of Golden's thrilling yarn make a sequel a sure thing. Kristine Huntley
Copyright © American Library Association. All rights reserved

Review
"Everything [Golden] writes glows with imagination."–Peter Straub


From the Trade Paperback edition.

Most helpful customer reviews

10 of 11 people found the following review helpful.
Very promising opening book in Golden's dark fantasy trilogy.
By H. Bala
This looks to be yet another winning series for the hard working Christopher Golden. The Myth Hunters isn't horror as much as it is dark fantasy, but there are still ample bloodcurling moments written in to satisfy your inner ghoul. Golden's suspenseful, no frills writing style lends itself really well to the sense of soul-numbing terror, grave jeopardy, and harrowing adventure which permeates the book. Beneath the surface chase scenes and vicious battles, you can sense shadowy forces and vile machinations at work. I couldn't get enough of The Myth Hunters and devoured it in a mere seven hours (I'm usually a more slow reader). The opening set up in which the book delves into Oliver Bascombe's priveleged background and his feelings of helplessness in the wake of his father's domineering ways admittedly moves a bit sluggishly. It's the eve of Oliver's wedding day and, outside, a blizzard rages. Oliver loves his fiancee Julianna, but fears that marrying her will set him on an irreversible path to a regimented life he doesn't want. Thus, it is with a sense of escape that he answers the grieviously wounded Jack Frost's call for help. Jack Frost, an icy figure of longtime legend, has been terribly hurt and is being stalked by a ferocious Myth Hunter called the Falconer. Myth Hunters are relentless monsters who are bent on the destruction of all the Borderkind, fabulous figures of mythology who are still remembered by humans and who can, therefore, still cross back and forth between the Veil, the barrier which separates our normal reality from the magical world. Why are they hunting the Borderkind? Well, we don't find out in this book. But Oliver makes a fateful decision when he aids Jack Frost, as he becomes ensnared in the perilous doings of the Two Kingdoms beyond the Veil. Back here on earth, Oliver becomes a suspect in a rash of grisly murders involving the ripping out of victims' eyes, most of whom are children. This then draws the keen interest of Police Detective Ted Halliwell, who was initially assigned to the Oliver Bascombe missing persons case. Oliver's actions also unwittingly places his family and fiancee in immense peril. As it turns out, Oliver Bascombe's part in all this may have already been pre-ordained. Before it's all over, Oliver just might have an important role to play in deciding the fate of the world's enduring mythological figures. Meanwhile, the Myth Hunters and the original and very scary Sandman (Geez, he's a great villain!), released from agelong captivity, continue to wreak terror and destruction to victims from both worlds.

This book is a very promising start to The Veil series. It's a mishmash of well-beloved fantasy folklore, bloody horror, and even a bit of police procedural thrown in (but only a bit). I've always enjoyed fantasy books grounded in contemporary times, and this is a great example. The only catch is that Oliver Bascombe, our protagonist, isn't a very intriguing person. I actually found myself empathizing more with the gruff and world weary Ted Halliwell. Oliver's somewhat pallid personality reduces him to the fourth most interesting character, behind Halliwell, the stern and commanding Jack Frost, and the mysterious, alluring fox-woman Kitsune. I also enjoyed the arrogant Gong Gong, Black Dragon of Storms and wished he had been in the book more. Anyway, hopefully, Oliver will become more fleshed out as the series goes on. But, honestly, there were moments in the book where I found him annoying.

I didn't recognize half of the mythological creatures Golden unleashes on the reader. He cheekily mines the folklores of various countries to present here a cohesive magical universe co-habitated by fairy tale denizens, from Red Caps and Sandmen, to mazikeens and demons and gods of the Harvest. I mean, how many of the following legends are you familiar with? La Dormette, Jenny Greenteeth, the Kornboche, Johnny Appleseed, the Kirata...the list goes on, and I expect Golden to only add more to it with the advent of the two sequels.

Yet another cool thing about The Myth Hunters is that the passages dedicated to mere mortals Detective Halliwell and Julianna Whitney are as involving as Oliver's wondrous odyssey in the Two Kingdoms (which, by the way, is roughly aligned with our geography). But the more staid goings-on involving Halliwell are probably so engrossing because the no-nonsense, middle-aged cop is such a sympathetic character. Christopher Golden nicely paces Ted Halliwell's storyline, making sure that the detective only gradually comes to realize that the baffling case he's trying to solve doesn't have a mundane solution, that the solution, in fact, resides in the fantastic. As for the action-fantasy fanatics, no worries. There are enough intense, frenetic magical confrontations scattered thru the length of this book that the reader is never quite left with enough time to be bored (some of the sequences describing Oliver and his group's sneakings and skulkings about were somewhat pedestrian). The frenzied melee at the finale serves to punctuate the drive of the story and whets the appetite for the next book installment in this planned trilogy. So, c'mon, month of March, get here already! (That's when book 2, TheBorderkind, comes out, you see.)

6 of 7 people found the following review helpful.
Go Beyond the Veil with Christopher Golden
By Tim Branann
Oliver Bascombe lives a normal life. He has caring sister, a domineering father and he is supposed to be getting married tomorrow. All of that changes when an old man claiming to be the spirit of Winter itself comes calling on Oliver to get him back across the Veil and a away from the Thing hunting him down.

THE MYTH HUNTERS is the first book of a new dark fantasy trilogy The Veil by award winning horror author Christopher Golden.

When referring to H.P. Lovecraft, Neil Gaiman has said that "Fantasy and Horror are linked...twin cities separated by a dark river." He went on to describe Lovecraft as beginning as a dark alley way that grew into a major four-lane highway. To continue the metaphor, Christopher Golden's THE MYTH HUNTERS is a dark path through the woods that both cities share. It is dark, twisting with half remembered tales and warnings from our childhood. There are creatures there, beautiful, fantastic and very deadly.

In this new dark fantasy with a twist, Golden hones his finely tuned horror-craft on a fantastical world where the myths of our childhood are real, but darker than we have ever imagined. It is "Thomas Covenant" meets "The Tales of the Brothers Grimm", the original versions. Golden has mixed horror and fantasy before with tremendous success in GHOSTS OF ALBION. MYTH HUNTERS is the other side of the coin. While GHOSTS was horror with a fantastical twist, MYTH HUNTERS is fantasy tinged with horror. The result of this chilling alchemy is an extremely satisfying read and tale that immediately pulls you in.

Like Oliver, we get pulled into a fantastic landscape where things are oddly familiar, yet far more dangerous. The result is equal parts enjoyment of the tale itself and enjoyment of seeing how familiar myths fare under Golden's craft. Golden gives us carefully measured doses of this new world. Again, like Oliver, we have learn on the run, and the effect is perfect.

Unlike other "Stranger in a Strange Land" tales, we also get to see the fallout of Oliver's disappearance. The actions of his sister, his fiancé, and the police detective charged with finding him and finding the answer to the grisly murders left in his wake. This part of the book was equally enjoyable and followed more conventional horror fare; which I believe is the point. Golden contrasts and compares the two worlds with a variety of parallels that are both subtle and rewarding. Are they two worlds that are the same and have grown apart or are they two worlds that different but linked? We the reader see them sooner than Oliver, but only because we have a foot in both worlds, or both "cities" as the case may be.

My biggest gripe about this book is I now have to wait for book two!

6 of 7 people found the following review helpful.
terrific fantasy
By A Customer
In wintry Maine lawyer Oliver Bascombe suffers from cold feet not just because he went outside in the snowy weather, but more because tomorrow he is to get married. He explains to his older sister Collette that he has doubts as he cannot think of one happily ever after marriage though he further explains that he thinks he loves Julianna; yet wonders how can you be sure even if his fiancée is wonderful, intelligent and beautiful?

While reading The Sea Wolf to pass time, the outside storm smashes through his Victorian home door carrying something inside a vortex. Suddenly "the winter man" staggers from the middle of all that snow now inside Oliver's home. The newcomer pleads with his host to help him even as he informs Oliver he is known as Jack Frost and that he needs him to save his life from a deadly Myth Hunter from beyond the Veil. Ignoring his wedding, Oliver agrees. While Oliver enters the Veil on his quest to save the life of Jack Frost, his sister Collette investigates his disappearance and the murder of their father with the help of Police Detective Ted Hallowell.

This terrific fantasy grips the audience with the abrupt change from the calm of a reluctant groom pondering how he can be sure to when Frost busts through the door. The story line is action-paced but plays out with two subplots: a fantasy quest beyond the Veil and a murder mystery disappearance on mundane earth. Both work because of the strong cast that makes believers out of readers that Jack Frost, THE MYTH HUNTERS and the land of the fae exist.

Harriet Klausner

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Jumat, 27 November 2015

## Download PDF The Cave and the Light: Plato Versus Aristotle, and the Struggle for the Soul of Western Civilization, by Arthur Herman

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The Cave and the Light: Plato Versus Aristotle, and the Struggle for the Soul of Western Civilization, by Arthur Herman

Arthur Herman has now written the definitive sequel to his New York Times bestseller, How the Scots Invented the Modern World, and extends the themes of the book—which sold half a million copies worldwide—back to the ancient Greeks and forward to the age of the Internet. The Cave and the Light is a magisterial account of how the two greatest thinkers of the ancient world, Plato and Aristotle, laid the foundations of Western culture—and how their rivalry shaped the essential features of our culture down to the present day.
 
Plato came from a wealthy, connected Athenian family and lived a comfortable upper-class lifestyle until he met an odd little man named Socrates, who showed him a new world of ideas and ideals. Socrates taught Plato that a man must use reason to attain wisdom, and that the life of a lover of wisdom, a philosopher, was the pinnacle of achievement. Plato dedicated himself to living that ideal and went on to create a school, his famed Academy, to teach others the path to enlightenment through contemplation.
 
However, the same Academy that spread Plato’s teachings also fostered his greatest rival. Born to a family of Greek physicians, Aristotle had learned early on the value of observation and hands-on experience. Rather than rely on pure contemplation, he insisted that the truest path to knowledge is through empirical discovery and exploration of the world around us. Aristotle, Plato’s most brilliant pupil, thus settled on a philosophy very different from his instructor’s and launched a rivalry with profound effects on Western culture.
 
The two men disagreed on the fundamental purpose of the philosophy. For Plato, the image of the cave summed up man’s destined path, emerging from the darkness of material existence to the light of a higher and more spiritual truth. Aristotle thought otherwise. Instead of rising above mundane reality, he insisted, the philosopher’s job is to explain how the real world works, and how we can find our place in it. Aristotle set up a school in Athens to rival Plato’s Academy: the Lyceum. The competition that ensued between the two schools, and between Plato and Aristotle, set the world on an intellectual adventure that lasted through the Middle Ages and Renaissance and that still continues today.
 
From Martin Luther (who named Aristotle the third great enemy of true religion, after the devil and the Pope) to Karl Marx (whose utopian views rival Plato’s), heroes and villains of history have been inspired and incensed by these two master philosophers—but never outside their influence.
 
Accessible, riveting, and eloquently written, The Cave and the Light provides a stunning new perspective on the Western world, certain to open eyes and stir debate.

Praise for The Cave and the Light
 
“A sweeping intellectual history viewed through two ancient Greek lenses . . . breezy and enthusiastic but resting on a sturdy rock of research.”—Kirkus Reviews
 
“Examining mathematics, politics, theology, and architecture, the book demonstrates the continuing relevance of the ancient world.”—Publishers Weekly
 
“A fabulous way to understand over two millennia of history, all in one book.”—Library Journal
 
“Entertaining and often illuminating.”—The Wall Street Journal

  • Sales Rank: #449450 in Books
  • Published on: 2013-10-22
  • Released on: 2013-10-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.51" h x 1.36" w x 6.35" l, 2.12 pounds
  • Binding: Hardcover
  • 704 pages

From Booklist
Herman (How the Scots Invented the Modern World, 2002) boils Western philosophy and culture down to two competing notions: the idealism of Plato and the empiricism of Aristotle. Plato, says Herman, asks, “How do you want your world to be?”; Aristotle, on the other hand, asks, “How do you fit into the world that already exists?” Walking through two and a half millennia of Western thought, Herman emphasizes that the two philosophies—the material and the spiritual aspects of existence—have repeated themselves through Western history, waxing and waning and remaining in tension with each other to the present day. Romanticism? Poetry? Totalitarian dogmatism? That’s Plato. The U.S. Constitution? The Manhattan Project? Modern consumer culture? That’s Aristotle. If it sounds like a sweeping polemic, that’s because it is; Herman seems to revel in overbroad claims, particularly when he’s talking about modern phenomena. Beneath all the broad assertions and polemic showiness, however, lies a serious argument for the primacy of Plato and Aristotle and the essential dynamism of a culture that embraces both philosophies.

Review
Praise for The Cave and the Light
 
“A sweeping intellectual history viewed through two ancient Greek lenses . . . breezy and enthusiastic but resting on a sturdy rock of research.”—Kirkus Reviews
 
“Examining mathematics, politics, theology, and architecture, the book demonstrates the continuing relevance of the ancient world.”—Publishers Weekly
 
“A fabulous way to understand over two millennia of history, all in one book.”—Library Journal
 
“Entertaining and often illuminating.”—The Wall Street Journal
 
Praise for Arthur Herman
 
Gandhi & Churchill
Finalist for the Pulitzer Prize
 
“You finish the book knowing that you can evaluate the world today, particularly modern India, with more knowledge and insight.”—USA Today
 
“Scrupulous, compelling, and unfailingly instructive . . . a detailed and richly filigreed account that introduces the Anglo-American reader to many facts and vivid if little-known personalities, both English and Indian.”—Commentary
 
Freedom’s Forge
 
“A rambunctious book that is itself alive with the animal spirits of the marketplace.”—The Wall Street Journal
 
How the Scots Invented the Modern World
 
“Professor Herman demonstrates an infectious and uplifting passion for his subject. Unlike many academics, he is a natural writer, weaving philosophical concerns seamlessly through a historical narrative that romps along at a cracking pace, producing a text that is highly accessible without compromising the rational quality of his argument.”—The Guardian

About the Author
Arthur Herman is the bestselling author of Freedom’s Forge, How the Scots Invented the Modern World, The Idea of Decline in Western History, To Rule the Waves, and Gandhi & Churchill, which was a 2009 finalist for the Pulitzer Prize. Dr. Herman taught the Western Heritage Program at the Smithsonian’s Campus on the Mall, and he has been a professor of history at Georgetown University, The Catholic University of America, George Mason University, and The University of the South at Sewanee.

Most helpful customer reviews

110 of 128 people found the following review helpful.
Enquire Within About Everything...
By FictionFan
In this comprehensive view of the last 2,500 years, Arthur Herman sets out to prove his contention that the history of Western civilisation has been influenced and affected through the centuries by the tension between the worldviews of the two greatest of the Greek philosophers, Plato and Aristotle. And for this reader at least, his argument is a convincing one.

The book covers so much in terms of both philosophy and history that a full review would run to thousands of words. Happily that's not going to happen here, dear reader. I will simply say that, from knowing virtually nothing about philosophy, I now feel as well informed as if I had done an undergraduate level course in the subject.

Herman starts way back at Socrates and brings us right up to the philosophers of the late twentieth century. He begins by giving a fairly in-depth analysis of the chief insights of both Plato and his former pupil Aristotle, using Plato's metaphor of the cave and the light to show how their views diverged. He shows Plato as the mystic and idealist, believer in the divinity of Pythagorean geometry, advocate of the philosopher king, believing that the route to the light of wisdom is available only to some through contemplation and speculation and that these few should set rules for the rest to follow. Aristotle is shown as the man of science and common sense, believing that there is much to be learned from an examination of life in the cave itself and advocating that all men (sorry, women, you'll have to wait a couple of millennia) should be involved in government with the family at the heart of society.

Herman takes these rival viewpoints (which I have grossly oversimplified and can only hope that I've got the basics approximately right) and shows how each has achieved ascendancy at different points in history. And what a journey he takes us on! The fall of Greek civilisation, the Roman Empire, the birth and rise of Christianity, the Dark Ages, the Middle Ages, Renaissance, Reformation, Enlightenment, Revolution and on past the rise of totalitarianism to the end of the Cold War. Phew! At each step along the way, he discusses the leading philosophers of the time, linking the chain of development of the various schools of thought back in a continuous line to one or other of Plato and Aristotle - occasionally both - and showing how the thinkers of the time affected the politics of nations. To my personal delight, he pays considerable attention to the Scottish contribution to the Enlightenment.

This is not just a history of philosophy and philosophers though - like philosophy itself, it covers just about every area of human interaction. The book provides the clearest overview I have ever read of the rise and development of Christianity, the divisions and schisms, the beliefs of the various factions. Herman leads us through from the Old Testament, St Paul, St Thomas Aquinas, Abelard, Erasmus - well, you name them, they're here. He tells us about the people as individuals as well as their beliefs, so we learn about their backgrounds, where they were educated, whom they were influenced by and whom they in turn influenced.

On politics, amongst many other things, Herman writes in depth about the philosophers of the French Revolution, the founding of the American constitution and the rise of Nazism and fascism. He convincingly argues that the twentieth century history of the parallel rise of democracy and totalitarianism was seeded in the divide between Aristotle and Plato over two millennia earlier. Again the links in the chain are carefully connected - from Plato to Karl Marx, from Aristotle to Karl Popper.

The third main strand is science, and again Herman leads us through the ages, showing the close interconnection between the development of science and philosophy, together with the influence of scientific advancement on religion and politics - and vice versa.

Herman's writing style is amazingly accessible considering the breadth and depth of the information that he conveys. He doesn't over-simplify, but explains clearly enough for the non-academic to follow his arguments. My review suggests that he treats each of the strands separately, but in fact he tells the story in a linear fashion, weaving all the strands together, so that a very clear picture is given of the different stages of development of each at a given point in time. At points where it might all get too confusing, he takes the time to repeat the basics to put them into the context of the period he's discussing, meaning that this poor befuddled reader didn't have to keep flicking back to remind herself of who believed what.

There is so much in the book that I found this review particularly difficult to write. If I have given any idea of how impressive I found it, then the review has worked. That's not to say I didn't disagree with Herman from time to time. On occasion I felt he was stretching his argument a bit too far, perhaps, and once or twice he would make a sweeping statement completely dismissing conventionally held views in favour of his own. And towards the end I felt he was allowing his own political viewpoint to show through a little too much, in favour of 'Aristotelian' capitalism as opposed to 'Platonic' socialism for instance (though he pulled that back a little in his conclusion). But the very fact that, by the end of the book, I occasionally felt in a position to question his stance showed me how much I had gained from reading it. Not the lightest read in the world, but for anyone who wants to understand the fundamentals and history of Western philosophy, highly recommended.

(Phew! Made it in less than 1000 words - just! Apologies!)

Arthur Herman has been a Professor of History at various universities in the US and was a finalist for the Pulitzer Prize in 2008 for his book Gandhi and Churchill.

NB This book was provided for review by the publisher, Random House.

258 of 314 people found the following review helpful.
Neither Beautiful Nor Good
By InterestedObserver
I regret having to provide a negative review for a book that takes the Ancients seriously, but I do feel some responsibility to put forward a more critical opinion in order to counterbalance the general praise Herman's book has received so far, both in this review section and in the media at large.

Herman proceeds from a delicious but ultimately fraught grand thesis: Plato the idealist and Aristotle the realist have determined the structure of Western Civilization through their diametrically opposed philosophical inquiries. In staking this position, Herman has adopted a rather standard interpretation of the relationship between the two great Greeks in their metaphysical and epistemological studies. Plato, so the story goes, believed in mysterious entities called Forms (Eidos) available only to the intellect and whose presence provides the foundation for all material beings. Aristotle, so the story continues, eschewed the Forms for an empiricism that begins with particular material beings as the most real beings and then proceeds toward generalizations, not unlike the inductive method scientists employ today and whose methodological validity can be traced all the way back to Aristotle himself.

From reading Herman, you would not gather that this strict demarcation between the two philosophers is at best a contentious claim and at worst an outright deception. The last paragraph of Roger Kimball's review in the Wall Street Journal points toward this problem with "The Cave and the Light," but fails to stress just how large a problem it really is. Kimball quotes Book VII of The Republic, a worthy selection, and comments that "Plato isn't the thoroughgoing Platonist he is sometimes taken to be." Right. Whether Plato actually believed in the Forms as metaphysical entities is debatable---his Seventh Letter indicates that he did not---and whether Aristotle believed that his own inquiries were as opposed to his master's as Herman holds is likewise debatable. Herman takes the words Plato puts in his interlocutors' mouths as Plato's own, a juvenile mistake and one that indicates a fundamental inability to read a Platonic dialogue. Herman's entire thesis depends upon this very shallow interpretive approach. Where deep thought and a deft touch are required, Herman substitutes light skimming and a heavy hand.

My verdict may seem harsh, but when one puts forward such a bold claim as Herman has---and hopes to reap monetary and laudatory rewards from such a claim---then one invites criticism. While "The Cave and the Light" is a book of popular philosophy and not a text by an actual philosopher, I do not see how a serious person could, in good conscience, recommend this book to anyone who prefers the truth over convenient narratives designed to sell en masse.

171 of 217 people found the following review helpful.
Author's selective burning of Plato and Aristotle creates much heat, little light, and lots of misinformation
By J. A Magill
After most revolutions tire of fighting their enemies, they begin executing their friends. Having led the "Terror," Saint-Just stepped to the Guillotine. Trotsky's final reward came in the form of an ice pick to the ear. The National Review stalks GOP party meetings in search of "Republicans In Name Only" (RHINOs) whom they can declare outside the "Big Tent" and target for defeat. American conservatism may claim many enemies on both sides of the isle, but in his new book, The Cave and the Light: Plato vs. Aristotle and the Struggle for the Soul of Western Civilization, American Enterprise Institute scholar Arthur Herman argues that they have focused far too much on modern targets. Herman's previous worked sought to rehabilitate Joseph McCarthy. Here he has bigger fish in mind. Now he sets his sights on ancient greatest thinkers. Using a blizzard of charges from the calumnious to the absurd, Herman struggles to explain why all that is dangerous in modern thought, from Communism to radical Islam, finds its roots in the work of Socrates' chief student, Plato, even as all that is right (Capitalism, freedom, etc) springs from Plato's chief student, Aristotle. In this simplistic dichotomy can also be found the central flaw of Herman's thesis; few readers with much familiar in his portrait of either of these ancient thinkers, let alone his often specious summaries of the great philosophers who came after them.

Refugees from Philosophy 101 will recognize the first portion of Herman's argument: from the Agora forward one can trace most philosophical disputes back to Aristotle's rejection of his teacher Plato. Yet for Herman this 2,400 year old disagreement is fundamentally Manichean: everything good, beautiful, and light arose from Aristotle, while all that is pernicious, destructive, and dark can be traced back to Plato. If that argument appears simplistic, it sounds no less so after 700-plus pages. In Herman's construction, Aristotle is "the father of modern science [and] logic... [who] looks steadily forward," while over on the dark side, "Plato...[spoke] for the theologian, the mystic...One gave us the US Constitution, the Manhattan Project and shopping malls. The other gave us Chartres Cathedral but also the gulag and the Holocaust." Aristotle is nothing less than Jefferson's intellectual grandfather. And Plato fans? "Pol Pot [and] the Ayatollah Khomeini...[a] huge admirer of Plato's Republic." Kohmeini's favor must for Herman be particularly important, earning as it does more than one mention. And if this were not enough, he further poisons the pot by naming a variable rogues gallery as Plato fans: Robespierre, Marx, and - for good measure - Hitler. Thank goodness for us, Aristotle came along to rescue us from Plato's clutches: "Plato looks constantly backwards, to what we were, or what we've lost or to an original of which we are the pale imitation or copy...Aristotle, by contrast, looks steadily forward to what can we can be rather than what we were. His outlook is by its nature optimistic: "The universe and everything in it is developing towards something continually better than what came before," including ourselves. It is truly a "philosophy of aspiration," and for Aristotle the world we make for ourselves continually reflects it. In that sense, Aristotle is the first great advocate of progress - and Plato, creator of the vanished utopia Atlantis, the first great theorist of the idea of decline.

Only the very cautious reader will note this passages red flags with regard to Herman's method. The quotes used come not from Aristotle but from Bertrand Russell's much criticized A History of Western Philosophy. Yet, as often as not Herman favors controversial secondary sources that fit his program and shows little patience for wrestling with complex original texts.

On the page, Herman's Aristotle is funhouse-mirrored into an unrecognizable Jeffersonian caricature. Consider for example his assertion that "Aristotle concludes that power belongs best with the people [my emphasis]." This claim would no doubt come as a surprise to many, not least of all Aristotle. For Aristotle no one political scheme was "best." Instead he divided governing schemes into three categories: Monarchy (rule of the one), Aristocracy (rule of the few), and Polity (rule of the many). Each possess strengths and weaknesses. Aristotle then further divided these into the "virtuous" (which strive for the "common advantage) and the"deviant" (where those in power serve not the general interest but only their own). He lays this scheme out in Book III of The Politics: "Tyranny is a kind of monarchy which has in view the interest of the monarch only; oligarchy has in view the interest of the wealthy; democracy, of the needy: none of them the common good of all." As for "Polity," for Aristotle the rule of "the many" is hardly popular sovereignty as understood by any democrat, whether modern or back in ancient Athens. His "many" was not our many. Ancient Athenian democracy was far more democratic than any modern state that embraces that particular term. In Athens citizenship included every militarily trained Athenian male over age eighteen. Unlike our system of delegated political power, every Athenian citizen could count himself among the assembly and cast his own vote on any matter of legislation or policy. Athenians likewise distrusted delegation of judicial power and juries could consist of as many as 6,000 members.

One such Athenian mass jury condemned Socrates to death for expressing thoughts with which the majority disagreed. No surprise then that Plato and Aristotle alike saw free wheeling Athenian democracy as dangerous. Yet Herman considers only Plato's distrust for mass rule. Contrary to his argument, however, Aristotle likewise saw the masses as lacking the proper virtue to rule. As he clearly states in Book VII of The Politics, "The citizens must not lead the life of mechanics or tradesmen, for such a life is ignoble, and inimical to virtue. Neither must they be farmers, since leisure is necessary both for the development of virtue and the performance of political duties." Thus Aristotle's understanding of citizenship isa far cry from either that of Ancient Athens or our modern liberal image. Even mass citizenship, for Aristotle, means citizenship by a particular elite. Whether by ignorance or duplicity, Herman is all too willing to exploit such linguistic confusion around such terms to further his argument. Nor is this the end of Herman's efforts to prettify Aristotle and demonize Plato.

Intent on dragging these ancient thinkers into every modern dispute, Herman conflates Aristotle with capitalism (and, of course, Plato with communism). While Aristotle saw the ownership of private property as ennobling and Plato saw great inequality between classes as a pernicious source of social friction, it is anachronistic to associate either with modern capitalism. Modern capitalism depends on far more than mere ownership. Neither thinker would likely much understand our modern belief in a natural right of property ownership. Yet Herman will have none of such fine distinctions. Consider for example, his description of the multitudinous virtues of a middle class Eighteenth-century English merchant: "Far from creating a poltroon, the Eighteenth Century saw the world of commerce creating a man who might have stepped out of the pages of Aristotle's Ethic. This was someone intellectually alert and morally centered, regardful of others by habit and therefore not inclined to extremes of behavior...Above all he is inclined to be tolerant of others [my emphasis], whether they are Christians or Muslims or Jews." A reader must wonder whether our merchant's Catholic neighbor- denied the right to own property until 1788 and enfranchised only in 1829 - would share Herman's rosy assessment. Such simplified schemes, however, remains essential to Herman's "history" of ideas: from Aristotle through Locke to the Framers flows all the "right" ideas, all realized - apparently- through the ennobling virtues of capitalism and private property. And private property is what inspires those dangerous shadows which lurk in our culture's darker corners: Plato and his intellectual children.

In Herman's tracing of Plato's "dangerous" thinking, he borrows liberally from Karl Popper. Herman, like Popper, sees Plato's flaws arising from multiple points, though primarily the Philosopher's anti-empiricism. For Plato, "truth" is deduced not through observation but through pure reason. The world exists not as a series of competing opinions, as in a democratic forum, but as an absolute, an absolute only recognizable if the world is properly understood. Of course, one can delete Plato's "truth" and replace it with a system built around racial superiority or class conflict, which is how Herman, and Popper in The Open Society and its Enemies, lay everything from Auschwitz to the Gulag at Plato's long-dead feet (not surprisingly, Herman never mentions that the second volume of Popper's work traces other modern evils back to Aristotle).

Not that Herman's simplistic division of Plato and Aristotle is wholly baseless. On the contrary, readers will recognize his view of their central conflict, with Plato's method of understanding reality through pure thought against Aristotle's reliance on empirical observation. Here again, however, in demonizing the former and polishing the latter, Herman fails to properly understand the strengths and weaknesses of either man's system. Certainly, one of Aristotle's contributions to thought is the importance of systemic understanding gained through observation. Aristotle's scheme, however, falls short in its dismissal of innovation. Just as understanding the point of biology is to allow one to maximize understanding and utilization -- but not improve -- of the animal's structure, so Aristotle understood the city. By analyzing various constitutions one can pick and choose from among their features; for Aristotle, however, imagining that one can come up with something wholly new is pure fantasy.

Yet Herman fails to understand the syncretic light thinkers have derived - and continue to derive - from mixing Plato and Aristotle's contradictory world views. Consider the American Framers who Herman would place squarely in Aristotle's column. Following Aristotle's method they derived their understanding of government through empirical inquiry: the experiences of the 13 colonies and states, Great Britain's Parliament, the failure of the Articles of Confederation, republics both extant and ancient. The Framers' aspirational understanding of rights, however, was pure Platonic universalism: "We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness." Likewise, when Martin Luther King Jr. offered his dream of universal justice, he was drawing from a Platonic understanding of an ideal for which humanity must eternally strive.

This division between the empirical and the reasoned likewise occurs when readers engage in the age-old argument of which of these thinkers is closer to the "modern" view. At first glance, Herman seems correct that it is Aristotle. A closer examination, however, breeds doubt. Where Aristotle defends women's subordination as nature's dictate, The Republic implicitly recognizes the potential for gender equality. In a passage subject to much academic debate, Plato's Socrates reasons that women of each class should engage in the same mental and physical training as men. The same problem can be seen in Aristotle's praise for the virtues of slavery (an often cited antebellum justification for that `peculiar institution') juxtaposed with Plato's belief in the universal quality of human reason. Perhaps the strongest example of the potential found in mixing these intellectual rivals comes from one of the thinkers Herman most despises, Jean Jacques Rousseau.

For Herman, Rousseau is nothing less than Plato's most dangerous disciple. Rousseau is the man responsible for the Terror of the French Revolution, anarchism, Communism, Nazism and just about every other ill - impressive work for the son of a Genevan watch maker. Focusing on Rousseau's most famous book, The Social Contract, Herman argues that Rousseau follows closely in Plato's footsteps. "This was Plato in the raw, the unflinching moral absolutist who denounced the corruption of his native Athens and admired the austere warriors of Sparta. It was the would-be Philosopher Ruler who wanted to banish the arts and private property..." Now it is worth pausing here to note that, far from imagining himself as a "would-be Philosopher Ruler," Plato seems to have shown no appetite for engaging in politics beyond his academy, his only foray coming when as an old man he served as adviser to the king of Syracuse and his son's tutor. Moreover, even a cursory read demonstrates that Rousseau argued for a state not ruled by a king on high, but of free citizens engaged in self rule. Nor did Rousseau's method rely on Plato's pure reason. From the beginning of The Social Contract Rousseau draws on empirical evidence to support his understanding of the "state of nature" even as his ideal society borrows liberally from his native city-state of Geneva. Even the work's most famous line demonstrates the power found in utilizing both Aristotle and Plato: "...taking men as they are and laws as they may be...," an extraordinary mix of empirical examination and aspirational reason! Unfortunately Herman chooses not to engage Rousseau's actual thesis, but instead settles for his usual salvos of character assassination, shoddy analysis, and outright misrepresentation (as when he falsely claims that Rousseau's ideal state will abolish private property), all as part of his broader assault on Plato.

Herman's use of Rousseau to attack Plato (and vice-versa) demonstrates the core of his book's shortcomings:he condemns thinkers he doesn't like by attacking them for not being modern, even as he beatifies those of whom he approves by drowning them in a sea of anachronistic modern thought . Instead of trying to understand Plato and Aristotle in their own ancient context he seeks to drag them into our peculiar modern left-right political dichotomy, the former always in his scheme on the wrong side even as the latter is in every sense on the right. Consider for example his argument that sets Plato up as the grandfather of the modern welfare state:
Hegel is the true godfather of the nanny state, or welfare state - with Plato standing beside him at the baptismal font. Unemployment insurance, health and safety regulation, minimum wage laws and aide to dependent children, the income tax and federal deposit insurance: all these become justified as the State acting to protect us from ourselves, because the State is our Better and Higher Self.
Of course, one might look to the actual origins of the welfare state in Bismarck's realpolitik efforts to counter his social democrat opponents or, as described in President Lincoln's more generous practical thesis, that "The legitimate object of government is, to do for a community of people, whatever they need to have done, but can not do, at all, or can not, so well do, for themselves - in their separate and individual capacities." In such a formulation, the welfare state is no Leviathan, but instead the reflection of the members of a community acting collectively in purist of what they see as their individual self interest.

Herman, however, colorblind in his worldview, only perceives the world through the lens of a black and white conflict. In this duelist construction every thinker must be understood in the context of our current argument, their particular context merely incidental. Yet dismissing ancient thinkers for their failure to share our world view or understanding them exclusively as progenitors of our ephemeral disputes leaves the modern reader intellectually bereft, albeit feeling smugly superior. It tautologically condemns ancient thinkers for the sin of being ancient. One does not further his or her understanding by projecting our modern and post-modern ideas backwards onto thinkers for whom they would be somewhere between inconceivable and absurd. Instead of bending philosophers' works to suit our particular tastes by dragging them into our now, we do better extending our imagination in an effort to appreciate them in their own context. Yes, this demands a challenging feat of imagination. At the same time, It forces us to wrestle with the thinkers of the past instead of burying them.

***Review published in Open Letters Monthly (openlettersmonthly.com)

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Heart of Dixie (Loveswept), by Tami Hoag

#1 New York Times bestselling author Tami Hoag mixes mystery and romance in this moving classic novel of a missing woman and the search that brings together the unlikeliest of lovers.…

She was a blond goddess, a box office megastar. Every woman wanted to be her; every man wanted to bed her. But over a year ago Devon Stafford vanished without a trace. As a biographer, Jake Gannon had taught himself to follow the clues of a person’s life story like a detective. As an ex-Marine, he was accustomed to being firmly in control. But when his car died in a little town called Mare’s Nest on the Carolina coast, he had to admit he’d come to a dead end.

There he met a .38-toting tow-truck driver named Dixie La Fontaine. She was no celebrity, but Dixie had an irresistible sex appeal all her own. What did this down-to-earth woman know about a missing movie star? Surprisingly, quite a lot. And Jake was going to uncover it all…if Dixie didn’t end up shooting him first.

  • Sales Rank: #1908971 in Books
  • Brand: Hoag, Tami
  • Published on: 2008-04-29
  • Released on: 2008-04-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.86" h x .75" w x 4.24" l, .31 pounds
  • Binding: Mass Market Paperback
  • 288 pages

About the Author
Tami Hoag's novels have appeared regularly on national bestseller lists since the publication of her first book in 1988. She lives in Los Angeles.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One


The Porsche sped along the coastal highway north of Charleston. Jake Gannon sat back in the butter-soft leather seat, his right hand on the steering wheel, his left arm resting on the frame of the open window. To his right, the Atlantic stretched into infinity, bluer than the sky and dotted with whitecaps. The cool air that blew through the car was scented with the crisp tang of the sea.
On one level Jake could appreciate the beauty around him. But for the most part his mind was focused on more important things. Jake Gannon tackled every task with an eye to perfection. So far, perfection concerning this business wasn't even a dot on the horizon. The trail had gone utterly cold. It was as if Devon Stafford had simply ceased to exist.

The need for discretion was making his task difficult as he homed in on the area she might have run to. He couldn't flat out ask anyone if they had seen her because questions that blatant would alert too many people, not the least of whom might be Ms. Stafford herself. But he would gladly suffer the inconvenience of anonymity if it meant being the one to find the missing actress and chronicle the story of her rise to fame and her subsequent flight from it.

In three short years Devon Stafford had rocketed to the top, from would-be star to household name. She had become America's darling of both the large and small screen, scoring three big wins in feature films and landing her own weekly television series—Wylde Time, the tales of Chyna Wylde, trauma surgeon and amateur sleuth. She had become the latest idol to emulate, the world's newest icon of sex appeal and glamor. And then she had vanished.

All that was known was that she had argued with her producers over having gained a couple of pounds when she'd quit smoking. Hardly a reason to turn her back on success, but she had gone nevertheless. No one had seen or heard from her in a year.

As a biographer, Jake had to unearth the secrets of people like Devon Stafford. Not to expose them in the way of the tabloid reporters, but to find out what made them tick, to bring to the surface all the hidden dreams, the emotions that drove them, the pasts that haunted them; to show both their polished surfaces and the hairline cracks that ran beneath those surfaces. To present the famous to their public as ordinary people who had for whatever reason become larger-than-life legends.

It was a career he more or less had fallen into, but he had discovered in short order that he was good at it and that he liked it. For the past six years, ever since leaving the Marine Corps, he had made his living at it, writing as A. J. Campion. He saved his own name for the day when he would finally get a mystery novel sold and published. Mystery was his first love, but biographies were in some cases mysteries in their own right. Like now. Devon Stafford was a mystery, one he had every intention of solving.

Never mind that people had hunted for her like bloodhounds the first few months after her disappearance from Hollywood. He was going to find her. Devon Stafford was his objective, and with the thorough perfectionism he was known for, he had dug for every scrap, every tidbit of information about her, no matter how insignificant, no matter how trivial. When Jake Gannon set an objective, he attained it. Period.

He admitted having personal reasons for wanting to be the one to find the actress and convince her to tell her story through him. He had been captivated by Devon Stafford the first time he'd seen her on a movie screen. She was drop-dead gorgeous with her wild waist-long mane of thick icy blond waves, her vibrant green eyes and bee-stung lips that begged a man to kiss them. Her body was the stuff of dreams—reed-slender and strong with subtle curves. She was Venus in a leotard. She was Aphrodite. She was perfect. Like every other red-blooded man on the planet, he felt his hormones go on overload every time he watched her on the screen.

But there was something else about her that made her special. Beautiful women weren't difficult to find. There were plenty of beautiful women who never achieved the kind of fame Devon Stafford had. There was something else about her, an intangible, a special something that made her seem almost incandescent on the screen. She had a way of touching the heart of every person watching her. It was that special something Jake most wanted to try to capture in print. He wanted to examine the puzzle that was Devon Stafford and explain her to the world in a way that would make all the pieces fall into place.

But first he had to find her.

Suddenly the Porsche gave a lurch and sent up a racket that sounded as if someone were hammering under the hood. Jake bolted forward on his seat, muscles in his broad shoulders tensing to the hardness of granite, his eyes intently searching the gauges for signs of distress. The temperature gauge had gone off the scale. The sports car gave another buck and a cough and steam began to billow out from under the hood.

"Don't you dare," Jake commanded in a low, tight voice.

His big hands tightened on the steering wheel in a punishing grip. He glanced around quickly to see where he was. Somewhere between Nowhere and Oblivion; nothing but ocean and empty road as far as the eye could see. Damn, damn, and triple damn. Ahead a green sign indicated the exit to a place called Mare's Nest and he breathed a small sigh of relief.

"If you get me to Mare's Nest I'll buy you a new bug guard," he promised. "I'll rub leather conditioner into all your upholstery. I'll hand-polish every wheel spoke."

The Porsche rolled off the highway and down a two-lane road. Ahead lay rippling dunes set with stringy grass. Three or four miles ahead, sitting out on the tip of a little thumb of land jutting into the Atlantic, was Mare's Nest. So close and yet so far.

"Come on, come on," Jake chanted, moving in his seat like an oversize jockey trying to urge a little more out of his mount. The Porsche would not be coaxed. It shuddered and hissed and locked up its power steering as its engine shut down altogether. The car lunged off the road and sank its front wheels rim-deep into the soft white sand.

Jake hurled himself out of the vehicle and stood beside it, glaring at it, as if he could intimidate it into starting again just with the ferocity of his scowl. It didn't work. The car hissed at him like a cat. Growling, he gave in to the urge to kick a tire. Then he calmed himself with an iron will and did the only thing he could do in view of the fact that he had absolutely no skill with machines. He climbed back inside the car, reached for his cellular phone, and prayed that Mare's Nest had a tow truck.

Dixie hummed along with a Bonnie Raitt tape, feeling supremely free and happy. It was Friday. The pale winter sun was fast sinking in the west. The day had been pleasantly warm, but cooler weather was rolling in. It was going to be a perfect night to bundle up and take a walk along the deserted beach, then snuggle up on the couch with a quilt, a book, and a big mug of rich hot chocolate. Maybe Sylvie Lieberman would come up to the house for a game of Scrabble. Maybe Dixie would be able to coax her cousin down from the attic for dinner. Regardless, it was going to be a fine evening. All was right with her world.

She shifted down for the curve and the big truck growled and rumbled up the gradual incline, purring as if it recognized the victim it had come to rescue. Dixie whistled under her breath at the sight of the sleek midnight blue Porsche 928S4. Very nice. Not the car to suit her needs at the moment, but very nice indeed. It was also very motionless.

Flipping on the truck's flashing yellow beacon, she passed the Porsche and pulled over behind the stranded car. California plates, she noted with a slight frown. Probably a tourist.

She climbed down and rounded the hood, getting her first look at the car's owner. He had emerged from the shell of sleek metal and tinted glass and had stopped in mid-stride to stare at her. His handsome mouth hung open. He looked to be the quintessential California male: mid-thirties, perfectly good-looking in a perfectly blond, All-American way, with a perfect body decked out in perfect clothes. Big, broad-shouldered, slim-hipped, he looked like ninety percent of the men she'd known in California, only cuter. There was something irresistible and sweet in the look of utter confusion that knitted his brows together above his aviator sunglasses. The sea breeze fluttered through his straight golden hair, tossing it carelessly over his forehead. He glanced briefly at his car, giving Dixie a view of a strong profile that was rugged and tanned. Robert Redford had nothing on this guy.

"Oh, no, Dixie," she whispered under her breath as a dangerous feeling of weakness ribboned through her. "No California men for you."

As if he would even be interested, she thought with a mix of satisfaction and disappointment. Men who looked like that liked women of the Barbie doll variety, which she was not and had no desire to be.

"What happened here, sugar?" she drawled, strolling past him. She stopped at the nose of the Porsche and planted her hands on her hips, her gaze going from man to car as if an answer from either would satisfy her. "You blow a hose? A belt? Or is it something worse?"

He stared at her suspiciously for a long moment before finding his voice. "I called for a tow truck," he said stupidly.

Dixie smiled. "And you got one. It's that big red and white thing with the flashing light on top and the cables and winches and boom all stickin' up out the back."

His gaze flicked over his shoulder to the truck and back again. Once more, those straight golden brows pulled together in consternation. His square chin jutted forward aggressively. He jammed his hands at the waist of his tailored tan slacks. "But you're a woman."

"So I...

Most helpful customer reviews

0 of 0 people found the following review helpful.
Cute but no depth
By Christy Cat
Cute story the characters are sweet, but very predictable. Interesting to see where Tami Hoag has come from and to see how much she has grown as an author. Not my favorite of her early romances, but it was light hearted and a quick read.

0 of 0 people found the following review helpful.
Light entertainment
By Connie R. Johnston
A cute story, predictable ending. If you're in the mood for light entertainment you'll enjoy this book.

5 of 5 people found the following review helpful.
An Early Hoag Favorite
By JM
Heart of Dixie captures the phenomenon of a beloved Hollywood starlett Devon Stafford, whose final role is an astonishing disappearing act. On the hunt for this manufactured actress, biographer Jake Gannon breaks down in his precious Porsche along the beautiful Carolina coast. Stranded and mechanically incompetent, the nearest town of Mare's Nest dispatches Dixie La Fontaine, a captivating poficient towtruck driver to the rescue. The dapper metropolitan is shocked by her female presence and expertise not to mention awestruck by her incredible natural beauty.

Many humorous altercations break out followed by escalating sensual innuendo as Gannon is brought back to quaint little Mare's Nest. The lead and local characters are well seasoned and vividly developed. You can feel yourself sitting in a booth at the Magnolia Bar tasting the local flavors. All the meanwhile a tumultous romance develops between Gannon and La Fontaine. While falling madly in love for each other, the guilt is mounting from both Jack and Dixie as they are each harboring a secret from one another.

While Heart of Dixie lacks the intensity and depth of my top Hoag favorites Cry Wolf and Lucky's Lady, it is still an excellent read. A very quick read at that. I completed this one within a few hours in two nights. The beautiful scenery and down to earth atmosphere gives you that home sweet home yearning. As a desert girl I long for the shoreline, so a romantic story like this is a treasured escape. Moreover, the ending is entirely worth reading the book for! A brilliantly beautiful finale to this lovestory to tug at your heartstrings.

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Kamis, 26 November 2015

# Download Golden Fool (The Tawny Man, Book 2), by Robin Hobb

Download Golden Fool (The Tawny Man, Book 2), by Robin Hobb

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Golden Fool (The Tawny Man, Book 2), by Robin Hobb

Golden Fool (The Tawny Man, Book 2), by Robin Hobb



Golden Fool (The Tawny Man, Book 2), by Robin Hobb

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Golden Fool (The Tawny Man, Book 2), by Robin Hobb

Prince Dutiful has been rescued from his Piebald kidnappers and the court has resumed its normal rhythms. There FitzChivalry Farseer, gutted by the loss of his wolf bondmate, must take up residence at Buckkeep as a journeyman assassin.
 
Posing as a bodyguard, Fitz becomes the eyes and ears behind the walls, guiding a kingdom straying closer to civil strife each day. Amid a multitude of problems, Fitz must ensure that no one betrays the Prince’s secret—one that could topple the throne: that he, like Fitz, possesses the dread “beast magic.” Only Fitz’s friendship with the Fool brings him solace. But even that is shattered when devastating revelations from the Fool’s past are exposed. Bereft of support and adrift in intrigue, Fitz finds that his biggest challenge may be simply to survive.
 
Praise for Robin Hobb and Golden Fool
 
“Fantasy as it ought to be written . . . Robin Hobb’s books are diamonds in a sea of zircons.”—George R. R. Martin
 
“[Robin Hobb] ranks near the top of the high fantasy field. . . . [She] juggles all the balls with aplomb, besides providing spot-on characterizations.”—Publishers Weekly
 
“Solid storytelling with warmth and heart.”—The Kansas City Star


From the Hardcover edition.

  • Sales Rank: #49069 in Books
  • Brand: Hobb, Robin
  • Published on: 2003-12-09
  • Released on: 2003-12-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.87" h x 1.24" w x 4.14" l, .73 pounds
  • Binding: Mass Market Paperback
  • 720 pages
Features
  • Great book!

From Publishers Weekly
Blindness comes in many forms. For angst-ridden FitzChivalry Farseer, the blindness isn't physical but rather an inability to gauge character. Fitz, the hero of this second volume in the trilogy that began with Fool's Errand (2002), reluctantly returns, disguised as a servant, to Buckkeep town in the Six Duchies to be skill-master to Prince Dutiful, the king-in-waiting. Fitz is mourning the loss of his wolf bondmate Nighteyes, hating his disguise, worrying about his foster son's behavior in Buckkeep and frantically trying to learn enough about the Skill to stay ahead of the prince during their training sessions. Fitz jumps from crisis to crisis like a bowling ball tossed onto a trampoline-his failure to look deeply at others' motivations plunges him into a morass of poorly thought-out actions and badly managed confrontations. The harder Fitz tries, the worse his situation gets. The author juggles all the balls with aplomb, besides providing spot-on characterizations. The intrigue and double-dealing of the Farseer royal court are spider webs of interconnections, while the plot itself keeps the reader bouncing from one theory to another, right up to the somewhat abrupt ending. The writing may not be quite as fine as that in Hobb's Assassins series (Assassin's Apprentice, etc.), but this latest nonetheless shows why she ranks near the top of the high fantasy field.
Copyright 2002 Reed Business Information, Inc.

From Booklist
A stout and good if not independently readable continuation of Hobb's Tawny Man trilogy, Golden Fool follows Fool's Errand [BKL D 15 01] closely in the real world as well as its predecessor's fictional realm. FitzChivalry Farseer is back at work as apprentice to master assassin Chade, but the master is nearing the end of his life. Nor is that the young assassin's only problem. The rescued Prince Dutiful isn't living up to his name and in his dereliction threatens to disclose his secret and scandalous possession of beast magic. Moreover, Farseer's wolf bondmate, Nighteyes, is dead, and the valuable companionship of the Fool (formerly known as the Tawny Man) is threatened not only by the Fool's own quirks of character but also by a number of deadly secrets he holds. Altogether, there is enough intrigue of both the martial and magical variety to keep the characters up to their tailbones in alligators and readers turning pages--effects Hobb has yet to fail at producing. Fantasy readers know this, and librarians should react accordingly. Roland Green
Copyright © American Library Association. All rights reserved

Review
Praise for Robin Hobb and Golden Fool
 
“Fantasy as it ought to be written . . . Robin Hobb’s books are diamonds in a sea of zircons.”—George R. R. Martin
 
“[Robin Hobb] ranks near the top of the high fantasy field. . . . [She] juggles all the balls with aplomb, besides providing spot-on characterizations.”—Publishers Weekly
 
“Solid storytelling with warmth and heart.”—The Kansas City Star

Most helpful customer reviews

120 of 127 people found the following review helpful.
reads like life, and yet not quite like life
By Mennonite Medievalist
I find I shouldn't leave the Fitz books without saying goodbye in a review. The series as a whole is perhaps my favorite story to come out in the last decade. Fitz is a splendid protagonist, the Fool perhaps the greatest fantasy character of all time. The Assassin trilogy in particular renewed my faith in the emotional power of story, after I thought I'd been pretty well jaded by adulthood. I could hardly put those down; I could hardly put Fool's Fate down, but read most of it off in one compulsive and completely irresponsible afternoon.
Hobb makes you read. I think it's because she drives the story with major secrets, but keeps feeding you partial resolutions throughout, so that you can hope the end of the next chapter is a good stopping place (you tell yourself you hope this, but of course, you don't), yet when you reach that resolution, another tension has begun. She interlocks her plot-tensions brilliantly--a wonderful writer.
Fool's Fate reads less like a novel than like an autobiography. Fitz, Dutiful, Chade travel oversea to slay the dragon Icefyre (or to prevent the slaying, as the case may be) and win for Dutiful the lovely, cool, and politically-advantageous hand of Narcheska Elliania. The dragon element of the plot--indeed, the novel's ostensible driving force--is resolved with 200 pages to go, however (as opposed to Assassin's Quest, the final book of that trilogy, when Verity flies off with 20 pages to go); the remainder of the book finds Hobb clipping off, one by one, all the taut ropes of Fitz's life, so that we see Fitz, at the end, slack and content in a situation of his own deep liking.
When I was reading the book, I liked this, because I've been with Fitz from the beginning, and am frankly more interested in him than I am in the quest for the dragon. I want him to find answers for his life, for my sake and for his. But in the end, I have two complaints about the extended denouement: Hobb answers too many of his life's questions, and she does not answer them in sufficient depth. I give you, for example, the Old Blood/Piebald scenario, which we had been led to care about in the first two books of this series, but which resolves itself in this book thoroughly and with scarcely a mention. Fitz wasn't there to see it. As an autobiographical ploy, this makes sense (a lot of things which affect our lives we aren't around to see to completion), yet as a device in a novel, it leaves the reader unsatisfied. The ending is far too cursory; months, seasons, years go by in pages.
What this amounts to is a lack of integration between Fitz's personal life and the novel's plot, a notable difference from the Assassin trilogy, where Fitz's life and identity were the plot. Perhaps because of this, Hobb's justly-lauded emotional machinery begins to clank (especially apart from the excellent character Thick). Sometimes I just didn't buy the character motivations, felt instead like "of course this had to happen for plot purposes," as if plot led character, not vice versa. Despair and the joy of discovery--the source of much tumult and plot-generation in the first four books--are gone. Perhaps Fitz is too old for either of those things. One hopes not.
Do these complaints mean that you shouldn't read the book? No, no. Hobb is still Hobb; there are lovely--even perfect--plot twists (e.g., the relationship the Fool wants with Fitz), delicate emotional moments (e.g., a reconciliation between Thick and Fitz), a richly-detailed fantasy world (welcome to the Outislands), and a lot of people you can't help but come to like.

71 of 75 people found the following review helpful.
A Fantastic Finish
By S. Atkinson
Every now and again you encounter a character so profoundly moving and real that you have a hard time believing he's fictional; one who shakes you up and alters your world to the point where it makes you feel silly for getting so involved in a book, and then you reread your favorite scenes and it happens all over again, and eventually you have to stop feeling silly in order to just focus on feeling.
This book gutted me. The Fool is incomparable.
But don't just pick up Fool's Fate without having read the rest of the series. Start with the Assassin books, skip the Liveship Traders if you're in a hurry (I was), then read the Tawny Man series in order. If you read Fool's Fate on its own, you may still be struck with Hobb's fabulous storytelling and the intricate nature of her world. But you'll miss the opportunity to slowly fall in love with her characters as they grow and develop. Do not deprive yourself of getting to know the Fool through Fitz's eyes.
I think I'm in the minority; I hope that Hobb will never write another book in this series. Fool's Fate left me with such a bittersweet sense of completion that I don't see how a new tale could compare. I love the Fool, and I miss him, but I won't let my "reader's greed" for a sequel interfere with the Fool's powerful final sacrifices, and the beauty of untouched, lingering possibility.

40 of 43 people found the following review helpful.
How much can one man take?
By Richard Raley
What to say of FitzChivalry Farseer? An epic character, who's, thanks to Robin Hobb, life unfolds before us. So many different things happen within "Golden Fool" that it feels like real life. You know you had something for dinner a couple nights before but you just can't remember what.
This is fantasy at its best. It doesn't get bogged down with side plots but revels in them, the characters don't develop but live as we do, and most of all you really care what happens to any single person, whether it be Queen or cook. One of the most amazing parts is Hobb's ability to make you recall a character, even if they seem so small in the plot you still know them as a close cousin. They may pop up for but a page but you remember and enjoy every part of their character and the life they share with our hero.
You live the life of FitzChivalry as you read the Tawny Man Trilogy. You don't see the history of the Six Duchies, but embrace it through his eyes. In the first novel, "Fool's Errand" you felt just like Fitz. Reading the first half you felt like you were always catching up, as if time was flying by, trying to remember everything of old. You always were playing catch up through out the whole novel. But "Golden Fool" is different. In this novel you feel the weight of duty, each day in Fitz's life seems like a month as he dives back into the court of Buckkeep. And just so every page seems like a chapter to you, the book expands beyond its page numbers. You will sit down for hours unmoving only to stop and realize you've only read through a chapter or two in awe. You'll wonder if you will ever get through this novel just as Fitz wonders if he will ever go back to his quiet life in the country.
It is amazing work, beyond words, though I have tried. The only problem is that you must wait another year for the last piece of the trilogy. That you begin this story in the middle and you end it there too. Until a novel is written in which Fitz's soul crosses over to join those that have left before him it will never end for you, you'll always want more of him, and perhaps even after that you will cry for more of the Farseers from this extraordinary author.
Final Thought: Robin Hobb's Farseer novels are not read, they are experienced.

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