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## Fee Download Shadows Return (Nightrunner, Bk. 4), by Lynn Flewelling

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Shadows Return (Nightrunner, Bk. 4), by Lynn Flewelling

Shadows Return (Nightrunner, Bk. 4), by Lynn Flewelling



Shadows Return (Nightrunner, Bk. 4), by Lynn Flewelling

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Shadows Return (Nightrunner, Bk. 4), by Lynn Flewelling

With their most treacherous mission yet behind them, heroes Seregil and Alec resume their double life as dissolute nobles and master spies. But in a world of rivals and charmers, fate has a different plan.…

After their victory in Aurënen, Alec and Seregil have returned home to Rhíminee. But with most of their allies dead or exiled, it is difficult for them to settle in. Hoping for diversion, they accept an assignment that will take them back to Seregil’s homeland. En route, however, they are ambushed and separated, and both are sold into slavery. Clinging to life, Seregil is sustained only by the hope that Alec is alive.

But it is not Alec’s life his strange master wants—it is his blood. For his unique lineage is capable of producing a rare treasure, but only through a harrowing process that will test him body and soul and unwittingly entangle him and Seregil in the realm of alchemists and madmen—and an enigmatic creature that may hold their very destiny in its inhuman hands…. But will it prove to be savior or monster?

  • Sales Rank: #653643 in Books
  • Brand: Flewelling, Lynn
  • Published on: 2008-06-24
  • Released on: 2008-06-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x 1.20" w x 4.20" l, .60 pounds
  • Binding: Mass Market Paperback
  • 544 pages

About the Author
Lynn Fleweling was born in Presque Isle, Maine, which—contrary to common assumption—is not an island. She received her undergraduate from the University of Maine at Presque Isle, where she majored in English, minored in History, and received a teaching certificate she had no intention of ever using. Since then, she has studied literature, veterinary medicine, ancient Greek among other things, and worked as a necropsy technician, a house painter, an office worker, a freelance editor, a freelance journalist (www.sff.net/people/Lynn.Flewelling/OtherWritings.html), and yes, even as a teacher now and then, an instructor of workshops—on creativity and fiction writing.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One


The Stag and Otter

seregil balanced precariously atop the shard-lined wall, impatiently scanning the shadowy garden below for his misplaced partner. Alec had been right behind him when he'd shimmied out the library window, or so he'd thought.

Everything about this job had taken too long: finding a way in, finding the right room (for which they'd been given the wrong directions), then finding the stolen brooch in question, the possessor of which—one of the most vicious new blackmailers in Rh’minee—had very wisely kept in a casket with several dozen others. Seregil had to scrutinize each one by a lightstone's glow. If he hadn't been so fond of the young lady whose reputation hung on the success of this night's work, he'd have given up the whole damned mess hours ago.

Dawn was a faint smudge above the rooftops now. A weak but welcome breeze whispered through the yellowing leaves of the garden below. It tugged at the long, stray strands of dark hair
clinging, sweat-plastered, to Seregil's forehead. Summer's heat was lingering into early autumn this year. His thin linen shirt was soaked through and rank under the arms. The swath of black silk across his lower face was sticking to his lips. He just wanted to go home to a bath and clean cool sheets . . .

Yet there was still no sign of Alec.

"Hey! Where are you?" he called softly. He was about to risk calling out again when he heard a muttered curse from the shadow of a pear tree near the house.

"I dropped it," Alec hissed, still out of sight.

"Oh, please tell me you're joking!" Seregil whispered back.

"Shh! They'll hear you."

The telltale scrape of iron against stone came from the nearby kitchen as some early-rising servant stirred up banked coals on a hearth.

Seregil climbed down the lime tree they'd used for a ladder, with every intention of collaring Alec and dragging him away—by force if need be.

The younger man's dark clothing made him all but invisible in the shadows, except for his blond braid. He'd pulled off his head scarf somewhere along the way and his hair gleamed tellingly over one shoulder as he scrabbled about on hands and knees, searching frantically in the grass.

"Leave it!"

Stubborn as always, Alec crawled back toward the house instead, frantically brushing his hands over the clipped turf. Seregil was reaching for Alec's braid when the sound of a door opening sent them both flat on their bellies. Neither breathed as a young servant trudged by with reeking pails of night soil, passing within a few feet of where they lay.

As soon as he was gone, Alec was on his feet, pulling Seregil up. "Found it! Come on."

"Now you're in a hurry?"

They ran for the tree. Seregil, the better climber, laced his fingers together and gave Alec a one-footed boost up into the lowest branches. Before he could follow, however, he heard a startled gasp behind him. Turning, he found the servant staring straight at him, empty pails on the ground at his feet. They stood eye-locked for an instant, then the child found his voice and shrieked, "Robbers! Mistress Hobb, loose the dogs!"

Seregil scarcely felt the rough bark of the tree as he launched himself up. He hadn't once been known as the Rh’minee Cat for nothing. In his haste, he was careless, though, and sliced his hand open on one of the pottery shards set into the top of the wall. Ignoring the pain, he vaulted over and landed in a crouch on the pavement beside Alec. As they sprinted away, two enormous mastiffs came pelting out through a side gate, and several men with them, armed with cudgels.

"Do it!" Alec hissed, eyes wide above his mask. "Do the dog thing!"

"I'd have to stop first, wouldn't I?" Seregil panted, trying to staunch his bloody hand in his shirttail as he ran. "Follow me."

The Temple District was not the sort of neighborhood in which masked men being pursued by large dogs went unremarked upon, even at this hour. The Scavenger crews were already at work, and Seregil collided with one of them as he rounded the corner into Long Yew Street. He kept his feet but had to roll awkwardly across the top of her stinking barrow, coming eye to eye with a rotting dog in the process.

"I'll have the Watch on you, you bastards!" she screeched after them as they pelted on. And all the while, their enemy the sun was rising, and the dogs were gaining.

Seregil caught Alec's arm and steered him down a side street lined with shops. Alec pulled away hastily.

"Bilairy's Balls, you stink!"

Seregil thought that certainly summed up their night's work.

At the far end of this street, a wall screened the sacred grove behind the temple of Dalna.

"Up," he ordered, making a stirrup of his hands again.

He winced as Alec thrust a dirty boot against his wounded palm and jumped. Making the top of the wall, Alec reached down to Seregil, but once again, it was too late. The dogs came boiling up, snarling and slavering.

Cornered, Seregil thrust out his bloody left hand, first and little finger extended and turned it like a key in a lock. "Soora thalassi!"

It was a minor spell, and one of the very few he'd ever been able to reliably accomplish. But this one always worked, and he'd probably done it thousands of times over the years. All the same, he held his breath as the dogs skidded to a halt. The larger of the two sniffed at him curiously, then wagged her tail. Seregil gave them both a pat on the head and waved them off.

Judging by the outcry close behind, though, their masters hadn't given up yet. With Alec's help, Seregil scrambled quickly up the rough stonework. They dropped over the other side and collapsed, panting, with their heads between their knees. It was still dark and cool in the beech grove. Overhead, the fading leaves rattled soothingly in the breeze. A small shrine stood nearby, and a broad path led in the direction of the temple.

Seregil breathed the fragrant, herb-scented air and willed his heart to stop pounding. A few of the brown temple doves fluttered down to join them, cooing eagerly for a handout. On the other side of the wall, he heard their pursuers pound by, cursing the dogs and still thinking their quarry somewhere ahead.

"Cut that a bit close, didn't we?" Alec pulled off his sweat-soaked mask and used it to bind Seregil's hand.

The salt stung the raw skin and Seregil winced. "We're going soft. Too much larking about. So, how the hell did you drop the thing?"

Alec pulled the brooch from inside his shirt. It was a delicate piece; a tiny crescent set with pearls. "It's so small. I was trying to put it somewhere safe, so I wouldn't—"

"Drop it?"

Before Alec could defend himself, a high-pitched voice called out, "You there! What do you think you're doing? This is sacred ground!"

Seregil stood up, scattering the doves. A half-grown acolyte came hurrying toward them, his short brown robe whipping around his skinny legs.

It was force of habit, more than anything, that made Alec and Seregil both head for the wall. Before he could find purchase, however, Seregil felt something like an attack of bees shoot through the backs of his legs, cramping his muscles and halting him in his tracks. Alec let out a yelp and whirled around, slapping at his thighs and buttocks.

"Peace, brother," Seregil gritted out as he faced down the outraged Dalnan. "We mean no harm."

"Lord Seregil? Lord Alec?" The boy made them a hasty bow. "Forgive me! I didn't realize you were here. There was an outcry just now and I took you for the thieves."

"I guess you startled us as much as we did you," Alec replied, with the full force of the country-bred guilelessness "Lord Alec" was known for.

Seregil smothered a grin as the acolyte laughed. Being a ya'shel—a half-breed—Alec still looked deceptively boyish at twenty. Somehow, all the evil and hardship he'd seen in his short life, most of it since meeting Seregil, had not dimmed his innocent glow. With those dark blue eyes and that golden hair, he could charm man or woman, old or young, with no more than a smile and few well-chosen words.

"I'm afraid we came straight on from the Lower City," Seregil said, feigning chagrin as he brushed a hand over his questionable attire. "My friend here is in need of some spiritual solace, after the drubbing we took at the gaming houses. Lost the coats off our backs, as you can see, and saw a bit of fighting."

"But what are you doing way back here?" asked the boy.

"Praying," Alec replied quickly. "I wanted to see Valerius, but it's so early I thought I'd meditate a bit until he was up."

"Of course, my lord. I hope you'll pardon my interruption. I'll tell him you're here."
Seregil watched him go, then raised an eyebrow at Alec. "You just lied to a priest."

"So did you."

"I lie to everyone. You're the good Dalnan boy."

"I haven't been a good Dalnan boy since I met you. All the same . . ." Alec went to the shrine and softly sang some prayer, the picture of piety.

Seregil left him to it, steeling himself to face Valerius. He and the priest had both been Watchers, and had worked together many times over the years, but Seregil's gut still tightened as he caught sight of the man striding toward them, his black beard and eyebrows noticeably bristling.

Valerius had been the high priest of Dalna in Rh’minee for four years now, but it hadn't smoothed his temper. He went straight for Alec and gave him a sharp cuff on the ear.

"That's for lying inside the precinct, you whelp!"

"Ow! Sorry," Alec said humbly, clasping the side of his head.

Valerius knew better than to raise a hand to Seregil, but his expression was enough to make the smaller man take a step back. "All the barking and yelling that just disturbed my morning meditation would be your doing, I take it?"

"All in a good cause."

Valerius snorted and folded his arms across his broad chest. A northerner like Alec, he was half a head taller than either of them and built like a mountain bear.

And just as ill-tempered, Seregil reflected sourly. Considerably more dangerous, too, even in a good mood.

"Well, I suppose that's better than what Brother Myus thought he caught you two at."

"I wouldn't!" Alec gasped, going red to the ears. "Not here."

Valerius gave him another disapproving look. The truth was he liked Alec and had always blamed Seregil for what he deemed the young man's fall into bad ways. In the eyes of most of Rh’minee society, Alec was a minor noble of no consequence beyond his somewhat scandalous association with the dissolute and clever Lord Seregil. The fact that he'd first been introduced to society as Seregil's ward only added to the gossip. But in Rh’minee, of course, that was generally a plus.

"So you're still up to your old tricks?" Valerius rumbled as they walked back toward the temple.

"Not much else to do, these days," Seregil replied. "With Thero still in Aur‘nen, there's been no—" He waved a hand casually, thumb hooked over the top of his third finger: the sign for Watcher business.

Valerius paused near the portico and lowered his voice. "And Phoria still hasn't summoned you? It's been well over a year now, hasn't it? After what the two of you accomplished for Skala in Aur‘nen, I should think she'd want you with her spies."

"Then you don't know Phoria," Seregil muttered.

"We hope to see her when she returns from the front," Alec told him, anxious to change the subject.

"Duke Tornus wrote to her on our behalf, offering our services again."

"Ah, yes. Will you be sitting with the Royal Kin for the Progress?"

Seregil gave him a wry look. "We haven't received our invitation yet."

Acolytes were spreading the morning crumbs for the doves in the temple courtyard. A few birds fluttered up at their approach, and one landed on Alec's shoulder. He offered it a finger and it perched there, preening.

Seregil grinned at Valerius. "See? Your Maker still loves him, even with me around."
"Perhaps," Valerius muttered.

Seregil regretted his choice of hiding place. Valerius's jibes about Alec still struck more deeply than Seregil liked to admit.

Friend, partner in their precarious secret business, and talimenios—there was no proper translation for all that encompassed, or the deep bond of heart and body he and Alec shared. Seregil had taught him guile and all the tricks of the nightrunner trade, but at heart Alec was still the honest woodsman he'd found in that northern cell, and for that Seregil would always be grateful. Loving Alec made him feel almost clean again, himself.

Valerius lent them light cloaks and they set off for the Stag and Otter to change clothes.

"Well, that could have gone better, but at least we got what we went for. That's the most fun we've had in ages!" Alec flipped the brooch up in the air.

Seregil snatched it in midair and shoved it into his purse. "Are you trying to drop it again?"

"I found it, didn't I?" Alec teased, determined not to let Seregil sink into one of his moods. "Admit it. That was fun!"

"Fun?"

"Well, more fun than moping around Wheel Street, or at some noble's salon."

"And when have we been doing that? I'm quite out of fashion at court these days, along with most things Aur‘nfaie."

"Ingrates," muttered Alec.

There had been a number of notable shifts at court, following the death of Queen Idrilain two winters earlier—even with her successor, Queen Phoria, away most of the year, fighting in Mycena. Despite the obvious benefits of reopened trade with Aur‘nen, she had issued a royal decree: the Aur‘nfaie style of naming, popular since the time of the first Idrilain, was no longer used at court. Southern styles in dress, jewelry, and music were also out of fashion. Young men were letting their beards grow and wearing their hair cropped short about the ears.

Seregil's response had, of course, been to refuse to cut his hair at all. It was well past his shoulders now. Alec did the same, but braided his to keep it out of his face.

Among the general populace, however, Aur‘nfaie goods were in great demand. Whatever the nobles might do in public to please the new queen, the people hadn't lost their taste for luxuries and novelty.

The Harvest Market was bustling by the time they reached it, the huge square filled with the colored awnings and ranks of booths selling everything from cheap jewels and knit goods to live poultry and cheese. A Queen's Herald stood on the platform near the central fountain, announcing some victory on the Folcwine.

Most helpful customer reviews

124 of 139 people found the following review helpful.
Very Different From Earlier Works in the Series
By Maine Character
Think of your favorite scenes from the first three books - Alec proving worthy of his Black Radley bow, Seregil entering the snow-covered cave in the Dravnian village, Beka leading Urgazhi turma behind enemy lines, the Rhui'Auros mystics of Aurenen. Whatever they were, you won't find them here. Instead you get Chapter 39 in "Stalking Darkness," where Alec's being tortured in the hold of a ship, only here it goes on for a full half of the book.

The first three Nightrunner books are captivating and original, like a grittier Sherlock Holmes, with just the right touch of wonder and horror to the magic of the wizards. They're also dense, packed with captivating descriptions that never bog down, and laced with insight on swordplay, archery, and various espionage skills. Anyone seeking to write fine fantasy should check them out.

With this book, though, the difference is striking. For while the book's cover is gorgeous, inside it looks like a young adult novel, and worse, it reads like one.

First, there's clumsy lines like "Peering cautiously outside, he froze as he made out a line of figures outside." Every writer makes such slips, but an editor should've caught them. What really drags it down, though, are all the interior monologues. These long summaries of what everyone is feeling. "Alec was normally the most reasonable and easygoing of men; but on this one topic he always grew troubled, though he wouldn't say much about it. All Seregil would do was avoid the subject. He made no apologies for his past, but he hated causing Alec pain." And on and on, over and over again. In the earlier books you can hardly find such meandering, and always just a sentence here and there - not full pages of lovelorn ponderings.

And where is Seregil while Alec is imprisoned? Surely he's out sleuthing, tracking down Alec to rescue him. Nope, he's in another cell. So we go from Alec being groped while drugged to Seregil being groped while drugged and then back again. In the first Nightrunner book, Alec is miserable in a prison cell for just one page before he's busted out, but here all you get is Alec missing Seregil and Seregil missing Alec. "Oh tali! If you were killed, because of me..." and a hundred pages later Seregil's thinking the same thing, "limp and useless, trapped in a cell with no means of escape." Two heroes trapped in prison cells doesn't make for compelling fiction.

As for the characters, Seregil and Alec have gone from hardened, wise nightrunners with a strong bond to dopey-eyed lovers acting like amateurs. Like in an opening scene, when they're sneaking out of a mansion and Seregil looks back for Alec and says, "Hey! Where are you?" And Alec says, "Shhh! They'll hear you!" Real professional. Or when passing in front of the queen's cavalry, Micum tells Seregil, "Hush, someone will hear you!" He might as well have shouted, "He's talking bad about the queen!" Why not just have him change the subject, or make one of those hand signals that were so interesting in the earlier books? Besides that moment, Micum is the only one who acts like his old self, and those scenes are good, if still not up to the earlier books.

The dialogue, as well, is thin and clichéd, where it was previously one of the best parts of the series - witty, to the point, every scene holding its weight. So again, what's missing is the depth, the wonderful texture and realism of Flewelling's prose. (For a better look at the difference in style, check out a comparison I'll post in the Comments.)

I really hate to say all this, `cause I love the earlier books so, and Flewelling is a class act. I don't know what she was after here, but it's not a rewarding read.

Things do start to move at the end, though (even if what will happen in a battle scene is obvious before it begins), and there's also an enticing glimpse of the next book.

51 of 57 people found the following review helpful.
What Happened?
By B. Gibson
The Nightrunner Series has been a favorite of mine ever since the books first came out. That makes leaving this review really difficult for me, as I believe that Flewelling is a great author.

However, I hate to say it, but this book just doesn't live up to her previous work. As other reviewers have mentioned, there are a lot of little mistakes, such as what happened to Alec's father, various misspellings, and grammar issues, but these are small compared to the real issues.

Simply put this book is missing everything that made the previous books work. The sense of realism is gone, and a world that once seemed complete and full is now flat and empty feeling (someone mentioned a cardboard city). The same can be said for the characters. In the previous books I always got the impression that as much as we have seen of Alec and Seragil and the others, there was still more underneath. In this book they seemed to have been whittled down to their basic descriptions. Instead of real people they are as flat as the rest of world. In fact the whole book seemed to be lacking life, and character.

Lastly was the story. The idea didn't seem bad at first, but the execution was not so good. Honestly it seemed very contrived. I won't be specific as to which points I found especially troublesome, as that would be revealing spoilers, but let me just say that there are many places where the feel of the story is more like bad fan fiction than the normal type of work I had become used to seeing from Flewelling.

There were so many clichés that lead into seemingly contrived events, which read more like getting from point A to C via X (what and why?) than a real novel. There were plenty of occasions where the conclusions reached didn't match the action that took place, and the behavior exhibited did not seem in character or even remotely realistic.

As one other reviewer said, Flewelling's strong point had always been the ability to make a fantasy world seem logical and realistic. It was easy to suspend disbelief when reading Flewelling because her world, and her characters and their situations were all believable. When reading this book I never once was able to reach that point.

To say I was disappointed in this book is an understatement. Honestly, it made me wonder if my appreciation of the other books was due to some type of sentimentality instead of an actual representation of their quality. I am not sure if I will be purchasing the next books in this series, but perhaps I will. I just hope that Flewelling will be able to recapture the magic that seems to have been lost in this one.

29 of 34 people found the following review helpful.
A fun book that doesn't quite live up to its predecessors
By Kelsey Sharpe
I want to preface this review by saying that I love the first three Nightrunner books, and I enjoyed the Tamir triad very much. As other people have stated, if you liked the first three then you should get the fourth one (if only for completeness). That said, I would not agree with the sentiment that if you liked the first three, then you'll love this one too. I was ecstatic when I first read on the author's livejournal that she was writing a new book. When I read about a month before the release of Shadows Return that she had already begun writing the fifth book, The White Road, I should have been suspicious. Again, as previous reviewers have mentioned, Shadows Return is short. It also ends rather loosely, leading me to believe that perhaps at one time Shadows Return and The White Road were supposed to be one long novel. I wish that they had done that because Shadows Return is a somewhat unsatisfying read. I re-read the first three in the days leading up to the release of the fourth, and each one took me two or three days to read. I read this book in one sitting, not necessarily because I couldn't put it down, but because I had needlessly cleared two days of any non-reading activities. It seems like nit-picking to argue over length (especially when the book is short given the author, not the genre), but it's a little frustrating to wait several years for a book that barely takes an afternoon to read, then find out that the next one (essentially Shadows Return: Part 2) is coming out next year.

My disappointment over the length leads me into my next issue- this is a very simple book. The text and spacing are very large compared to the last three books. When I picked up my pre-ordered copy I stood in line to pay and just studied the cover (which is gorgeous, by the way). When I finally cracked it open, after I got home, I wondered who had put a young adult book inside my new Nightrunner novel. Now that I think of it, that might be a good way to look at this new book- it's sort of like a young adult version of the books we've come to love. Characters that used to act in unique and varied ways based on specific background and growth now have just three moods (Alec- angry, jealous, naive. Seregil- vengeful, forgiving, conflicted) for easy-to-understand characterization. Side characters and past events are given tantalizing mention and then shoved aside (bad news for Beka-lovers such as myself). Lynn Flewelling has an excellent voice in her writing, and it was so frustrating reading a book that felt like it had been put through a simplification machine. Shadows Return reads like the first three books, but with shorter sentences and chapters, and no-frills vocabulary. As an english major, I love coming across a word I've never seen before and going to look it up. That never even came close to happening in this book. The last young adult characteristic that I noted was the frequent reminders of motivations stemming from the first three books. First off, most people reading Shadows Return will have already read the first three and won't need reminders of big events. Second, you can explain the first time a character does x that he's doing it because of y- you don't have to tell us every time he does x.

My last complaints have to do with the many errors in spelling/continuity present in this fourth installment. Any book will have a few errors in its first printing, but there are quite a few mistakes in Shadows Return. Not just grammar and punctuation, but names, events, and Aurenfaie words are misspelled or suddenly different. Remember when Alec's father was tortured to death in Asengai's dungeon? Hopefully you don't because it didn't actually happen. Maybe in an early draft of the first book Amasa was with Alec in the dungeon, but by now shouldn't the author and publisher know which version they went with? The good part about these errors is that they can be fixed in later editions, but those of us with first editions are out of luck.

The reason I gave Shadows Return three stars is because there are some genuinely fun and exciting parts. There is a fantastic twist in the novel that I didn't expect at all, and which led to some very interesting passages. A newly introduced character (I'll try not to give anything specific away) does have slight overtones of a deus ex machina, but is extremely interesting nevertheless. I trust enough in Lynn Flewelling's writing ability that I believe The White Road will alleviate the concerns that usually go along with deus ex machina plot devices (i.e. nobody can die, nobody can lose). Ultimately that's why I'm writing this review- the problems present in Shadows Return are ones that are easily solved, and it's not too late for The White Road to be the triumphant Nightrunner sequel that we've all been waiting for.

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Minggu, 27 Desember 2015

? PDF Download SPECTER OF THE PAST 13-C MIXED FLOOR, by Timothy Zahn

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SPECTER OF THE PAST 13-C MIXED FLOOR, by Timothy Zahn

  • Published on: 1997-11-03
  • Format: Import
  • Binding: Hardcover

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Sabtu, 26 Desember 2015

! Free PDF Blood Ties: A Bishop/Special Crimes Unit Novel, by Kay Hooper

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Blood Ties: A Bishop/Special Crimes Unit Novel, by Kay Hooper

NEW YORK TIMES BESTSELLER


New York Times bestselling author Kay Hooper takes us to the outer reaches of fear in Blood Ties, as the Special Crimes Unit is targeted by a monster intent on destroying both Noah Bishop and his people. 

 
A series of grisly murders has left a trail of blood across three states, bringing the Special Crimes Unit to a small Tennessee town. There, two more brutal killings lure Noah Bishop and the SCU into what may be the ultimate trap, and lead Special Agent Hollis Templeton into a dangerous attraction—and a serial murder investigation that turns very, very personal. In her time with the SCU, Hollis has shown an uncanny ability to survive even the deadliest attacks. But what she can’t know is that this killer intends to destroy the team from within. As the body count climbs, and Bishop and his agents race to uncover the true identity of their enemy, not even their special senses can warn them just how bloody, and how terrifyingly close, the truth will be.

  • Sales Rank: #276729 in Books
  • Published on: 2010-08-31
  • Released on: 2010-08-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.86" h x 1.12" w x 4.10" l, .47 pounds
  • Binding: Mass Market Paperback
  • 416 pages

From Publishers Weekly
Too many interchangeable doll-like victims and a by-the-numbers plot mar bestseller Hooper's conclusion to her paranormal thriller trilogy that began with Blood Dreams and Blood Sins. When a serial killer tortures, dismembers, and dumps eight women in eight weeks in Tennessee and adjacent states, Noah Bishop, head of the FBI's Special Crimes Unit, gets on the case, along with Noah's touch-telepath and seer wife, Miranda, and special agent Hollis Templeton, a profiler-in-training and medium who can self-heal and see auras. Hollis and special investigator Diana Brisco, also a medium and healer, travel to the gray time, a corridor between life and death where a young spirit, Brooke, helps them connect the killings to a past threat. Series fans and newcomers alike will appreciate the appendixes, which include bios of Special Crime Unit agents and definitions of their various paranormal abilities. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
When the victims of a serial killer in the Southeast are found to be connected to earlier Special Crimes Unit cases, it becomes clear that the unit itself is the target. At the same time, SCU—an elite FBI unit of persons with paranormal abilities founded and led by Noah Bishop—is threatened by disturbing leaks. In this third in the trilogy (after Blood Dreams, 2007, and Blood Sins, 2009), unit members are still dealing with the exceptional psychic energy surrounding the killing of megalomanic cult leader Adam Deacon Samuel in Blood Sins. Medium Hollis Templeton’s increasing abilities enable her to help new investigator Diana Brisco, a medium who is able to travel in and out of “gray time,” a corridor between life and death. Hunkered down in the small town of Serenade, Tennessee, SCU members find themselves fighting an adversary with similar abilities, as it becomes clear that the evil Samuel’s legacy lives on. Footnotes and brief bios of unit members provide background for the trilogy in this compulsively readable paranormal thriller. --Michele Leber

Review
 
“A tautly written adventure . . . one of the best in the series.”
—Fresh Fiction

Most helpful customer reviews

45 of 46 people found the following review helpful.
"Dead doesn't necessarily mean gone."
By E. Bukowsky
"Blood Ties," by Kay Hooper, is set in the small town of Serenade, Tennessee, where a runner stumbles over the body of a man who has been tortured and murdered. The local sheriff, Des Duncan, who is not equipped to deal with such matters, calls in the FBI. The agents who show up are members of the highly trained Special Crimes Unit, all of whom have one or more psychic abilities. When more dead bodies turn up, the SCU suspects that a serial killer is on the loose.

In the absence of Noah Bishop, who is the chief of the SCU, Special Agent Miranda Bishop heads up the team. Quentin Hayes, Hollis Templeton, Diana Brisco, and Reese DeMarco also figure prominently in the case. As the days wear on, a highly skilled sniper starts taking potshots at members of the SCU as well as at noncombatants. In spite of their impressive intellect, training, and manpower, Miranda and her colleagues begin to feel like sitting ducks. Furthermore, they have no idea who the mastermind is behind all the carnage. Fortunately, Diana's psychic abilities provide a valuable clue; she learns that past events are connected to the crimes that they are now investigating.

Hooper has concocted a complicated plot featuring a diabolical conspiracy that will test the courage and stamina of the SCU. Diana is particularly vulnerable, since she has the ability to walk with spirits in "an eerie corridor between life and death." The danger is that someday, she may not be able to reemerge from this netherworld. Hollis Templeton, an agent in training, is also at risk, since her psychic abilities have evolved so rapidly that she sometimes overreaches. There is also a subplot about the ever deepening relationships between Quentin and Diana and Reese and Hollis. Most of the novel, however, is bogged down by repetitious scenes in which various individuals offer theories, track down leads, and dodge bullets. Although the author audaciously kills off some innocent characters, she throws in the obligatory surprise ending, in which a nefarious plan is revealed.

If you are new to the Bishop/Special Crimes Unit series, you might want to read the earlier installments first. Jumping in now may be a bit bewildering. You would also do well to refer to the author's helpful mini-biographies of her characters and her glossary of psychic terms (located at the back of the book). Since "Blood Ties" has dozens of characters and alludes to earlier novels in the series, readers will need all the help they can get to keep them focused. Those who have no patience with auras, the spirit world, clairvoyants, seers, and telepaths may want to skip this one. Even if you find psychic phenomena intriguing, especially when coupled with violence and a touch of romance, "Blood Ties" is a bit too rambling and melodramatic to earn more than a marginal recommendation.

44 of 45 people found the following review helpful.
Needlessly complicated, but a good read that ties in with the entire series
By Deborah V
Hooper has concocted a rather complicated entry into the Special Crimes Unit series with a series of grisly murders in the small town of Serenade, Tennessee designed to lure Noah Bishop and his team into the open. Bishop's team is composed of highly trained psychics each with one or more abilities and since the last book Blood Sins and the death of Samuel, team members notice other abilities starting to appear and strengthen.

As the psychic team hunts for the vicious killer, he begins to take shots at the team and civilians. The mystery is further complicated by the addition of another killer who just likes to torture and kill for the pleasure of it. Why is the sniper killer targeting the team? Who is he? What has driven him to basically hold the town of Serenade hostage with fear? Bishop's team hunts for answers as they race against time to prevent other murders.

If you are familiar with the series, Special agents Quentin Hayes and Diana Brisco from Chill of Fear, Hollis Templeton from Touching Evil and Reese DeMarco (sorry don't remember where he came from) feature prominently. John and Maggie Garrett also from Touching Evil are featured in a short, but important part.

Even with Hollis and Diana stumbling across a couple of really horrendous murders in the beginning--it can't save the book from getting off to a bit of a slow start. The slow start is due to all of the complications and subplots. If you haven't read the series you may be confused, I know I was and I've read every single book in the Special Crimes Unit series. It would have helped if I'd read them all more recently than over a span of several years. I listened to the audio version and while the reader did a good job of making the book sound exciting, I still had to stop and visualize previous books and where the characters were coming from with their abilities. I finally went to Ms. Hooper's website to find the mini-biographies of her characters in the Special Crimes Unit.

This is not a badly put together book nor is it a bad read, just one that is needlessly complicated. It was like Ms. Hooper decided more is better when perhaps less would have been better in that the reader would be able to focus their mind on the story instead of going off on tangents trying to remember details from Blood Dreams and let alone the entire Evil, Fear, and Shadow series!

The book does end with an "open door" - which is obviously meant to lead into the next book.

If you haven't read any other books in the various Special Crime Unit series--here they are in chronological order: (By the way, on her website, Hooper states that each trilogy takes place over one year in order for her not to age her characters too quickly).

Stealing Shadows (Shadows Trilogy) (Cassie Neill heroine)
Hiding in the Shadows (Shadows Trilogy) (Faith Parker heroine)
Out of the Shadows (Miranda Knight and Noah Bishop story)

Touching Evil (Maggie Barnes, John Garrett and Hollis Templeton)
Whisper of Evil (Evil Trilogy) (Hooper, Kay. Evil Trilogy.) (Nell Gallagher)
Sense of Evil (Isabel Adams)

Hunting Fear (Lucas Jordan and Samantha Burke)
Chill of Fear (Quinten Hayes and Diana Brisco)
Sleeping with Fear (Riley Crane)

Blood Dreams (Bishop/Special Crimes Unit Novels) (Dani Justice)
Blood Sins: A Bishop/Special Crimes Unit Novel (Bishop/Special Crimes Unit: Blood Trilogy) (Tessa Grey)
Blood Ties (Hollis Templeton, Diana Brisco, Quinten Hayes, et al)

8 of 8 people found the following review helpful.
Confusing.......
By Christina Bianchi
I have read all of Hoopers Bishops books and was excited when this one came out. Now I am disappointed...
I am over halfway through the book, and have to ask, am I the only one confused here?
When bringing up old characters, she uses astericks * to refer back to older books and really does not recap at all in blood ties. I read many of these years ago, am I suppossed to go back and reference them while reading this last book so as to remember??? I think if she just gave a slight recap that would make all the difference in the world..

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Jumat, 25 Desember 2015

! Fee Download On the Run, by Iris Johansen

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On the Run, by Iris Johansen

For eight years, single mother Grace Archer has been living a picture-perfect life raising her daughter on a horse farm in the small town of Tallanville, Alabama. Watching Frankie grow into a talented and confident young girl has made Grace as happy as any mother could hope to be. Happy enough, even, to forget the past. But the past never quite goes away. Which is why a certain charismatic man also moved to Tallanville eight years ago to watch over her.

But when violence threatens to shatter Grace and Frankie's idyllic home, the waiting is over. The ghosts of the past have returned. And they're hungry for blood. Now Grace must resume an identity she thought she had cast off forever, and match wits with an opponent as deadly as he is cunning. The prize: an extraordinary secret that only she can unfold. The forfeit: losing the thing more precious to her than life itself.

  • Sales Rank: #948623 in Books
  • Brand: Bantam
  • Published on: 2006-11-28
  • Released on: 2006-11-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x 1.07" w x 4.20" l, .44 pounds
  • Binding: Mass Market Paperback
  • 400 pages
Features
  • Great product!

From Publishers Weekly
A single mom and gifted horse handler, Grace Archer goes on the lam with her equally exceptional eight-year-old daughter, Frankie, after a Middle Eastern magnate named Marvot kills the owner of the Alabama horse farm where they have been hiding under the watchful eye of Grace's former employer, the CIA. Johansen (Firestorm, etc.) blends action, suspense and family values as Frankie's father, ex-CIA commando Jake Kilmer, comes back into Grace's life to protect her and the child he has never known. Grace blames Jake for her father's death and the end of her career, but there's no one else she trusts against Marvot, who wants her to train his lethal blue-eyed Arabian stallion and mare, known as the Pair, to lead him to treasure buried somewhere in the Moroccan desert. The novel starts off with guns blazing and doesn't slow down for murder, kidnapping, blackmail, sex or sandstorm. Johansen borrows openly from the movies Hollywood thinks women love (Grace talks to horses, though she balks at being called a horse whisperer), crafts family scenes (Marvot playing chess with his son; the Pair with their colt) and offers a mother and father who defend the world from criminals while yearning for domestic tranquillity. The Johansen formula works so well in this novel that readers may expect a sequel. (Dec.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
The CIA put Grace Archer and her young daughter, Frankie, under protective custody on a small horse farm in Alabama. When their cover is blown, the CIA wants to use Grace and Frankie as bait to smoke out Marvot, an old enemy. The only person who can help is Jake Kilmer, a rogue agent. Years ago, he trained Grace as an operative so that the CIA could benefit from her uncanny talent for handling horses. They wanted to find out why a French Moroccan underworld kingpin wanted to train two beautiful, wild, and extremely dangerous horses known as "the Pair." The mission was a failure, and Grace, then pregnant, went into hiding, distrusting Kilmer, with whom she was having an affair. Now Marvot has put a bounty on Grace and Frankie's heads, wanting to bring them back to Morocco to train the horses. Kilmer wants to kill Marvot and use "the Pair" himself. Frankie trusts Kilmer; now Grace must find out if she can do the same. Johansen gives her readers what they have come to expect from the queen of suspense: a truly evil, skin-crawling villain and complex heroes who must tangle with him in the shadow world of foreign intrigue. Patty Engelmann
Copyright © American Library Association. All rights reserved

Review
"Johansen blends action, suspense and family values.... Readers may expect a sequel."--Publishers Weekly


“[A] suspense story with feminine appeal!”--OK! Magazine

Most helpful customer reviews

46 of 54 people found the following review helpful.
I've got to go against the crowd here.
By E. A. Montgomery
I wouldn't call this her best. I wouldn't even put it in the top ten. It's a grab bag of genre cliches loosely held together by momentum with a sub-plot that literally made me say "That's IT?" I mean, seriously - that's the pivotal thing that makes the bad guy hate them and causes everything to roll? Because it's pretty absurd. It's not even suspend your disbelief absurd, it's just cartoonish.

Essentially, you have a Woman On The Run with a Child In Danger and she's been Abandoned By The CIA so only her ExLover The Mercenary can help her, but she doesn't trust him because, well, that's what she does. Suddenly things are exploding, bad guys are proving their oh so bad by threating to sexually assualt children, and the Woman Must Face Down Evil to prevail. Except the evil is so laughably evil that you wonder he survived as long as he did. And the Way She Can Succeed is so implausible that you really can't take it seriously. It requires magic animals and weather shamans.

Iris Johansen writes great thrillers. This one is a misfire. Wait for paperback if you must know and if you haven't read her at all, pick another.

12 of 12 people found the following review helpful.
Dreadful book
By ACS
I am constantly amazed at what can get published. The plot of this book requires the reader to suspend any sense of logic and rationality. In fact, the plot is so far-fetched I thought it was a parody. The characters are not believable at all. The reader is supposed to believe that Mozart has been re-incarnated as Frankie. Um right. And I am the queen of Spain. This is the first book by the author that I have read and I am not anxious to pick up another one. I found the plot lines and character developments to be insultingly stupid. Almost too embarassed to donate this book. I pray for the trees sacrificed to make this.

15 of 16 people found the following review helpful.
Paranormal twist to this good but not great read
By Valerie Matteson
Grace Archer is a former CIA operative who has been in hiding on Charlie's horse farm in a very small Alabama town. She and her eight year old daughter Frankie are also overseen by Robert Blockman, a CIA operative who lives in the town undercover. The four of them have good times together and have become fast friends over the nearly nine years Grace has been in hiding. Unbeknownst to Grace her former coworker and lover, Jake Kilmer, has stirred up the pot and now the evil Marvot is sending everyone and everything after Grace and her daughter.

Of course the only one that can help them is Jake who is no longer directly or indirectly with the CIA. Grace trusts him to take care of her and Frankie but as for more personal trust--that will take time. Grace has an almost magical way with horses and thus Marvot wants her back in El Tariq to help him with a very special "Pair" of Arabian horses.

I enjoyed the danger, intrigue and adventures and less the "paranormal" aspects of this story although I usually enjoy some paranormal twists but I felt that the story needed more background on how Grace developed/discovered her talent and how she had used it before to help make it more plausible. A fun read nevertheless.

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Kamis, 24 Desember 2015

@ Get Free Ebook ROBERTS RIDGE: A Story of Courage and Sacrifice on Takur Ghar Mountain, Afghanistan, by Malcolm MacPherson

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ROBERTS RIDGE: A Story of Courage and Sacrifice on Takur Ghar Mountain, Afghanistan, by Malcolm MacPherson



ROBERTS RIDGE: A Story of Courage and Sacrifice on Takur Ghar Mountain, Afghanistan, by Malcolm MacPherson

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ROBERTS RIDGE: A Story of Courage and Sacrifice on Takur Ghar Mountain, Afghanistan, by Malcolm MacPherson

Afghanistan, March 2002. In the early morning darkness on a frigid mountaintop, a U.S. soldier is stranded, alone, surrounded by fanatical al Qaeda fighters. For the man’s fellow Navy SEALs, and for waiting teams of Army Rangers, there was only one rule now: leave no one behind. In this gripping you-are-there account–based on stunning eyewitness testimony and painstaking research–journalist Malcolm MacPherson thrusts us into a drama of rescue, tragedy, and valor in a place that would be known as...

ROBERTS RIDGE

For an elite team of SEALs, the mission seemed straightforward enough: take control of a towering 10,240-foot mountain peak called Takur Ghar. Launched as part of Operation Anaconda–a hammer-and-anvil plan to smash Taliban al Qaeda in eastern Afghanistan –the taking of Takur Ghar would offer U.S. forces a key strategic observation post. But the enemy was waiting, hidden in a series of camouflaged trenches and bunkers–and when the Special Forces chopper flared on the peak to land, it was shredded by a hail of machine-gun, small arms, and RPG rounds. A red-haired SEAL named Neil Roberts was thrown from the aircraft. And by the time the shattered helicopter crash-landed on the valley floor seven miles away, Roberts’s fellow SEALs were determined to return to the mountain peak and bring him out–no matter what the cost.

Drawing on the words of the men who were there–SEALs, Rangers, medics, combat air controllers, and pilots–this harrowing true account, the first book of its kind to chronicle the battle for Takur Ghar, captures in dramatic detail a seventeen-hour pitched battle fought at the highest elevation Americans have ever waged war. At once an hour-by-hour, bullet-by-bullet chronicle of a landmark battle and a sobering look at the capabilities and limitations of America’s high-tech army, Roberts Ridge is the unforgettable story of a few dozen warriors who faced a single fate: to live or die for their comrades in the face of near-impossible odds.

  • Sales Rank: #57090 in Books
  • Brand: Dell
  • Published on: 2006-07-25
  • Released on: 2006-07-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.88" h x 1.06" w x 4.17" l, .40 pounds
  • Binding: Mass Market Paperback
  • 369 pages
Features
  • Great product!

From Publishers Weekly
On March 2, 2002, U.S. intelligence launched Operation Anaconda; having noted a concentration of al-Qaeda and Taliban forces in the Shah-i-Kot Valley, they dispatched MAKO-30, a seven-man navy SEAL reconnaissance team, attempted a helicopter landing on Takur Ghar, the highest overlooking peak. Tasked with calling in air strikes, MAKO-30 found its landing zone to be a well-concealed al-Qaeda camp; the team's Chinook helicopter was driven off by withering ground fire. When SEAL Neil Roberts fell out of the chopper, the others insisted on going back for him. With the team pinned down by enemy fire and facing annihilation, commanders dispatched a quick reaction force of army Rangers to rescue them. Thus began a harrowing 17-hour drama every bit as perilous and courageous as the Rangers' ill-fated Battle of Mogadishu, Somalia; novelist (Deadlock) and journalist (The Black Box) MacPherson eloquently captures this gripping tale, based on interviews with many of the survivors and access to the army's after-action report. And while the battle "played no part in the success of Anaconda," and was in fact a distraction for decision makers, the army after-action report cites the troops' "conspicuous bravery" and "countless acts of heroism"—all of which MacPherson captures with aplomb. (Sept. 6)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
This is a real-life thriller with not quite the triumphant ending that fiction often provides, to be sure, but relating a great many hard-won lessons. In March 2002 a team of U.S. Navy SEALs attempted the capture of Takur Ghar, a 10,000-foot-high mountain whose seizure would give the American forces in Afghanistan a key observation post. But the mountain was defended, and when the special forces helicopter reached the peak, it was shredded by enemy fire, and Petty Officer First Class Neil Roberts was thrown from the aircraft. His fellow SEALs were determined to bring him out. This is the story of that attempt. Well told and frightening as well as true, this is a book that bridges the breach between the increasingly professional American military and a civilian culture possessing little knowledge or experience of the military. Though not the only such book, one of the best recent ones. Frieda Murray
Copyright © American Library Association. All rights reserved

Review
“A true story of courage that captures–over the course of seventeen hours–all the drama and sacrifice of war. Impossible to put down. Highly recommended.”—James Bradley, author of Flags of Our Fathers and Flyboys

“At once a terrifying and compelling narrative, Roberts Ridge strikes awe for its unflinching and honest portrayal of the courage, determination, and capability of American fighting men. This true tale resonates with vitally important lessons of success and failure on the field of battle.”—Eric Haney, author of Inside Delta Force

"In the tradition of Black Hawk Down, Malcolm MacPherson vividly brings to life this harrowing story of courage, pathos, and war at its grittiest. For military history buffs, or those interested in the front lines of the war on terror, Roberts Ridge is a must read."—Jay Winik, author of April 1865: The Month That Saved America

"[MacPherson] is at his best when he uses his access to the special-forces fighters and spills details, such as the smell of a bullet-shredded pine tree and the slow icing of the sweat and blood that soaked the men's clothing.... a story with a strong heart."—The Hartford Courant

"Roberts Ridge is a reminder that combat, despite America's huge technological advantages, always boils down to the basics: Men, machinery, maps and mojo.... Like Black Hawk Down, there is no happy ending .... Ultimately, Roberts Ridge is a study in courage and comradeship. How some of America's finest young men, in the crucible of combat, refuse to surrender their buddies in the face of gut-clenching firepower, grinding cold and the bewildering fog and friction of war."—The Flint Journal

“An impressively detailed account of one heart-wrenching battle in the invasion of Afghanistan. MacPherson gives readers a rare, behind-the-scenes look … A Great read.” — St. Petersburg Times

“A real-life thriller. . . that bridges the breach between the military and a civilian culture possessing little knowledge or experience of the military.” —Booklist

Most helpful customer reviews

28 of 28 people found the following review helpful.
Great Account of the Battle for Takur Ghar Mountain
By T Newman
Prior to Operation Anaconda, the less-than successful operation to trap and kill Al-Queda troops in the Sha-i-Kot Valley, a number of Special Operations Forces teams infiltrated the area in order to conduct reconnaissance prior to the operation and then direct close air support into the Valley to kill the terrorists. Mako 30, one of these teams, was sent to the most obvious observation point in the Valley - Takur Ghar mountain. Only problem was that the battle-hardened Al Queda terrorists, mostly Chechens, were quite aware of the military significance of Takur Ghar and made it their own before Mako 30 arrived. MacPherson makes a great argument for the pitfalls of relying on the best technology in the world - even our best "sniffers" never picked up on the terrorists on the peak. After attempting a landing and losing Neil Roberts, Mako 30 attempted to return to the same Landing Zone they had unsuccessfully tried to occupy the first time around. Mako 30's predictable defeat is followed by a Ranger Quick reaction Force that is also pinned down. Unbelievably, the Rangers landed in the exact place that Mako 30 did, losing their MH-47 in the process. A third reaction team lands, scales 2000ft on mountain, and the Rangers finally prevail over the enemy.

MacPherson has done a great job of capturing the details of the battle, but his account falls far short of "Not A Good Day To Die", a far more detailed and better-sourced account. Nonetheless, MacPherson's account captures the individual bravery and sacrifice of the U.S. soldiers on the mountain. A great compliment to "Not A Good Day To Die". A must read for any small unit commander and anyone interested in Al Queda tactics.

0 of 0 people found the following review helpful.
Stunning !!!
By Bill
I chose this rating because the book earned it. A graphic account of selfless dedication for the brothers who died and those fortunate enough to have survived a deadly ambush. Unparalleled action against a determined enemy. It speaks to the character of today's all volunteer military.

0 of 0 people found the following review helpful.
The first time I purchased a book, was pleasently ...
By edward kane
The first time I purchased a book, was pleasently surprised with condiition of the book.and delivery service.I will buy again.

See all 239 customer reviews...

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## Download Eye of the Red Tsar: A Novel of Suspense, by Sam Eastland

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Eye of the Red Tsar: A Novel of Suspense, by Sam Eastland

Shortly after midnight on July 17, 1918, the imprisoned family of Tsar Nicholas Romanov was awakened and led down to the basement of the Ipatiev house. There they were summarily executed. Their bodies were hidden away, the location a secret of the Soviet state. A decade later, Pekkala, once the most trusted secret agent of the Romanovs, is now Prisoner 4745-P, banished to a forest on the outskirts of humanity. But the state needs Pekkala one last time. His mission: catch the assassins who slaughtered the Romanovs, locate the royal child rumored to be alive, and give Stalin the international coup he craves. Find the bodies, Pekkala is told, and you will find your freedom.

In a land of uneasy alliances and lethal treachery, pursuing clues that have eluded everyone, Pekkala is thrust into the past where he once reigned. There he will meet the man who betrayed him and the woman he loved and lost in the fires of rebellion—and uncover a secret so shocking that it will shake to its core the land he loves.

  • Sales Rank: #615178 in Books
  • Brand: Brand: Bantam
  • Published on: 2011-01-25
  • Released on: 2011-01-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.47" h x .66" w x 5.24" l, .48 pounds
  • Binding: Paperback
  • 304 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Sam Eastland on the Russian Buckle Front Detail Back

During the mid 1990’s, a friend of mine was present at a construction site in Russia when a backhoe unearthed the body of a soldier. The dead man was laying spread eagled on the carcass of a horse which had been buried at the same time. The man was wearing a long greatcoat, tall boots and had a thick leather belt across his middle. The clothing and the body had been preserved by the soil so that the man appeared to be partially mummified. Upon examination of the corpse, it became clear that the rider had been buried around the time of the First World War. It also seemed clear, from the fact that he had been laid to rest along with his horse, that the man had probably been buried on the same spot where he had been killed. The man’s belt buckle, which clearly showed the double-headed eagle of the Romanovs, identified him as a soldier of the Tsar’s Army. However, because of the location, which was not on what would have been the front lines during the Great War, the man must have been buried after, not during, the war. This would have placed the soldier’s death at some time in the early days of the Revolution, when soldiers still loyal to the Tsar, known as the Whites, fought pitched battles with the Bolsheviks, who became known as the Reds.

During the course of the construction, several other bodies were discovered, all of whom were similarly dressed and, presumably, had been killed during the same battle.

After the bodies had been re-interred, my friend was given one of the belt buckles as a souvenir. He then passed it on to me, and I still have it.

For every book, there is always some unexpected catalyst that sets everything in motion. Waiting for these catalysts to take hold is like standing in the path of a gently falling meteor shower. Ideas will come hurtling past, but they don’t hit you, so eventually you forget them. But then some image or some anecdote will strike you right between the eyes. From that point on, the formation of the book becomes like the making of a pearl inside an oyster. The grain of sand embeds itself inside the oyster. The oyster is not trying to produce a thing of beauty. It is trying to survive. The pearl is the product of pain. It is the same with these stories. Once they have snagged like a fishhook in your brain, you have to find a way to work them loose.

Holding that buckle in my hand made me think of the tens of thousands of people who were swallowed up in that revolution whose stories have never been told. Russian history, perhaps more than any other country, is layered with so many lies, denials, discreditations and rehabilitations that there is no one version of that country’s past. The only reliable stance to take is that nothing about it is reliable. And yet you know that the truth is in there somewhere, woven into the fabric of these deceptions.

For months after I began writing The Eye of the Red Tsar, that rider galloped through my dreams. It became an act of self-preservation to conjure back to life the story of that buckle, and of the man who wore it to his death.



From Booklist
Knowing that his secret police force includes many spies, Tsar Nicholas Romanov selects Pekkala, a Finnish soldier, to become his personal private investigator, the Emerald Eye. When Nicholas and his family are captured by the Bolsheviks, Pekkala becomes prisoner 4745-P and is sent to the Siberian gulag. A decade later, in the midst of the Great Terror, Pekkala is released because Stalin needs to know exactly what happened to the Romanov family. There is much to like about Eye of the Red Tsar, the first in a planned series. The stoic Pekkala is a bit enigmatic but is shown to be intelligent, courageous, and dogged; Eastland will no doubt reveal more about him in future books. The sense of place and period is well rendered. Stalin's Russia assuredly offers a surfeit of future plotlines, and Eastland appears to have done considerable research into the period. But Stalin, whom Pekkala encounters twice—in 1917 and 1929—is portrayed not as a monster but as soft spoken and thoughtful, a stunning departure from historical consensus. That said, readers should look forward to Pekkala's next investigation. --Thomas Gaughan

Review
 “In the tradition of Martin Cruz Smith and Tom Rob Smith, Sam Eastland pulls us into the culture and politics of Mother Russia. . . . Highly imaginative [and] exciting.”—USA Today

“A fantastic premise, frenetic action sequences and a stellar setting would all set apart this debut novel by [Sam] Eastland. . . . What elevates this Russian period thriller . . . is its mad, brilliant hero.”—Kirkus Reviews (starred review)

“A riveting historical thriller with a fascinating protagonist . . . a smart, assured, impeccably researched page-turner.”—David Liss, author of The Devil’s Company
 
“A triumph! With a canny eye for detail, Eastland re-creates the tragedy of the Romanov dynasty in this intelligent and relentless thriller.”—David Hewson, author of City of Fear
 
“Gripping and memorable . . . Fans of Russian thrillers (Tom Rob Smith’s Child 44, Martin Cruz Smith’s Gorky Park, and David Benioff’s City of Thieves) will want this.”—Library Journal
 
“A terrific debut . . . Eastland’s weaving of fact and fiction, of real and invented characters, is brilliantly achieved.”—The Times (London)

Most helpful customer reviews

24 of 30 people found the following review helpful.
Engaging historical thriller & start of a new series
By Sandy Kay
I enjoyed this book very much. I would have given it 5 stars but for one plot point that I could not believe (later on that - but no spoilers). But even with that, I would definitely read the next book in what I assume will become a series of Inspector Pekkala books (the next book comes out in 2011).

The main character is Pekkala. At the beginning of the book he is a prisoner in a Soviet labor camp assigned to mark trees for cutting; he has been there for nine years since the Tsar's abdication. A young political officer (Kirov) comes to request his assistance in an investigation because Pekkala is a special prisoner: he was the Tsar's legendary special investigator. Pekkala, along with Kirov and Pekkala's estranged older brother Anton, is charged with investigating the murder of Tsar Nicholas and his family. He has a strong moral code without being a wimpy or goody-goody character and that makes him a very interesting character.

There are a lot of books written about the deaths of the Romanovs. If you have a particular interest in or have studied the subject (I have not), you may have to give the author a fair amount of artistic license because the point of the book is Pekkala's character and his investigation, not to be a novelization of historical facts. One thing marred my complete enjoyment of the book. Pekkala makes a mistake (I won't say what or where in the book because it would spoil it) that is completely at odds with everything that has been written about him in the rest of the book. Nevertheless, it is a very enjoyable historical thriller. It will be interesting to see what investigations Pekkala does in future books.

22 of 29 people found the following review helpful.
Impressive first novel!
By Cynthia K. Robertson
Sam Eastland has scored an impressive triumph in his first novel, Eye of the Red Tsar. I'm a big Romanov-fan, and Eye of the Red Tsar provided me with a periodic fix. Eastland mixes history with fiction to great effect. However, in order to enjoy this book, you have to keep in mind that this is a work of fiction. The murder of the royal family as Eastland writes it is not how we know it to have happened.

Opening in 1929, Pekkala finds himself a prisoner in Siberia. He has served 9 years of a 30 year sentence for Crimes Against the State. Pekkala was once the Emerald Eye, the personal investigator of Tsar Nicholas II. He was the only man that Nicholas II trusted. But after the Revolution, he finds himself living a solitary existence, marking trees for cutting. Most men don't live out the year. But Pekkala's survival is a testament to his mental and physical toughness. Commissar Kirov is sent to bring Pekkala back as the communist government has a job for him. The government wishes to discover what really happened to the Romanovs. There is also a possibility that at least one of them is still alive. More likely, they're also interested in what may have happened to the Romanov treasure. Kirov offers Pekkala his freedom at the end of the job, so the former investigator reluctantly signs on.

It doesn't take Pekkala long to get back into the routine of investigation. He seeks out clues, interviews witnesses, and tries to discover what happened to the royal family. But whoever had a hand in their murder is still trying to remain underground. Some witnesses to that fateful night in Ekaterinburg are still in danger. As Pekkala starts digging, his life is also threatened.

Aside from the plot, what makes Eye of the Red Tsar so satisfying is Eastland's wonderful prose. Alternating between the past and the present, you get the feeling that Eastland personally knew the Tsar. "The Tsar's narrowed eyes were hard to read. His expression was not unkind, but neither was it friendly. It seemed to hover between contentment and a desire to be somewhere else. More of a mask than a face, thought Pekkela." The Tsar is actually jealous of his humble investigator and the simple life he lived.

I read that Sam Eastland has already started on another Pekkala mystery. If this is going to be a series, I'm definitely on board.

5 of 6 people found the following review helpful.
A New Writer - A "Tsar" Is Born
By Alan L. Chase
Sam Eastland is a novelist whose work is new to me. I am delighted to have discovered his new work, "Eye of the Red Tsar." This is historical fiction at its best. The story is set around the Russian Revolution and the assassination of Tsar Nicholas II and the massacre of the entire Romanov family.

Eastland creates the fictional character of Pekkala, a Finnish member of the Tsar's household who is a master detective with a steel-trap mind. Based on a real historical figure, Pekkala becomes famous as "The Eye of the Red Tsar." He becomes the most feared and respected investigator in all of Russia. After the Tsar is deposed, Pekkala is captured attempting to flee the country, and is sent to Siberia. Stalin wants to keep him in the "deep freeze" rather than kill him in case his skills are needed in the future. Sure enough, when questions arise around the deaths of the Romanov's and the disposition of their fabled treasure, Pekkala is sent for and given the task of solving the mystery.

The writing is excellent. Eastland knows Russia. In reading his descriptions of place, I could smell and taste and feel the same sensations that wash over me whenever I visit that mystical land.

Here is a small sample of Eastland's narrative voice. This passage explains some of the reasons behind Pekkala's great success as an investigator, rooted in his apprenticeship to his father, the undertaker:

"As the younger son, Pekkala had always known he would remain at home, service as an apprentice to his father. Eventually, he would be expected to take over the family business. His father's quiet reserve became a part of Pekkala as he assisted in the work. The draining of fluids from the bodies and replacing them with preservatives, the dressing and the management of hair, the insertion of pins in the face to achieve a relaxed and peaceful expression - all this became natural to Pekkala s he learned his father's occupation.

It was with their expression that his father took the greatest care. An air of calm needed to surround the dead, as if they welcomed this next stage of their existence. The expression of a poorly prepared body might appear anxious or afraid, or - worse - might not look like the same person at all.

It fascinated him to read, in the hands and faces of the departed, the way they'd spent their lives. Their bodies, like a set of clothes, betrayed their secrets of care or neglect. As Pekkala held the hand of a teacher, he could feel the bump on the second finger where a fountain pen had rested, wearing a groove into the bone. The hands of a fisherman were stacked with calluses and old knife cuts which creased the skin like a crumpled piece of paper. Grooved around eyes and mouths told whether a person's days had been governed by optimism or pessimism. There was no horror for Pekkala in the dead, only a great and unsolvable mystery." (Page 16)

There is a promised sequel to "Eye of The Red Tsar" in the works. I look forward to reading it.

Enjoy.

Al

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